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LJUBLJANA: Slovenian comedy At Hostar / Pr’ Hostar by Luka Marčetić has topped 210,000 admissions, becoming the most viewed domestic title since Slovenia claimed its independence in 1991.

LJUBLJANA: Young Slovenian director Rok Biček, who gained international success with his debut feature A Class Enemy (Triglav Film, 2013), has just completed the long documentary The Family, a Slovenian / Austrian coproduction shot in Slovenia and France over a ten year period from September 2006 to February 2016.

LJUBLJANA: New international coproducers have been confirmed for the contemporary psychological drama History of Love by Sonja Prosenc and the shooting started in Italy on 26 June 2017.

LJUBLJANA: The Slovenian Film Center (SFC) announced production grants of 245,000 EUR for five minority coproductions including four feature films and one long documentary on 5 July 2017.

LJUBLJANA: Awakenings / Prebujanja, Peter Bratuša’s drama about midlife crisis with Slovenian actress Katarina Čas, has completed shooting and is moving into postproduction.

LJUBLJANA: The teen comedy Let Him Be a Basketball Player / Košarkar naj bo by Boris Petkovič is finishing postproduction. The film is based on a well-known book of the same title by Primož Suhadolčan, who also wrote the screenplay.

LJUBLJANA: Petra Vidmar, producer at the Slovenian production company Gustav Film, will attend this year's Cannes Film Festival as a part of Producers on the Move initiative organised by the EFP.

LJUBLJANA: Acclaimed Slovenian director Hanna Slak has finished her third feature film The Miner / Rudar. Shooting took place in November - December 2016 and the premiere is scheduled for Autumn 2017.

LJUBLJANA: The first Slovenian romantic comedy Vesna (1953) by František Čap, has been turned into a musical that will premiere at Ljubljana's Križanke open-air theatre in June 2017.

In 2016 Slovenia’s film production remained stable, but the audience’s interest in domestic films increased. There were no major changes in the distribution and exhibition sectors, and the number of completed domestic feature films generally remained the same.