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Tallinn Black Nights Film Festival unveils the lineup of the Official Selection - Competition of it’s 23rd edition, adding seven world, five international and one European premiere to the previously announced eight films.

The programme, diverse, both in terms of genre and geography, covers five continents, with films from Northern And Southern America, Asia, Europe and Africa added in the selection. Three of the directors, while making their feature debuts, are seasoned as TV and stage directors. 

Festival director and head of programme, Mrs Tiina Lokk shared her excitement over the selection commenting: ‘From sweeping historical dramas and artsy genre exercises to author drama in its purest form, we can say that this is a selection that really encapsulates what we are after with our selection philosophy - fresh takes on old tropes, creative voices breaking apart from the traditions of their geographical context, mixed with audience and critic-pleasing quality. In the midst of it all, a filmmaker who has been one of my personal heroes since his breakout films in the ’90s.”

The Official Selection - competition has been run in its present form since the festival received it’s ‘A-category’ status from FIAPF in 2014. Since then the programme has been a competition programme without any geographic restrictions, screening world, international or European premieres of established filmmakers that the festival’s programming team wishes to highlight for its audience, film critics and the international film industry.

The programme will be overseen by an international jury of film industry professionals, that will be announced in November. They will hand out the following prizes: Grand Prix for the Best Film (grant of 10 000 euros from the City of Tallinn, shared by the Director and Producer); Best Director (grant of 5000 euros); Best Script; Best Actress; Best Actor; Best Cinematographer (grant of 1000 euros from Angel Films); Best Music.

The first screenings of the Official Selection will run between the 20th and 29th of November

Films

Dead Volume 
Director and actor Kauê Telloli’s second film is a psychological drama that gradually builds tension as it unfolds the motifs and secrets of its protagonists. Taking place over a short span of time, a young teacher tries to solve the strange case of a mute student, while being accused by the parents of mishandling her duties. The film will have its world premiere in Tallinn.

Drowsy City
A young man works as a slaughterman living in an abandoned building in the heart of a bustling city. One day, three strange gangsters come to hide in his building, forcing the man to feed and accommodate them and their unexpected guest. Shooting in a naturalistic style without any censorship of violence, director Dung Luong Dinh walks a different path altogether with his second feature film. His previous film Father and Son screened at numerous festivals all over the world, including a special screening at Black Nights in 2017. Drowsy City will have its world premiere in Tallinn.

In the Strange Pursuit of Laura Durand
As his second feature film director Dimitris Bavellas presents the world premiere of a comedic feel-good road movie about two friends living in a small apartment secluded from society put on the road with a mission to find their platonic love interest Laura Durand, a pornstar of the 90’s, who mysteriously disappeared a couple of years ago. Bavellas’ first film Runaway Day screened at Sarajevo IFF, Edinburgh IFF and over 30 other festivals around the world.                                                                                                      
Kalel,15
Having been told to keep secrets about his mother’s affair with a married man, his sister’s abortion and the fact that his father is a priest, 15-year-old Kalel thinks being diagnosed with HIV will be just another secret that he has to keep. After years of research and interviews, what started out as a mere tale of secrets and scandal became an examination of youth culture, particularly young people in peril, and a society that cares so little about them for director Jun Robles. His previous films have won awards at some of the major Asian festivals and ceremonies like Tokyo, Kerala and the Asian Film Awards, and have screened at well-known festivals in other parts of the world such as Toronto IFF and New York IFF. Kalel, 15 will have its world premiere in Tallinn.

Malpaso
Twin brothers Candido and Braulio are growing up near the border of Haiti in the Dominican Republic, with one of them helping their grandfather to sell coal in the border market of Malpaso and the other leading a lonely existence since he needs to stay home secluded due to his albinism. Their world is turned upside down by a tragic life-event. Presenting the world premiere of his third feature in Tallinn, director Héctor Valdez’s previous film Melocotones, was a Yellow Robin nominee at the IFFR-Curaçao, screened at the Montreal World Film Festival and won the Film of the Festival award at the Raindance FF.

