COUNTRY PROFILE 2016
Lithuanian film industry was well in 2016 with films selected for major festivals such as IDFA, Berlin, Busan, Karlovy Vary, Visions du Réel, and international productions flocking in after the launch of the incentives scheme in 2014.
In 2016 Lithuania was a guest country at the 46th Kiev International Film Festival Molodist and at the 15th Transilvania IFF. Swiss documentary festival Visions du Réel also focused on documentaries from Lithuania. With the support of the Lithuanian Film Centre domestic films were screened at 60 international film festivals worldwide.
Ten international productions used the incentives scheme in 2016.
In 2016 the Lithuanian Film Centre supported the production of 12 feature films, 13 documentary and animation film projects, as well as the preproduction of 22 films, the distribution of 52 films and the development of 15 projects dedicated to the 100th anniversary of the Lithuanian state. The 2016 budget was 2,642,281 EUR, with 500,000 EUR more than in 2015.
In 2016 one of the most esteemed Lithuanian filmmakers, Sharunas Bartas, started to shoot a new feature film. Fling the Stone, David / Frost Dovydo akmuo / Šekšnas, is a coproduction between Lithuania’s Studio Kinema, France‘s Kino Elektron, Poland’s Donten & Lacroix Films Sp. z o. o. and Ukraine‘s TatoFilm.
Cooperation between Lithuania and the Ukraine has reached a steady pace in the last five years. Mantas Kvedaravičius, who made the documentary Mariupol in 2015 (a portrait of an Eastern Ukrainian city under siege), shot his debut feature Stasis in 2016. The film was produced by Studio Uljana Kim (Lithuania) in coproduction with ESSE Production House (Ukraine) and Rouge International (France).
In 2016 Giedrė Beinoriūtė shot Breathing into Marble / Kvėpavimas į marmurą based on a novel by Laura Sintija Černiauskaitė. The film was produced by Lithuania’s Just a moment in coproduction with Croatia‘s Aning Film and Latvia’s Mistrus Media.
In January 2016 Marius Markevičius started shooting the WWII drama Ashes in the Snow / Tarp pilkų debesų, based on the bestseller Between Shades of Gray by Rūta Šepetys. The film is an Lithuanian/American coproduction involving the U.S.-based companies Sorrento Productions and Super Crispy Entertainment, and Lithuania‘s Tauras Films.
Popular Lithuanian director Emilis Vėlyvis finished his new project, the thriller The Night Guards / Nochnyye Strazhi, in 2016. The film is an urban fantasy about a courier and a gorgeous vampire, involving the Russian production companies Sputnik and Mars Media. In 2016 Vėlyvis also shot the third part of his famous trilogy Zero III with Kino Kultas producing.
The first coproduction between Lithuania and Brazil, the documentary El Padre Medico / Aleksandras Didysis, by director Vytautas Puidokas, was also shot in 2016.
International productions were attracted to Lithuania by the incentives scheme launched in 2014. In 2016 the Lithuanian Film Centre issued 29 certificates representing a total of 1,850,646 EUR rebates. A total of 22 films used the incentives scheme: six national films, six coproductions and ten international. All of them spent more than 9 m EUR in Lithuania in 2016.
The list includes the docudrama Pope versus Hitler, directed by Christopher Cassel and produced by Castle Pictures in coproduction with Baltic Film Services, the television film Winter Thaw, directed by Adam Anderegg, produced by Kaleidoscope Pictures and using Baltic Film Services as servicing company, and the German TV film Jack The Ripper, directed by Sebastian Niemann and produced by the German production company Pantaleon Pictures GmbH in coproduction with the Lithuanian Film Studio.
Leningrad Symphony, a docudrama directed by Christian Frey and produced by Gebrueder Beetz Filmproduktion Lueneburg GmbH, was partly shot in Vilnius in coproduction with NDR, in cooperation with NDR/Arte, TVN Poland, ORF, NRK Norway, the Czech Television, DR Denmark, Latvia’s TV, the Lithuanian National Radio and Television, Global Screen, Bel Docs 2015 Serbia, Tile Films Ireland, and with Baltic Film Service servicing.
