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Ostavljeni (The Abandoned) directed by Bosnian director Adis Bakrac has its world premiere in Karlovy Vary's East of the West section. The film is a coproduction between Bosnia and Herzegovina, Croatia, Serbia, and France.

Director Krisztina Goda (Children of Glory, Just Sex and Nothing Else) has received a declaration of intent for funding from the Hungarian Motion Picture Association (MMKA - http://english.mmka.hu/) for the first Hungarian 3D movie, Emerson and Co. (Emerson és Tsa). The film is an adaptation of a children's story written by Levente Lezsák.

The Dreamers (Zoufalci) was a surprise critical success in autumn 2009 in the Czech Republic. A story about six former class-mates in their early 30's who are drifting and decide to change their problematic lifestyle was the feature debut and diploma movie for director Jitka Rudolfová at FAMU film academy in Prague (www.famu.cz).

Hungarian director János Szász will be taking on an English speaking project with working title Goodbye Komárom.

In the last session of financing for 2010, the Polish Film Institute announced funding for debuts, veteran filmmakers, and several international co-productions.

Johannes Naber, one of the scriptwriters of Philipp Stölzl's North Face (2008) and director of several documentaries and TV shorts, makes his feature directing debut with The Albanian, the story of an illegal immigrant living in Germany. Naber, who studied philosophy and philology in Berlin and documentary directing in Ludwigsburg, worked in TV productions as gaffer and developed a serious interest in illegal immigration in Germany.

Jerzy Hoffman has begun filming The Battle Of Warsaw 1920, one of the biggest Polish film projects of the last decade and the first with full 3D technology.

Hungarian director János Szász is preparing for his new film, an adaptation of Le Grand Cahier (The Notebook), a novel by Agota Kristof.

Recognized as talented Serbian scriptwriter (The Trap, 2007, Love and Other Crimes, 2008) and original film director (The Red Colored Grey Truck, 2004) the Sarajevo born Srđan Koljevićgave his second feature the peculiar title The Woman with a Broken Nose.

With his first feature, Dolls/Kuklalar, Chingiz F. Rasulzadeh returns to a period 20 years earlier in his home country of Azerbaijan, before the fall of the Soviet Union. He follows several young men working at a seaside park disguised as famous characters (such as Mickey Mouse) as they try to cope with the changes in the society and their own growing up in the process.

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