Man From Beirut
Director and co-writer Christoph Gampl presents the world premiere of his second feature film, a stylised crossover on the border of genre and arthouse set in a ‘neo-noir’ Berlin. Raising questions about cultural, national and moral identity, the story centres on a blind Lebanese contract killer Momo, who suddenly grows a conscience refusing to kill a young girl. Despite shooting on a low budget, Gampl managed to attract well-known actors Susanne Wuest (Goodnight MommySunset) and Blerim Destani (Get LowThe Captain) to his project. His first film Antman (2002) screened at the Berlinale. He was the associate producer of A Thought of Ecstasy, the German-US production that had its world premiere in the Official Selection of Black Nights in 2017.

The Flying Circus
Set in Kosovo on the verge of war, the Dodona Theatre, the last remaining public institution functioning, is closed down by Serbian authorities. The theatre’s play “The Flying Circus”, inspired by Monty Python, is invited to neighbouring Albania for a theatre festival. Travelling to Albania at this time is a great danger, so the actors decide not to go. Having learned the news that Michael Palin of Monty Python will be in Albania to film his documentary at the same time, the actors decide to try their luck of fulfilling their dream to meet their idol. 

Director Fatos Berisha is a film, television and theatre director, whose eventful career includes the co-founding of the Dodona Theatre in Exile during the Kosovo war, while he was a refugee in Macedonia. He directed a play for children with Academy Award winner Vanessa Redgrave acting as a guest star,  that was performed for Kosovar children at refugee camps in Macedonia.

Fiela’ Child
Southern Africa, 1865. A mixed-race woman living in the arid Karoo takes in a lost white child and raises him as her own. Nine years later, the boy is removed and forced to live in the Knysna Forest with a family of woodcutters who claim that he is theirs. Separated by law and geography, Fiela and Benjamin spend a decade trying to find each other while simultaneously coming to terms with their individual identities. Presenting the film’s international premiere in Tallinn, director Bret Michael Innes previous film Sink screened and won awards at several festivals all over the world, including Kerala IFF, Stockholm IFF and Mexico IFF.

Golden Voices
Victor and Raya Frenkel were the golden voices of Soviet film dubbing for decades, working on all the classics that passed the Iron Curtain from the West. In 1990, with the collapse of Soviet Union, the Frenkels decided to emigrate to Israel, just like hundreds of thousands of Soviet Jews at the time. As there’s no need in Israel for Russian speaking dubbing artists their attempts to use their talent will cause bizarre and unexpected events, leading to amusing, painful, and absurd experiences, while nostalgically looking back at some of the most memorable chapters in the history of cinema. Director Evgeny Ruman has made four feature films previously, with The Man in the Wall (2015) screening at several international film festivals, Rotterdam IFF among them.

Kontora 
Guided by her grandfather's WWII-era diary, the emotionally struggling teenager, Sora, searches for a mysterious trove in the wilderness of her hometown, as another party generates an interest in the artefacts. Meanwhile, a mysterious mute and backwards-walking homeless man wanders into town who might become the catalyst to put her shattered relationship with her father back together. Born in Northern India, director Anshul Chauhan has pursued a career as an animator in Tokyo, while also making live-action films on the side, finishing his first feature Bad Poetry Tokyo in 2017. Kontora is his second feature film.

Marionette
Told with emotional lavishness and infusing some theatrical expressionism with that of film, second-time director Álvaro Curiel de Icaza presents the story of Belén, a street artist and professional beggar who encounters Ernesto, an ambitious foreign actor and stage director desperately looking for an opportunity in Mexico City. Ernesto is soon drawn into the world of Belén, who is controlled by a quasi mobster David Torrico who runs a professional network of street beggars. De Icaza’s first film Acorazado (2010) won him awards at festivals like Morelia IFF and Lleida Latin-American FF. Marionette recently won the FIPRESCI prize at the Guadalajara IFF.

