Decolonization of Old Ideological Constructs and Film Industry Practice (June 29)
Press releases 28-06-2022On June 29 at 6 pm (GMT+1), join us for the next part of our IDF Industry Sessions series with Daria Badior, Kumjana Novakova, Volia Chajkouskaya and Srdjan Keča. Moderated by Dîna Iordanova.
Four months ago, Russia invaded Ukraine and started a war in Europe. Immediately there were large waves of solidarity towards people in Ukraine. There were also immediate calls, open letters or discussions about boycotting Russian culture, including cinema. No matter whether you are for a complete boycott or stand somewhere in between, we all have to make a stand that reflects in our everyday work
How such conflicts influence film industry practice and what needs to be done if we really want to highlight filmmakers and film works from the former-Soviet region? Are there any similarities between the war in ex-Yugoslavia in terms of giving voices to all the countries? These and other topics will be discussed.
Speakers:
Daria Badior - a freelance critic, editor, and journalist from Ukraine. She is a co-curator of the Kyiv Critics' Week film festival, which takes place annually at the end of October. In 2021, she co-founded an NGO Coalition for Culture that analyzes culture policies in Ukraine. In the spring of 2022, she was a non-residential fellow at IWM, maintaining a media project Unwinding Empire, along with her colleagues. During three months, there were 14 articles produced, written by Ukrainian scholars, critics, and intellectuals, issued in international media.
Kumjana Novakova - in 2006 she co-founded the Pravo Ljudski Film Festival in Sarajevo, and acts as its chief curator and director. She was also leading the Film Department of the Museum of Contemporary Arts in Skopje from 2018 to 2021. As an author, her research lies between cinema and contemporary video art, often exploring how moving images address identities, memories and the collective self. Her work has been shown at film festivals across the world (Leipzig, Sarajevo Film Festival, PlayDoc, Museum of the Moving Image, NY, DokuFest, La Inesperada Barcelona). Currently she is an associated professor at Master of Film of the Netherlands Film Academy, while pursuing her PhD in Contemporary Arts and Media in Belgrade.
Volia Chajkouskaya - a Belarusian filmmaker, founder and program director of Northern Lights Film Festival in Belarus and of the company Volia Films. She first established herself in the industry as a producer, her producer's debut The Road Movie, premiered at IDFA and distributed in the US and the world. She moved to Estonia in 2018 and started producing at Allfi lm in Tallinn. In 2020, she takes the leap into directing her short debut Common Language, an intimate family drama, premiered at Ji.hlava IDFF. In August 2020, encouraged by political events in her home country, Volia started to direct her first feature documentary.
Srdjan Keča - a filmmaker, visual artist and educator. Keča's documentary films have consistently screened at leading festivals: IDFA, DOK Leipzig, Full Frame, Jihlava IDFF, etc., winning multiple awards and critical acclaim. Flotel Europa, a found-footage essay film he edited and co-produced, premiered at the 2015 Berlinale, winning the Tagesspiegel Jury Award. His feature-length documentary Museum of the Revolution was awarded at the East Doc Platform 2019 and had a World Premiere at IDFA 2021 In 2015 Keča joined the faculty at Stanford University Department of Art & Art History as Assistant Professor, teaching in the MFA Documentary Film & Video program..
Moderator:
Dîna Iordanova - a notable specialist in world cinema, with special expertise in the cinema of the Balkans, Eastern Europe, and Europe in general. Her research approaches cinema on a meta-national level and focuses on the dynamics of transnational film; she has special interest in issues related to cinema at the periphery and in alternative historiography. She has published extensively on international and transnational film art and film industry, and convenes research networks on film festivals and on the dynamics of global cinema. She has been credited with creating the Film Studies programme at the University of St. Andrews. She also founded the Centre for Film Studies, which she currently directs.
Organized by the Institute of Documentary Film in cooperation with DocuDays UA.
With kind support from Creative Europe MEDIA, Ministry of Culture of the Czech Republic, Czech Film Fund, Prague City Hall and APA - Audiovisual Producers' Association.
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KKI Talks at ITFS and APD. SMART COLLABORATION – Embracing New Technical Tools in Animation. Live webinar
Press releases 21-04-2022Kids Kino Industry, Warsaw-based international co-production forum for filsm and series for young audience, together with ITFS – Stuttgart International Festival of Animated Film and Animation Production Days, would like to invite animators and industry representatives to join our live webinar on 3rd of May, 4-5 PM, CEST: SMART COLLABORATION – Embracing New Technical Tools in Animation. The free registration for this session is open.