In 2016 Nikita Mikhalkov‘s Russian production company Three T Production and local company Artbox shot the feature film Going Vertical in Lithuania. The film follows the USSR basketball team that won against the American team for the first time in history in 1972.
Lithuanian films had a tremendous year at festivals. The debut feature by Andrius Blaževičius The Saint / Šventasis (produced by Lithuania’s M-films in coproduction with Poland’s No Sugar Films was selected for the Warsaw International Film Festival and the Busan International Film Festival, the documentary Mariupol by Mantas Kvedaravičius premiered in Berlinale‘s Panorama, Together For Ever / Amžinai kartu, directed by Lina Lužytė and produced by Just a moment, premiered at the Karlovy Vary IFF, Audrius Stonys' The Woman and the Glacier / Moteris ir ledynas was selected for the IDFA, while Romas Zabarauska’ queer road movie You Can't Escape Lithuania / Nuo Lietuvos nepabėgsi was awarded best narrative feature at the Bushwick Film Festival.
I‘m Not from Here / Aš čia tik svečias by Maite Alberdi and Giedrė Žickytė was nominated for the European Film Awards in the European Short Film category. The film received many awards in 2016 including the Sesterce d’or Fondation Goblet for best short at Visions du Réel, Nyon.
Thirteen Lithuanian films were released in 2016, including Seneca’s Day / Senekos Diena directed by Kristijonas Vildžiūnas and coproduced by Studio Uljana Kim, Amrion Production and Locomotive Productions; King’s Shift / Karalių pamaina directed by Ignas Miškinis and produced by Tremora and Film Angels Production; Mariupol by Mantas Kvedaravičius and 2 Nights Till Morning / 2 naktys iki ryto directed by Mikko Kuparinen and produced by Mjolk Movies and Artbox.
On 1 June 2016 Forum Cinemas stopped its activity in film distribution. Its distribution contracts have been taken over by NCG Distribution and Theatrical Film Distribution
ACME Film, which was established in 1999 and is still the largest film distributor in the Baltics, distributes movies from Sony Pictures, Warner Bros., Lionsgate/Summit Entertainment and numerous other independent producers. The company distributes the films theatrically, on DVD, VOD and to TV stations.
In 2016, ACME Film had revenues of 5,888,371 EUR and 1,203,460 viewers, and it distributed 70 titles.
Garsų Pasaulio Irašai (GPI) is the largest video distribution company in the Baltics, being also the exclusive distributor of Sony Pictures HE in the Baltics. In 2016 GPI distributed commercial and art house films, and also domestic films such as Seneca’s Day / Senekos Diena directed by Kristijonas Vildžiūnas and King’s Shift / Karalių pamaina directed by Ignas Miškinis and produced by Tremora and Film Angels Production.
EXHIBITION AND BOX OFFICE
There are 79 screens in Lithuania, which is too small a number, according to the Film Center, in order to provide access to films in smaller cities. The pan-Scandinavian Forum Cinemas, owner of the largest chain of movie theaters in the country (76% of the market share), has six multiplexes with 40 screens, all fully digitalised since 2012. In 2016 Forum Cinemas joined the NCG group.
The Polish-owned multiplex Multikino in Vilnius has seven screens with 1,673 seats. Baltic Multiplex Ventures, which is the owner of the Cinamon multiplex in Kaunas, invested 1.6 m EUR in its five screening rooms with over 1,000 seats.
Kino Pasaka, which was founded in 2009 as an art house movie theater in Vilnius and is still the only private art house cinema in Lithuania, offers two screens, a VOD platform and also distributes films in Lithuania and the Baltic states. Its VOD platform e.kinopasaka.lt was launched in September 2016.
„It is the first and the only Lithuanian TVOD platform on the internet, so we are still observing what is happening and the impact of it. It’s too early to talk about the income, but we are very happy to admit that overall results have exceeded our expectations. Still, we have to improve many aspects of this project so as to become part of the business”, Greta Akcijonaitė, the co-owner and manager at Kino Pasaka, told FNE in 2016.
A total of 291 films screened in Lithuanian cinemas in 2016 with 3,668,370 admissions through 31 December 2016, compared to 3,330,451 admissions in 2015. Total gross was 17,724,516 EUR.