Muscle
UK Director Gerard Johnson presents the international premiere of his psychological thriller of a man trying to get his life back into order by getting physically into shape. This leads to him getting together with an intimidating, yet effective gym teacher Terry, who will play a bigger role in Simon’s life than he could ever foresee or desire. Director Gerard Johnson has won two awards at Sitges for previous films Hyena(2014) and Tony (2009), while also screening at festivals like Tribeca, Edinburgh IFF and Les Arc EFF.

The Coldest Game
During the Cold War, the U.S. Secret Service abducts a brilliant mathematician to have him play a chess match against a Soviet grandmaster. However, the international tournament in the Warsaw Palace of Culture and Science turns out to be a mere cover for a spy game in which saving humankind from a nuclear apocalypse is at stake. Having worked previously as a TV series director, cinematographer and scriptwriter, director Łukasz Kośmicki presents his crafty feature debut, with Bill Pullmann playing the protagonist.

Films 

Dead Volume (Volume Morto), 2019, Brazil, director: Kauê Telloli | World premiere
Drowsy City, 2019, Vietnam, director: Dung Luong Dinh | World premiere
Fiela’s Child (Fiela se Kind), 2019, South Africa, director: Brett Michael Innes | International premiere
Golden Voices, 2019, Israel, director: Evgeny Ruman | International premiere
In the Strange Pursuit of Laura Durand, 2019, Greece director: Dimitris Bavellas | World premiere
Kalel,15, 2019, Philippines, director: Jun Robles Jana | World premiere
Kontora, 2019, Japan, director: Anshul Chauhan | European premiere
Malpaso, 2019, Dominican Republic, director: Héctor M. Valdez | World premiere
Man From Beirut, 2019, Germany, director: Christoph Gampl | World premiere
Marionette (Marioneta), 2019, Mexico, director: Álvaro Curiel de Icaza | International premiere
Muscle, 2019, UK, director: Gerard Johnson | International premiere
The Coldest Game, 2019, Poland, director: Łukasz Kośmicki | International premiere
The Flying Circus (Cirku Fluturues), 2019, Albania / Kosovo, director: Fatos Berisha | World premiere


Previously announced films

Coming Home Again, 2019, USA / South Korea, director:  Wayne Wang | European premiere
Girl With No Mouth, 2019, Turkey, director: Can Evrenol | European premiere
Gutterbee, 2019, Denmark, director: Ulrich Thomsen | European premiere
Gypsy Queen, 2019 Germany / Austria, director: Hüseyin Tabak | International premiere
Lost Lotus, 2019, China / Netherlands, director LIU Shu | World premiere
Monster, 2019, Ireland, director: Tom Sullivan | World premiere
Through Black Glass, 2019, Russia, director: Konstantin Lopushansky | International premiere
When the Moon Was Full, 2019, Iran, director: Narges Abyar | International premiere

The previous announcement with the first eight films can be found HERE.

The film stills and presskits of the programme can be found HERE

Official Selection awards of 2018 can be seen HERE.

Festival TEASER.

PRESS ACCREDITATION

Press accreditation for the 23rd Tallinn Black Nights Film Festival and Inudstry@Tallinn &; Baltic Event is in progress. Please apply by clicking on the link below.

APPLY FOR THE PRESS ACCREDITATION

PRESS OFFICE CONTACTS

The festival's press office gladly helps with any question regarding the accreditation, press screenings and conferences and helps to organise interviews with the festival's guests. 

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WEMW Co-production Forum 
DEADLINE: October 31, 2019

The upcoming edition of WEMW (January 19-21, 2020) will launch the new East & West focus and will bring together over 500 film professionals from more than 40 countries, in particular from the 2020 spotlight countries: Hungary, Moldova, Romania & Austria, Germany, Switzerland. 