SMART COLLABORATION – Embracing New Technical Tools in Animation
In this second year of KKI Talks at the ITFS and APD, we want to take a deeper look at how new tools and technologies can be an enriching driving force in international co-sector and cross-sector collaboration and take a glimpse into the future of storytelling using such technologies. Our speakers Kim Adams and Julia Parfitt (Nexus Studios London / Los Angeles) and Phil Stewart (Head of Realtime, Blue Zoo, London) have been experimenting with tools such as Unity, Unreal and Blender and will share case studies to demonstrate the opportunities that these new tools can bring and how they can affect storytelling in animation. They will also discuss the pros and cons of integrating them into the production pipeline.
Meet our panelists
Kim Adams, Director of Real Time Production, Nexus Studios, USA, where she is leading studio initiatives in real-time animation production across original TV and film, branded content and immersive storytelling, and supporting the growth of Nexus Interactive Arts.
She is the Co-Founder of Adventure Lab, a social VR platform that connects audiences with virtual, live hosted, interactive adventures.
Before that, Kim led a team at Facebook in developing the AR “Storytime” app for Facebook’s Portal video device. Kim was the Head of Production and Executive Producer at Oculus Story Studio, shepherding the development of the Emmy Award-winning narrative VR project, ‘Wolves in the Walls’. Previous to that, Kim was at Google Spotlight Stories, and Pixar Animation Studios. Working between Walt Disney Studio, Pixar Canada, and Pixar, Kim produced 13 short films within the beloved ‘Toy Story’ and ‘Cars’ franchises. Previous to Pixar, Kim served as a visual effects producer on several films including ‘Apocalypto’, and worked on the Oscar-nominated visual effects for ‘Master and Commander’.
Julia Parfitt, Executive Producer, Nexus Studios, USA/UK, where she produced some of the Nexus Studios’s most notable work, including the most awarded ad of the decade Honda ‘Grrrr’, recipient of the highly coveted, Cannes Film Grand Prix Award, as well as the Grammy-nominated music video for Franz Ferdinand ‘Take me Out’, no name but a few.
Julia also held the post of Head of Production at Nexus, where she brought her versatile and proactive skillset for almost a decade and oversaw the diverse creative output of the entire studio, ranging from high-profile film work such as the Oscar-nominated ‘This Way Up’, the title sequence for ‘Catch Me If You Can’ with Leonardo DiCaprio and Tom Hanks, several award winning commercials for the likes of Chipotle and Coca Cola, and ground-breaking XR experiences for the global consumer tech leaders.
Most recently, in the role of Executive Producer, Julia has established and nurtured long-standing relationships with further global brands such as Amazon Studios, Netflix, Headspace, Facebook, Google and Duolingo. She often works across platforms and is most interested in exploring how working at the cutting edge of technology can be enhanced with exceptional design and powerful storytelling, which has led her to spearheading a host of projects developed using Real-Time technology.
In 2019, Julia was named ‘Pitch Superwoman’, a UK industry award that recognises trailblazing women and their contributions.
Phil Stewart, Head of Real Time, Blue Zoo, UK, where he is researching, developing and testing new technology and workflows to help the studio achieve it’s ambition of working in the best ways for the benefit of the business and artists. From researching rendering tech and programming a VR-puppet in Unreal Engine, to doing push-ups to test a new Motion-Capture suit, the department strives to stay ahead of the game.
This KKI Talks will be moderated by Prof. Lilian Klages, CEO & Executive Producer of the Danish based company Parka Pictures Aps and the German based company Dreamin’ Dolphin Film GmbH
Participation in the webinar is free of charge.
To join the webinar, sign up here: https://kidskinoindustry.pl/webinar-registration/
On the occasion of Europe Day (May 9th) CE Desks of the Baltic States and their partners offer Ukrainian films to demonstrate strong support to Ukraine and gather donations.