Domestic films had 699,207 admissions in 2016.
The most profitable Lithuanian movie at the national box office in 2016 was Tarp mūsų berniukų, directed by Kęstutis Gudavičius, produced and distributed by Incognito films. The film had 202,951 admissions and 1,007,464 EUR gross since its premiere on 1 January 2016.
The comedy 12 Chairs / 12 kėdžių directed by Algirdas Ramanauskas and produced and distributed by Film Jam, was released on 23 December 2016 and had more than 36,000 admissions and over 185,000 EUR gross until the end of 2016.
The black comedy Gautas iškvietimas by Tadas Vidmantas, produced and distributed by Vabalo filmai, had 166,914 admissions and 837,000EUR gross.
The sequel to the film Gautas iškvietimas 3 directed by Tadas Vidmantas, produced and distributed by Vabalo filmai, had 134,270 admissions and 689,335 EUR gross since its release on 7 October 2016.
The comedy Oh no, oh yes! / O ne! O taip!, directed by Julius Paulikas, produced by Incognito films and released on 15 June 2016, had 85,730 admissions and 414,025 EUR gross.
The comedy Patriots / Patriotai directed by Alvydas Šlepikas, produced and distributed by Singing fish, had 55,091admissions and 267,229 EUR gross.
Seneca’s Day / Senekos Diena, directed by Kristijonas Vildžiunas and distributed by Garsų Pasaulio Įrašai (GPI), was released on 30 September 2016 and had more than 4,873 admissions and over 20,447 EUR gross until the end of 2016.
GRANTS AND NEW LEGISLATION
Annual state support for film industry in 2016 was 3,519,000 EUR, coming from the Lithuanian Film Centre.
The Lithuanian audiovisual industry depends on funds from the Lithuanian Film Centre, private funds, coproducing with foreign companies and pan-European film support initiatives such as the MEDIA Programme and Eurimages.
The Lithuanian Film Centre was launched in 2012 and is headed by Rolandas Kvietkauskas. The long awaited LFC was set up after an extensive lobbying by the Lithuanian Independent Producers Association and Filmmakers Union. It has had a huge impact on the local industry, which previously lacked a central body to represent it. The LFC primarily finances development and production.
The Lithuanian Film Centre primarily finances up to 50-75% of development or production, and up to 75% of low budget or experimental films. France, Germany, Estonia and the Ukraine are among the leading coproduction partners.
Lithuanian production companies are typically small in size and focus on producing features or documentaries. In 2016 Lithuania produced 21 feature films, with an average budget up to 750,000 EUR.
In 2016 the Lithuanian Film Centre supported the production of 12 feature films, 13 documentary and animation film projects, as well as the preproduction of 22 films, the distribution of 52 films and the development of 15 projects dedicated to the 100th anniversary of the Lithuanian state. The 2016 budget was 2,642,281 EUR, 500,000 EUR more than in 2015.
The new Lithuanian incentives scheme became operational in January 2014. The incentives scheme offers up to 20% of Lithuanian production budget. The minimum spend in Lithuania has to be 43,000 EUR. Minority coproductions are also encouraged to apply for the rebate, which is guaranteed through the end of 2018. The incentives scheme is administered by the Lithuanian Film Centre.
In 2016 incentives certificates were given to the following international productions: the docudrama Pope Versus Hitler directed, written and produced by Christopher Cassel; the TV film The Winter Thaw, directed by Adam Anderegg and produced by the US Kaleidoscope Pictures; the TV film Jack The Ripper, directed by Sebastian Niemann and produced by the German production company Pantaleon Pictures GmbH in coproduction with the Lithuanian Film Studio, for German private broadcaster SAT.1; the futuristic drama 2060, directed by Henrik Hellstrom and produced by Storyfire; the docudrama Leningrad Symphony, directed by Christian Frey and produced by Gebrueder Beetz Filmproduktion Lueneburg GmbH; Bordertown, directed by Miikko Oikkonen and produced by Finland‘s Fisher King Production; the four-part drama series Tokyo Trial, directed by Pieter Verhoeff and Rob King, and produced by Netflix and Japan’s public broadcaster NHK in coproduction with Don Carmody Television and FATT Productions; TV series Farang, directed by Malin Lagerlöf and Stefan Thunberg, and produced by Sweden‘s film Eyeworks; the road movie If The Sun Explodes, directed by Hanna van Niekerk and produced by Hazazah Pictures (The Nederlands) in coproduction with Lithuania‘s Ahil, and the National Geographic Channel documentary What Would Teddy Do? directed by Paul Epstein and produced by the US Castle Pictures.