ELIGIBLE CRITERIA
- Producers from Europe*, North and Latin America are eligible to apply  
- Projects must be long feature fiction films or documentaries in development with preferably 10% of the total budget already in place
- Projects must have international co-production potential, preferably with one of the 2020 spotlight countries (Hungary, Moldova, Romania & Austria, Germany, Switzerland) or Italy

SUBMISSION            
All applications must include: complete online application form, treatment in English (max 5-8 pages), financing plan, teaser/visuals/mood board of the submitted project and previous works of the director.
In order to submit your application and the required materials you need to create your own account and fill in the online form following this link. Deadline: October 31, 2019.

SELECTION
Selected projects will be announced after mid-December and selected producers/directors will have the chance to pitch their project in front of all WEMW attending professionals and have two day pre-scheduled meetings. There is no submission fee and selected teams will be offered lunches and free WEMW Industry accreditation.

WEMW AWARDS

  • Film Center Serbia Development Award - cash prize
  • EAVE scholarship - for the EAVE European Producers Workshop 
  • Flow Postproduction Award - 15.000 EUR prize in post-production facilities
  • EWA Network Best Woman Director Award - cash prize for the best female director
  • Producers Network Prize - free accreditation to the Cannes Marche du Film Producer’s Network
  • Pop Up Film Residence Award - a 3-week residency with the guidance of international mentors

* Albania, Armenia, Austria, Azerbaijan, Belarus, Belgium, Bosnia Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, Ireland, Italy, Kazakhstan, Kosovo, Latvia, Lithuania, Luxembourg, Macedonia, Malta, Moldova, Montenegro, Norway, the Netherlands, Poland, Portugal, Romania, Russia, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Turkey, Ukraine, United Kingdom

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TALLINN: The Black Nights Film Festival, which runs 15 November – 1 December, will screen 21 films in its Official Selection.

JIHLAVA: Erik Praus’s Slovak documentary about three monks, The Calling / Volanie, screens in the Between the Seas competition of the 23rd Ji.hlava IDFF, which runs through 29 October 2019.

WARSAW: Jan Naszewski’s New Europe Film Sales announced that Film Movement acquired North American rights to Jan Komasa’s drama Corpus Christi. The film is Poland’s Oscar entry.

Austrian producer Gabriele Kranzelbinder will receive the APA World Excellence Award at Ji.hlava IDFF.

24th October, Thursday – 18.00-20.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – LITERATURE

18.00-20.00
Emigration – Double identity – meeting with the writer Manuela Gretkowska and Brygida Helbig-Mischewski – Polish writer living in Berlin. Excerpts from the author's books will be read by Maria Maj – actress TR Warszawa. The meeting is moderated by Elżbieta Szymańska (MIK) and Romuald Mieczkowski (Vilnius)

25 October, Friday – 18.00 – 22.00
The Mazovia Institute of Culture– Elektoralna 12

OPENING OF THE FESTIVAL (invitations only)

18.00
Struggle: The Life and lost works of Stanisław Szukalski-dir. Ireneusz Dobrowolski, USA 2018, 115 min.
Special guests – Anna and Ireneusz Dobrowolscy, creator of the film about Stanisław Szukalski. The meeting is moderated by film journalist Anna Tatarska

26 October, Saturday – 12.00-22.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – LITERATURE

11.30-13.00
Tajemniczy sojusznik / Secret Sharer – dir. Piotr Fudakowski, UK 2014, 103 min.
Joseph Conrad or Józef Korzeniowski? – Meeting with Magda Heydel, translator of English literature and author of translations of works by Joseph Conrad. The interview will be conducted by the editor and journalist Wojciech Szot.

14.00-15.30 – special screening
Niebo bez gwiazd / A Sky Without Stars – dir. Katarzyna Dąbkowska, Poland 2018, 52 min.
Meeting with the film’s protagonist Robert Zarzecki and Katarzyna Dąbkowska.