In Estonia the film program Glory to Ukrainian Filmmakers opens on the 9th of May at Artis cinema with the film Donbass (Sergei Loznitsa, 2018). Before the screening a discussion about free media and Russian propaganda is organised by media expert Andres Jõesaar, Head of European Commission's Representation Vivian Loonela and Estonian Minister of Culture Tiit Terik. The project continues with cinemas Artis and Sõprus screening a wide selection of Ukrainan films from 9th till 12th of May. Instead of ticket sales, a donation hotline will be open. As of May 9, also Black Nights Film Festival will offer a list of Ukrainian titles for free on the festival’s online platform. And Estonian Television will program Ukrainian films from the end of May. Glory to Ukrainian Filmmakers is organised by Black Nights Film Festival, Estonian Television, Creative Europe Desk Estonia, Cinemas Artis and Sõprus.
In Latvia the film Atlantis (Valentyn Vasyanovych, 2019) will be made available online for free on cinema Kino Bize online platform from the 8th till the 9th of May. The sales agent Best Friend Forever (Belgium) will forward the fee for the licence to the filmmakers of Atlantis fighting for the independence of their country. The event is organized by Creative Europe MEDIA Desk Latvia and cinema Kino Bize.
In Lithuania the film 107 mothers (Cenzorka, Peter Kerekes, 2021) will be made available for free on film festival‘s Kino Pavasaris online platform KP+ from the 7th till the 9th of May. The film is an example of successful European collaboration, a co-production between Slovakia, Czech Republic and Ukraine, supported by CE MEDIA. And the event is organised by Creative Europe Desk Lithuania together with Vilnius International Film Festival Kino Pavasaris.
With the activities of Europe Day the CE Desks of the Baltic states wishes to provide their audiences with an opportunity to get acquainted with Ukraine's rich culture and cinema that would deserve much more attention, especially in the context of the current war.
All the cinemas and festivals involved in the Europe Day activities are CE MEDIA supported.
For more info contact:
Anu Ernits, CE MEDIA Desk Estonia This email address is being protected from spambots. You need JavaScript enabled to view it.
Lelda Ozola, CE MEDIA Desk Latvia This email address is being protected from spambots. You need JavaScript enabled to view it.
Austėja Milvydaite, CE MEDIA Desk Lithuania This email address is being protected from spambots. You need JavaScript enabled to view it.
DOCU TALENTS FROM THE EAST 2022 WILL BE PRESENTED IN SARAJEVO ON AUGUST 15 CALL FOR SUBMISSIONS IS NOW OPEN
Festivals 04-05-2022The 18th edition of the Docu Talents from the East – traditional presentation of the most remarkable new documentary projects from Central and Eastern Europe – will take place on August 15 during Cinelink Industry Days at Sarajevo FF.
“We are looking forward to this year’s physical event, after holding two previous Docu Talents’ editions online only,” says Marek Hovorka, director of Ji.hlava IDFF which has curated the programme since 2005.
Docu Talents @Sarajevo will take place on August 15. The presentations by directors and producers of eight selected documentary projects will be followed by one-to-one meetings with sales agents, festival representatives and other decision-makers accredited at Sarajevo FF. The most promising project will receive a financial prize 5,000 USD in cooperation with the Ji.hlava IDFF’s partner Current Time TV.
The call for submissions to the 18th Docu Talents from the East is open until May 15. The eligible projects include mid-length or feature-length documentary projects at the post-production stage with expected premiere between September 2022 and August 2023. The eligible countries are Albania, Armenia, Azerbaijan, Belarus, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Georgia, Hungary, Kosovo, Latvia, Lithuania, Moldova, Montenegro, Northern Macedonia, Poland, Romania, Russia (only for projects not supported by the Russian state institutions), Slovakia, Slovenia, Serbia, Ukraine.
Since 2005, Docu Talents has been a launch pad for a number of documentaries by both renowned and emerging directors such as Laila Pakalniņa, Vladimir Mansky, Bartek Konopka, Piotr Stasik, Peter Kerekes, Dmitrii Kalashnikov and Helena Třeštíková. Films presented at Docu Talents in the past had world and international premieres at major film festivals including in Cannes, Berlin, Locarno, Rotterdam, and Sundance.
“We have been following the region of Central and Eastern Europe through Docu Talents for 18 years, thus promoting the cinematography which is often omitted by others. And every year the selection confirms to us that there are many new authors to discover”, says Marek Hovorka, director of the Ji.hlava IDFF and curator of Docu Talents.
The programme is held as part of the Visegrad Accelerator supported by the International Visegrad Fund. More information at https://www.ji-hlava.com/docu-talents
CONTACT: Jarmila Outratová / Head of Industry Office / Ji.hlava International Documentary Film Festival / This email address is being protected from spambots. You need JavaScript enabled to view it.