The Vilnius Film Office was established at the end of 2011. A public nonprofit entity, the Kaunas Film Office, was established in 2012 as the result of a joint effort between the Kaunas municipality and the Kaunas Cinema Studio. The Kaunas Film Office is a member of the European Film Commissions Network.
Lithuania’s public broadcaster Lithuanian National Radio and Television operates three national television channels, three radio channels and an internet portal. It also provides satellite and live internet broadcasts, radio and television podcasts.
Since 1 January 2015, the Act amending the Law on the Lithuanian National Radio and Television came into force. This act bans commercial advertising on all LRT radio and TV channels, but provides more sustainable funding from the state budget. The assigned funding is based on the state budget revenues from the income tax and the excise revenues received in two previous years. Its operations are overseen by the LRT Council. LRT joined the European Broadcasting Union (EBU) in 1993.
TV3 is a television channel owned by Modern Times Group (MTG, Sweden) and targeted at a Lithuanian-speaking audience. It was founded on 7 May 1992 and launched on 11 April 1993 as Tele-3, before becoming TV3 on 8 June 1997.
LNK TV, also known as Laisvas ir Nepriklausomas Kanalas ("Free and Independent Channel"), is one of the major commercial TV channels in Lithuania. It was founded in 1995 as part of MG Baltic Media. It has four sister channels: TV1, Info TV, Liuks! and BTV.
Lietuvos rytas TV is a Lithuanian entertainment channel founded in 2008 and airing approximately 55% international programmes. In 2008 Lietuvos Rytas TV replaced the Lithuanian station Penktas Kanalas and it is part of the Lietuvos Rytas Media Group.
Launched in 2002, TV6 is a Lithuanian terrestrial, satellite and cable television channel owned by the Nordic television company Viasat.
On 31 October 2016 the Lithuanian National Television started to broadcast the 12-part historical drama Volunteers. The Price of Freedom / Savanoriai. Laisvės kaina directed by Saulius Balandis and produced by Videometra.
Also in 2016 TV3 aired season nine of the most popular Lithuanian TV series Women Lie Better / Moterys meluoja geriau, directed by Raimundas Banionis and Mykolas Vildžiūnas, and produced by Videometra. Women Lie Better is the most popular Lithuanian drama of all time and it is based on a novel by Daiva Vaitkevičiūtė. The series follows four young women and their love interests.
VILNIUS FILM OFFICE Jūratė Pazikaitė Director Konstitucijos pr. 3-313 Vilnius, LT-09601 Phone: 85 211 2620
Report by Auksė Kancerevičiūtė (2017)Source: Baltic Films
COUNTRY REPORT 2015
The Lithuanian film industry had a number of successes in 2015 with films selected for major festivals such as Cannes, Berlin and Sundance, and international productions flocking to the country after the launch of the tax incentives scheme in 2014.
The Summer of Sangaile directed by Alanté Kavaïté was selected for the Berlinale‘s Panorama 2015. The film has toured more than 50 festivals in 2015 A special programme Focus on Lithuania, with 30 features, was presented at T-Mobile New Horizons in Wrocław and a similar programme with 16 documentaries and 10 short films was screened at the 55th Krakow Film Festival. Baltic film institutions signed a mutual cooperation agreement in Cannes on 16 May 2015.
One of the most prominent Lithuanian film directors Sharunas Bartas finished his new feature film Peace to Us In Our Dreams / Ramybė mūsų sapnuose in 2015. This Lithuanian/French coproduction between Studio Kinema and KinoElektron had its world premiere at the Cannes Film Festival and won Best Director at the Batumi Film Festival and Best Cinematography at the Kinoshok festival (Russia).