EMiGRA – FAR MIDDLE EAST

15.40-17.40
Arabic Secret – dir. Julia Groszek, Poland 2019, 65 min.
Tożsamość w czasach globalizacji – spotkanie z Haliną Chehab, tłumaczką książki Amina Maaloufa Zabójcze tożsamości i bohaterem filmu Kamilem Filipkiem – prowadzi Monika Antkiewicz
Identity in times of globalization – Meeting with Halina Chehab, the translator Amina Maalouf’s book entitled “Deadly Identity” and the film’s protagonist of the film Kamil Filipek – moderated by Monika Antkiewicz

17.50-18.40
Polskie orlęta na pakistańskim niebie / Polish Eaglets Over Pakistan – dir. Anna Teresa Pietraszek, Poland 2008, 51 min.

EMiGRA – KOMEDA

19.00
Exile from Paradise – Komeda by Żądło – Concert of Krzysztof Komedy Music performed by Leszek Żądło (Munich)
About Komeda, Zośka and others- ameeting with the stepson of Krzysztof Komeda, Tomasz Lachem. The interview will be led by Artur Wolski and Elżbieta Szymańska (MIK)

20.00
Komeda – muzyczne ścieżki życia / Komeda. A Soundtack For Life – dir. Claudia Buthenhoff-Duffy, Poland 2010, 52 min.

24-27 October, Sala Elektorska MIK
Komeda Exhibition – The Calendar of life – Andrzej Rumianowski’s exhibition based on the materials from the archives of Zofia Komedno-Trzcińska transferred to the Museum of Jazz by her son Tomasz Lach

27th October, Sunday – 12.00-17.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – EGZOTICA

11.00-11.50
Los Polacos –Anna Plaszczyk, Maciej Lubczański, Poland 2008, 24 min. Special guest – Ela Borrell-Alvarez (Cuba/Berlin)

EMiGRA ON A RED CANADIAN COUCH

12.00-13.30
Red couch story –Ela Kinowska  and Piotr Sobierajski, Canada 2019, 52 min. Special guests – Ela Kinowska (Kyrgyzstan /Canada) and Piotr Sobierajski (Canada)

EMiGRA – SPORT

14.40-15.10
Tylko krew / Just Blood – dir. Grzegorz Jankowski, Poland/USA 2019, 27 min. Special guests – Janusz Kozioł i Janusz Pindera. The meeting will be moderated by Sławomir Sobczak (Chicago)

EMiGRA – LITERATURE

15.50-18.30
Gombrowicz. I, genius. I, emigrant – meeting with Klementin Suchanow – author of the biography of Witold Gombrowicz. The interview will be led by Brygida Helbig-Mischewski (Berlin) and Elżbieta Szymańska (MIK)

27th October, Sunday – 19.00-21.00
The Mazovia Institute of Culture– Elektoralna 12

Festival Awards ceremony (invitations only)

Barbara Kwiatkowska-Lass in the memories of Leszek Żądło (Munich)

26th October, Saturday – 16.00-20.00
Meeting History House –  Karowa 20

EMiGRA – HISTORY

16.00
Izrael zaczął się w Polsce / Israel Started in Poland – dir. Jan Grzyb, Filip Frąckowiak, TVP Polonia 2018, 56 min. Meeting with the creators of the film – Jan Grzybe and Filip Frąckowiak (TVP Polonia) – Led by Tomasz Kuba Kozłowski (Meeting History House)

PREMIERE

18.00
Żołnierze niechciani – Błękitna Armia – reż. Piotr Latałło, Polska/USA 2019, 50 min. Spotkanie z twórcami filmu – Maciejem Kuszewskim i Sławomirem Sobczakiem (Chicago) – prowadzi Tomasz Kuba Kozłowski (DSH)

27th October, Sunday at 13.00
Meeting History House –  Karowa 20

EMiGRA – HISTORY

13.00
Strajk / Strike – dir. Volker Schlöndorff, Poland/Germany 2007, 104 min. Special guest – Dr. Tomasz Snarski (Gdańsk). The meeting will be led by Tomasz Kuba Kozłowski (DSH)

27th October, Sunday – 12.00-17.00
Pożyteczna Cafe – Nowy Świat 58

COMPETITION FILMS

Pokucka troja – dir. Mirosław Rowicki, Studio Filmowe Kuriera Galicyjskiego, Lviv 2018, 21 min.

