PRAGUE: Leading CEE TV and media company Central European Media Enterprises (CME, www.cetv-net.com) announced third quarter 2012 net revenues of US$ 140.1 m, compared to US$ 165.5 m in the same period in 2011, a decline of 15.3%. CME shares followed suit with a one-day loss of nearly 20%.
RIGA: Latvian producer Guntis Trekteris is producing and developing a slate of international documentary films through his company Ego Media (www.egomedia.lv).
COTTBUS: The 14th edition of the East-West coproduction market connecting cottbus (www.connectingcottbus.de) taking place 8-9 November will present 13 films representing 12 countries, with participants pitching to an industry audience of some 150 people.
PRAGUE: The Czech MEDIA Desk (www.mediadesk.cz) and the Czech Film Center (www.filmcenter.cz) are launching new strategies to help Czech filmmakers increase the scope of coproductions.
JIHLAVA: Serbian director Srdjan Keča’s film Mirage (skeca.com/mirage) won the Best CEE Documentary Film at the 16th Jihlava International Documentary Film Festival (www.dokument-festival.cz), which concluded 28 October 2012.
JIHLAVA: The heads of the public TV broadcasters from the four Visegrad countries – Poland, Czech Republic, Slovakia, and Hungary - met this week during the Jihlava International Documentary Film Festival (www.dokument-festival.cz), to discuss cooperation on documentaries and doc coproductions.
JIHLAVA: Jihlava International Documentary Film Festival (23-28 October 2012, www.dokument-festival.cz) has launched a new platform for documentary producers under the title Emerging Producers.
JIHLAVA: Central European documentary filmmakers are beginning to see some coproduction funding sources in TV stations across the region, but most will have to look westward for their budgets.
JIHLAVA: Eleven films will compete in the Czech Joy section of the Jihlava International Documentary Film Festival (www.dokument-festival.com) taking place 23-28 October 2012.
EDINBURGH: Representatives from the Ministries of Culture of six of the newest EU and CEE countries have said there is a need to support coproductions and to find new sources of funding in future to support their film industries.
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