One of the most productive Lithuanian film directors Algimants Puipa finished his new project The Garden of Eden / Edeno sodas in 2015. The film tells the story of a Swedish woman working at a nursing home in Lithuania and was produced by Studija 2 and the postproduction house UP Records.
Kristijonas Vildžiunas finished shooting his fourth featurefilm Seneca’s Day / Senekos Diena in 2015. Seneca’s Day is the first coproduction between all three Baltic States, produced by Studio Uljana Kim, Amrion Production and Locomotive Productions.
Director Donatas Ulvydas and producer Živilė Gallego shot the feature film Emilia, produced by Lithuania’s Fralita Films in cooperation with Ulvyds.
Deadweight directed by Ignas Miškinis and produced by Tremora along with Latvia’s Film Angels Productions was also shot in 2015.
Tragicomical drama Miracle/Stebuklas by writer/director Eglė Vertelytė went into production in 2015. The companies behind the film are Lithuania’s In Script, Bulgaria’s Geopoly, and UK’s Wostok.
Habit and Armour, a Polish/Lithuanian documentary on the Teutonic Knights directed by Paweł Pitera and produced by Arkana Studio in coproduction with Artbox, LRT, FDR, The Malbork Castle Museum, MX35, Film Factory Studio and TVN, was filmed in the historical sites of Stirniai, Siesikai, Kernavė and Trakai in 2015.
International productions were attracted to shoot in Lithuania by the tax incentives scheme launched in 2014. A six-part television series based on Leo Tolstoy‘s novel War and Peace directed by British director Tom Harper, was filmed in Vilnius in 2015. The series was produced by BBC Cymru Wales Drama in partnership with The Weinstein Company and BBC Worldwide/Lookout Point. The local partner was Baltic Film Services.
Finnish film and TV series production company Fisher King Production shot the international crime series Bordertown / Sorjonen in Lithuania in 2015. The series was created by Finnish writer/director Miikko Oikkonen and Vilnius replaced the Finnish town of Lappeenranta, as well as the streets of St Petersburg.
Japanese television series The Tokyo Trials recreating the events and courtroom procedures during the Tokyo War Crimes Trial in 1946 was also partly shot in Vilnius in 2015.
Forum Cinemas, which has a market share of approximately 40%, distributes Paramount Pictures International, Universal Pictures International, DreamWorks, Buena Vista, Disney and 20th CenturyFox titles. ACME Film, which is the largest film distributor in the Baltics, distributes movies from Sony Pictures, Warner Bros., Lionsgate and numerous other independent producers. ACME Film also distributes films on DVD, TV and VOD. It released domestically The Summer of Sangaile by Alantė Kavaitė.
Film distribution company Garsu Pasaulio Irasai (GPI) is the largest video distribution company in the Baltics, being the exclusive distributor of Sony Pictures HE in this region. GPI distributes well-known and talent driven commercial and art house feature films or Lithuanian dramas such as Algimantas Puipa‘s Garden of Eden.
The Summer of Sangaile directed by Alanté Kavaïté was selected in Sundance FF and received the Directing Award in the competition. It was also selected for the Berlinale‘s Panorama 2015. The film has toured more than 80 festivals in 2015 and screened in Los Angeles, London, Paris, Berlin, San Francisco, Sydney, Zurich, Karlovy Vary, Edinburgh, Bogota. Domestically the film had 9,767 admissions and cashed in more than 39,975 EUR since its premiere on 21 August 2015.
Meedfilms distributes mostly Lithuanian films including documentaries such as Giedrė Žickytė‘s Master and Tatyana / Meistras ir Tatjana (2014, Just a Moment), and feature films such as Mykolas Vildžiūnas’s Non Present Time / Nesamasis laikas (2014, Just a Moment) and the Lithuanian/Finnish coproduction Santa (2014) by Marius Ivaškevičius (Artbox).
In November 2015 the award-winning television broadcaster Eurochannel presented its first Lithuanian Month supported by the Lithuanian Film Centre. Eurochannel broadcast five feature films, three documentaries and six short films over 85 territories worldwide during the entire month. All the films were subtitled according to the territories in: English, French, Spanish, Portuguese, Serbian, Polish, Albanian, Estonian and Korean.