Portret / Portrait – dir. Olga Wasilewicz, Belarus/Poland 2019, 11 min.

I stało się pięknem  – dir. Sol Janik, Argentina 2019, 62 min.

Podróż / Journey– di. Mariola Wiśniowska, Poland/Germany 2017, 12 min.

My Womb – dir. Martina Trepczyk, Austria 2018, 4 min.

Gdy prysły zmysły - Magdalena Marszałkowska and Małgorzata Wojcieszyńska, Austria/Slovakia 2018, 5 min.

Walc dla motyla – realizacja Magdalena Marszałkowska and Małgorzata Wojcieszyńska, Austria/Slovakia 2019, 5 min.

Zaćmienia / The Blackouts– dir. Oliwia Tonteri, Jerem Tonteri, Finland 2018 , 53 min.

Phantom – dir. Sebastian Królak, UK/Italy 2018, 10 min.

Cudzoziemcy w Powstaniu Warszawskim / Foreigners in the Warsaw Uprising – dir. Małgorzata Brama, Poland 2018, 38 min.

Lot do wolności / Flight To Freedom – dir. Grzegorz Linkowski, TVP 2019, 52 min.

Pomiędzy / In Between – dir. Monika Meleń, TVP 2018, 19 min.

The organizers reserve the right to change the program.

24th October, Thursday – 18.00-20.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – LITERATURE

18.00-20.00
Emigration – Double identity – meeting with the writer Manuela Gretkowska and Brygida Helbig-Mischewski – Polish writer living in Berlin. Excerpts from the author's books will be read by Maria Maj – actress TR Warszawa. The meeting is moderated by Elżbieta Szymańska (MIK) and Romuald Mieczkowski (Vilnius)

25 October, Friday – 18.00 – 22.00
The Mazovia Institute of Culture– Elektoralna 12

OPENING OF THE FESTIVAL (invitations only)

18.00
Struggle: The Life and lost works of Stanisław Szukalski-dir. Ireneusz Dobrowolski, USA 2018, 115 min.
Special guests – Anna and Ireneusz Dobrowolscy, creator of the film about Stanisław Szukalski. The meeting is moderated by film journalist Anna Tatarska

26 October, Saturday – 12.00-22.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – LITERATURE

11.30-13.00
Tajemniczy sojusznik / Secret Sharer – dir. Piotr Fudakowski, UK 2014, 103 min.
Joseph Conrad or Józef Korzeniowski? – Meeting with Magda Heydel, translator of English literature and author of translations of works by Joseph Conrad. The interview will be conducted by the editor and journalist Wojciech Szot.

14.00-15.30 – special screening
Niebo bez gwiazd / A Sky Without Stars – dir. Katarzyna Dąbkowska, Poland 2018, 52 min.
Meeting with the film’s protagonist Robert Zarzecki and Katarzyna Dąbkowska.

EMiGRA – FAR MIDDLE EAST

15.40-17.40
Arabic Secret – dir. Julia Groszek, Poland 2019, 65 min.
Tożsamość w czasach globalizacji – spotkanie z Haliną Chehab, tłumaczką książki Amina Maaloufa Zabójcze tożsamości i bohaterem filmu Kamilem Filipkiem – prowadzi Monika Antkiewicz
Identity in times of globalization – Meeting with Halina Chehab, the translator Amina Maalouf’s book entitled “Deadly Identity” and the film’s protagonist of the film Kamil Filipek – moderated by Monika Antkiewicz

17.50-18.40
Polskie orlęta na pakistańskim niebie / Polish Eaglets Over Pakistan – dir. Anna Teresa Pietraszek, Poland 2008, 51 min.

