Trieste, January 15th, 2019 – The ninth edition of When East Meets West kicks off in less than one 1 week, on January 20th with an exciting double focus on the Benelux countries and Central Eastern Europe. After having revealed the pitching forum project selection, WEMW is proud to announce that Lorenzo Esposito (KVIFF and CINÉMA DU RÉEL programmer), Georges Goldernstern (CINÉFONDATION), Peter Kerekes, Simon Ofenloch (ZDF) and Jacobine van der Vloed (ACE) will be the 2019 jury members and will assign all WEMW awards. Alongside the last details about the co-production forum WEMW is happy to finally unveil the complete line-up of the three side sections targeting films in post-production stage.
Now in its fifth edition, Last Stop Trieste, the work in progress section run together with the Trieste Film Festival, will present 5 creative documentaries to an exclusive panel of 40 international sales agents, festival programmers and TV commissioning editors. All films will be in the running for the HBO Europe Award, Flow Digital Cinema Award but also for the brand new Film Centre Serbia LST Award (a cash prize of 2.500 EUR) and the Dox Consulting Award (consisting in two rounds of rough cut feedback, plus a basic release strategy). The LST 2019 international jury will feature Aleksandar Govedarica (SYNDICADO), Dorota Lech (HOT DOCS) and Jenny Westergård (YLE FINNISH BROADCASTING).
After the successful past edition, When East Meets West and Trieste Film Festival will renew the partnership with Milano Film Network for the section exclusively dedicated to long feature fiction films ad hybrid works produced or co-produced by Italian producers. This is IT will present 8 films ready for festival premiere/international distribution and a jury composed by Graziella Bildesheim (MAIA WORKSHOPS/EUROPEAN FILM ACADEMY), Ilaria Gomarasca (PYRAMIDE INTERNATIONAL) and Angela Prudenzi (VENICE INTERNATIONAL FILM FESTIVAL) will deliver the prestigious Laser Film Award.
Last but not least, First Cut Lab, the workshop for films in editing phase, has selected 3 long feature fiction films from Russia/United Kingdom, Georgia and Latvia with the main goal of fostering their artistic, sales and festival potential. To this aim, the producer/director teams invited to the lab will receive tailor-made advices from a consulting editor and international experts.
Alongside the pitching forum and the three side sections, WEMW will feature a rich programme including “In the Spotlight”, where fund representatives from this year's spotlight territories will give a comprehensive insight into current trends in their film industries; the panel “One Image to Rule Them All: the Art of Film Poster”, in cooperation with Asterisk, will try to shed light on the way a poster can accompany a film through its different stages, from development to distribution, and how this one image highlights the communication strategy. EAVE will lead the session “2019: Another Year of Major Change in Media Economics”, a plenary for film professionals interested in how the competition between the sVoD platforms is increasing, and how it will likely affect their business model.
Finally, MIDPOINT will host the session “Two Worlds of Storytelling – The Difference Between Series and Movies”, where an overview on the basic differences between the storytelling in series and movies will be provided. This session represents an extension of the ongoing cooperation with MIDPOINT that also this year will bring to Trieste 13 teams from Central Eastern Europe to best develop their long feature and short projects. But for the very first time the collaboration will also feature a series of tailor made individual meetings organized in cooperation with the Torino Short Film Market between the 4 shorts selected for the workshop and few top-notch film experts ready to advise all selected teams on the next steps of their artistic and production development process.
The 5 documentaries presented at Last Stop Trieste, the 8 Italian films selected for This is IT and the 3 long feature fiction films chosen for First Cut Lab are:
LAST STOP TRIESTE
INTO THE BANK
NEVER WHISTLE ALONE
THE WIND. A DOCUMENTARY THRILLER
This is IT
director: Maša Nešković
producer: Ines Vasiljevic
country: Italia / Italy, Serbia, Slovenia
DON'T FORGET TO BREATHE
director: Martin Turk
producer: Ida Weiss
Slovenia, Italia / Italy, Croazia / Croatia
FANGO ROSSO (Fango rosso - Chronicle of a post industrial paradise)
director: Alberto Diana
producer: Manuela Buono
country: Italia / Italy, Francia / France
IL VARCO (Once More Unto The Beach)
director: Federico Ferrone, Michele Manzolini
producer: Claudio Giapponesi
country: Italia / Italy
director: Davide Maldi
producer: Davide Maldi, Micol Roubini, Fabio Scamoni, Gabriella Manfré
country: Italia / Italy
PARADISE - Tutta un'altra vita
director: Davide Del Degan
producer: Andrea Magnani, Stefano Basso, Gianpaolo Smiraglia, Branislav Srdic
country: Italia / Italy
director: Carlo Sironi
producer: Giovanni Pompili, Agnieszka Wasiak
country: Italia / Italy, Polonia / Poland
TONY DRIVER - UN DEPORTATO AL CONTRARIO
director: Ascanio Petrini
producer: Giulia Achilli, Marco Alessi, Giorgio Blasi, Lucia Ferrante, Ascanio Petrini
country: Italia / Italy, Messico / Mexico
FIRST CUT LAB
Director: Juris Poskus
Producer: Madara Melberga
Director: Maxim Dashkin
Producer: Denis Kovalevskiy, Maxim Dashkin, Boris Frumin, Anna von Dziembowska
Director: Dito Tsintsadze
Producer: Nadezhda Gorshkova / Rusudan Glurjidze
Country: Russia, Georgia
WEMW is organized by the FVG Audiovisual Fund and the Trieste Film Festival in collaboration with EAVE, Maia Workshops, Creative Europe Desk Italy, EURIMAGES and the support of Creative Europe/MEDIA Programme, MiBACT - Direzione Generale per il Cinema, CEI - Central European Initiative and the Autonomous Region of Friuli Venezia Giulia. The 2019 East & West focus is in cooperation and with the support of Czech Film Fund, Fédération Wallonie-Bruxelles, Film Industry Association of Ukraine, Flanders Audiovisual Fund-VAF, Luxembourg Film Fund, Netherlands Film Fund-Filmfonds, Polish Film Institute, Screen Bruxelles, Screen Flanders, Slovak Film Commission, Slovak Film Institute, Ukrainian State Film Agency, Wallimages.