The 15th T-Mobile New Horizons Film Festival in Wrocław featured the most important Lithuanian films created between 1959 - 2015. The programme Focus on Lithuania included a record number of 30 features following the complex history and culture of the country during the Soviet period, the path to independence, and the decades of sovereignty. The 55th Krakow Film Festival screened 16 Lithuanian documentaries and 10 short films.
There are 95 screens in Lithuania, which is an insufficient number, according to the Lithuanian Film Centre, in order to provide access to films in smaller cities. Scandinavian-owned Forum Cinemas, the owner of the largest chain of movie theaters in the country, has six multiplexes with 40 screens, all fully digitalised.
The Polish-owned multiplex Multikino in Vilnius has seven screens with 1,673 seats. Baltic Multiplex Ventures, which runs the Cinamon multiplex in Kaunas, invested 1.6 m EUR / 5.5m LTL in its five screening rooms with more than 1,000 seats.
Box office was 12,876,789 EUR and admissions 2,798,468 up to November 2015. In 2014 box office was 14,378,587 EUR and admissions 3,237,000.
Inexperienced / Nepatyręs directed by Julius Paulikas and distributed by Incognito Films was the most profitable Lithuanian film at the national box office in 2015. Since its premiere on 2 January 2015 the film had admissions of more than 172,584 and more than 808,350 EUR gross. Seven Lithuanian feature films opened in cinemas in 2015 and eight in 2014.
Lithuanian production companies are typically small in size and are focusing on features or documentaries. In recent years Lithuania has been producing an average of four feature films annually with an average budget of 1m EUR; however, in 2015 Lithuanian Film Centre supported the production of seven feature films with 921,176 EUR, and the preproduction of other seven feature films with 147,200 EUR.
The Lithuanian audiovisual industry depends on funds from the Lithuanian Film Centre, private funds, coproducing with foreign companies and pan-European film support initiatives, such as the MEDIA Programme and Eurimages.
The Lithuanian Film Centre primarily finances up to 50-75% of development or production, and up to 75% of low budget or experimental films. France is the leading coproduction partner country. Fifteen coproductions have been made with French partners so far and Šarūnas Bartas has been the most prominent personality binding the two countries.
The most important film institution in the country is the Lithuanian Film Centre, which was launched in 2012 and is headed by Rolandas Kvietkauskas. The long awaited LFC was set up after extensive lobbying by the Lithuanian Independent Producers Association and Filmmakers Union. It has had a huge impact on the local industry, which previously lacked a central body to represent it. The LFC primarily finances development and production.
The Vilnius Film Office was established at the end of 2011. A public nonprofit entity, the Kaunas Film Office was established in 2012 as the result of a joint effort between the Kaunas municipality and Kaunas Cinema Studio. Kaunas Film Office is a member of the European Film Commissions Network.
Baltic film institutions signed a mutual cooperation agreement in Cannes on 16 May 2015. The agreement was signed by Edith Sepp, the director of the Estonian Film Institute, Dita Rietuma, the director of the Latvian National Film Centre and Rolandas Kvietkauskas, the director of the Lithuanian Film Centre.
Rolandas Kvietkauskas, the director of the Lithuanian Film Centre, pointed out the importance of coproductions between the Baltic countries: “In 2015, the Lithuanian Film Centre gave grants to 10 coproductions with Latvia and Estonia. The amount of 234,000 EUR went to five Lithuanian/Estonian coproductions while four Lithuanian/Latvian coproductions received 314,000 EUR. The feature film Seneca’s Day / Senekos Dienos by Kristijonas Vildžiunas, which is the first coproduction of all the three Baltic countries, received support not only from the Lithuanian Film Centre, but also from Eurimages last year.”
The new Lithuanian tax incentives scheme became effective in January 2014. Since then both domestic films and coproductions involving a Lithuanian coproducer are able to claim up to 20% rebate on a minimum spend of 43,000 EUR. Minority coproductions are also encouraged to apply for the rebate which is guaranteed through the end of 2018.