EMiGRA – KOMEDA

19.00
Exile from Paradise – Komeda by Żądło – Concert of Krzysztof Komedy Music performed by Leszek Żądło (Munich)
About Komeda, Zośka and others- ameeting with the stepson of Krzysztof Komeda, Tomasz Lachem. The interview will be led by Artur Wolski and Elżbieta Szymańska (MIK)

20.00
Komeda – muzyczne ścieżki życia / Komeda. A Soundtack For Life – dir. Claudia Buthenhoff-Duffy, Poland 2010, 52 min.

24-27 October, Sala Elektorska MIK
Komeda Exhibition – The Calendar of life – Andrzej Rumianowski’s exhibition based on the materials from the archives of Zofia Komedno-Trzcińska transferred to the Museum of Jazz by her son Tomasz Lach

27th October, Sunday – 12.00-17.00
The Mazovia Institute of Culture– Elektoralna 12

EMiGRA – EGZOTICA

11.00-11.50
Los Polacos –Anna Plaszczyk, Maciej Lubczański, Poland 2008, 24 min. Special guest – Ela Borrell-Alvarez (Cuba/Berlin)

EMiGRA ON A RED CANADIAN COUCH

12.00-13.30
Red couch story –Ela Kinowska  and Piotr Sobierajski, Canada 2019, 52 min. Special guests – Ela Kinowska (Kyrgyzstan /Canada) and Piotr Sobierajski (Canada)

EMiGRA – SPORT

14.40-15.10
Tylko krew / Just Blood – dir. Grzegorz Jankowski, Poland/USA 2019, 27 min. Special guests – Janusz Kozioł i Janusz Pindera. The meeting will be moderated by Sławomir Sobczak (Chicago)

EMiGRA – LITERATURE

15.50-18.30
Gombrowicz. I, genius. I, emigrant – meeting with Klementin Suchanow – author of the biography of Witold Gombrowicz. The interview will be led by Brygida Helbig-Mischewski (Berlin) and Elżbieta Szymańska (MIK)

27th October, Sunday – 19.00-21.00
The Mazovia Institute of Culture– Elektoralna 12

Festival Awards ceremony (invitations only)

Barbara Kwiatkowska-Lass in the memories of Leszek Żądło (Munich)

26th October, Saturday – 16.00-20.00
Meeting History House –  Karowa 20

EMiGRA – HISTORY

16.00
Izrael zaczął się w Polsce / Israel Started in Poland – dir. Jan Grzyb, Filip Frąckowiak, TVP Polonia 2018, 56 min. Meeting with the creators of the film – Jan Grzybe and Filip Frąckowiak (TVP Polonia) – Led by Tomasz Kuba Kozłowski (Meeting History House)

PREMIERE

18.00
Żołnierze niechciani – Błękitna Armia – reż. Piotr Latałło, Polska/USA 2019, 50 min. Spotkanie z twórcami filmu – Maciejem Kuszewskim i Sławomirem Sobczakiem (Chicago) – prowadzi Tomasz Kuba Kozłowski (DSH)

27th October, Sunday at 13.00
Meeting History House –  Karowa 20

EMiGRA – HISTORY

13.00
Strajk / Strike – dir. Volker Schlöndorff, Poland/Germany 2007, 104 min. Special guest – Dr. Tomasz Snarski (Gdańsk). The meeting will be led by Tomasz Kuba Kozłowski (DSH)

27th October, Sunday – 12.00-17.00
Pożyteczna Cafe – Nowy Świat 58

COMPETITION FILMS

Pokucka troja – dir. Mirosław Rowicki, Studio Filmowe Kuriera Galicyjskiego, Lviv 2018, 21 min.

Portret / Portrait – dir. Olga Wasilewicz, Belarus/Poland 2019, 11 min.

I stało się pięknem  – dir. Sol Janik, Argentina 2019, 62 min.

Podróż / Journey– di. Mariola Wiśniowska, Poland/Germany 2017, 12 min.

My Womb – dir. Martina Trepczyk, Austria 2018, 4 min.

Gdy prysły zmysły - Magdalena Marszałkowska and Małgorzata Wojcieszyńska, Austria/Slovakia 2018, 5 min.

Walc dla motyla – realizacja Magdalena Marszałkowska and Małgorzata Wojcieszyńska, Austria/Slovakia 2019, 5 min.

Zaćmienia / The Blackouts– dir. Oliwia Tonteri, Jerem Tonteri, Finland 2018 , 53 min.

Phantom – dir. Sebastian Królak, UK/Italy 2018, 10 min.

Cudzoziemcy w Powstaniu Warszawskim / Foreigners in the Warsaw Uprising – dir. Małgorzata Brama, Poland 2018, 38 min.

Lot do wolności / Flight To Freedom – dir. Grzegorz Linkowski, TVP 2019, 52 min.

Pomiędzy / In Between – dir. Monika Meleń, TVP 2018, 19 min.

The organizers reserve the right to change the program.

WARSAW: FNE has teamed up with the Brussels based team of the International Union of Cinemas (UNIC) to bring you regular updates on EU cinema policies that impact all industry professionals across Europe. Click here for FNE UNIC EU Cinema Policy Update.

EU Budget 2021-2027

09/10: Communication: Time to decide on the Union’s financial framework for 2021-2027 – European Commission

The European Commission’s contribution to the European Council meeting on 17-18 October 2019

Finnish Presidency of the Council of the EU

18/10: Finland presented work on implementation of EU Strategic Agenda – eu2019.fi

The European Council discussed the follow-up to the Strategic Agenda for 2019–2024 in Brussels on 18 October 2019. Finland is now the first presidency to integrate the priorities of the Agenda, adopted in June, into the Council’s practical work. Finnish Prime Minister Antti Rinne informed the EU leaders of the progress made in the implementation.

European Audiovisual Observatory (EAO)

09/10: The independence of media regulatory authorities in Europe - EAO

Europe’s main piece of media legislation – the Audiovisual Media Services Directive (AVMSD) – was recently revised and a new version entered into force last autumn. This new AVMSD introduces an obligation for EU member states to designate one or more independent national regulatory authorities to oversee the broadcasting and audiovisual media sector in Europe.

10/10: Just ahead of BREXIT deadline, UK once again named the largest audiovisual market in greater Europe – EAO

European Audiovisual Observatory publishes 2018 Data on Audiovisual Media Services in Europe from the Mavise Database.

Events:

24 October: Second Shadow Rapporteurs’ meeting, Creative Europe Programme, Brussels (TBC) 

4 November: UNIC/Europa Distribution/FERA/FIAD Screening, Brussels

4-5 November: CULT Committee meeting, Brussels

5 November: Second Copyright Stakeholders’ Dialogue, Brussels 

5-6 November: Voices of Culture Structured Dialogue on Gender Balance in the Cultural & Creative Sectors Dialogue Meeting with the European Commission, Brussels

6 November: Optional fourth technical interinstitutional meeting, Creative Europe Programme, Brussels 

6-7 November: IMCO Committee meeting, Brussels

6-7 November: JURI Committee meeting, Brussels

11-12 November: ITRE Committee meeting, Brussels  

21-22 November: Education, Youth, Culture and Sports Council, Brussels  

1 December: European Commission comes into office (TBC)

Recent Studies:

EUIPO - IPR-intensive industries and economic performance in the European Union - September 2019

EAO - Amazon is the biggest buyer of EU films for SVOD release outside of Europe - September 2019

European Parliament - Research for CULT Committee - Culture and creative sectors in the
European Union – Key future developments, challenges and opportunities