The tax incentives scheme is administered by the Lithuanian Film Centre. Six feature films have been shot in 2015 as a result of the incentive scheme: BBC television series War and Peace, Bordertown (Finland’s Fisher King Production), Paweł Pitera’s Habit and Armour, Antti Jokinen‘s The Midwife (Finland’s Solar films), Mikko Kuparinen‘s Two Nights till the Morning (Finland’s Mjolk Movies) and Daniela Féjerman’s La Adoption (Spain’sTornasol Films, Messidor Films, Televisión Española TVE).
Lithuania has three national broadcasters: public broadcaster Lithuanian National Radio and Television, which operates two national television and three radio channels; foreign-owned commercial channel TV3 owned by Modern Times Group, and commercial channel LNK. Commercial channel BTV is owned by Achemos Group. TV1 , which was launched in 2003, is a sister channel of LNK television.
In 2015 Lithuanian National Television broadcast a new TV series Dangerous Feelings / Pavojingi jausmai by Raimundas Banionis. TV3 broadcast the second season of the most popular Lithuanian TV series The Women’s Happiness / Moterų laimė by Algirdas Gradauskas and Kristina Kunčinaitė, and also a new criminal comedy series Bruto and Neto / Bruto ir Neto. Also in 2015 LNK produced the TV series All Men are Pigs /Visi vyrai – kiaulės… directed by Agnė Šataitė.
Lietuvos rytas TV is an entertainment channel founded in 2008 and replacing the channel Penktas Kanalas (Channel 5). Lithuanian journalist Edmundas Jakilaitis was its first channel manager. In January 2013 he was replaced by Linas Ryškus. Approximately 55% of the channel’s programmes are from foreign countries. Lietuvos Rytas TV is part of Lietuvos Rytas Media Group.
TV6, which was launched in 2002, is a Lithuanian terrestrial, satellite and cable TV channel owned by the Nordic television company Viasat.
Lithuanian Film Centre Zigmanto Sierakausko g. 15, LT-03105 VilniusPhone: +370 5 213 0547
Vilnius Film OfficeDirector Jūratė PazikaitėKonstitucijos pr. 3-313Vilnius, LT-09601Phone.: 85 211 2620
The Kaunas Film Office
Report by Auksė Kancerevičiūtė (15 Dec 2015)
Source Lithuanian National Film Centre
Population: 2,854,235 (2016)GDP per capita in USD: 26610.68 (2016) Number of screens: 79 (2016)Digital screens: 54 (2016)Total admissions: 3,668,370 (2016)Total gross: 17,724,516 EUR (2016)Domestic films released: 17 (2016)Admissions domestic films: 699,207 (2016)Admissions European films: 336,493 (2016)Number of feature films produced: 21 (2016)Number of domestic releases: 13 (2016)Average ticket price in EUR: 4.83 (2016)Annual state support for film industry in 2016: 3,519,000 EUR from the Lithuanian Film Centre
Source: Baltic Films
Lithuania Admissions Top Ten 2016
Source Baltic Films
Top 10 in Europa Cinemas Network cinemas (2015)
(3 towns, 4 cinemas, 6 screens)
1. Sur le chemin de l'école (France), by Pascal Plisson2. Youth (Italy), by Paolo Sorrentino3. Advanced Style (USA), by Lina Plioplyte4. Meistras ir Tatjana (Lithuania), by Giedrė Žickytė5. Qu'est-ce qu'on a fait au Bon Dieu? (France), by Philippe de Chauveron6. Spijt! (Netherlands), by Dave Schram7. Traukinio Apiplėšimas, Kurį Įvykdė Saulius ir Paulius (Lithuania), by Simonas Aškelavičius, Ričardas Marcinkus8. Nepatyręs (Lithuania), Julius Paulikas9. Mary's Land (Estonia), by Juan Manuel Cotelo10. Edeno sodas (Lithuania), by Algimantas Puipa
Source Europa Cinemas
Check OLFFI for Film Funding opportunities
Interview with Rolandas Kvietkauskas - Director of the Lithuanian Film Centre
Ministry of Culture of the Republic of Lithuania - http://www.lrkm.lt/go.php/lit/English
Lithuanian Culture Promotion Fund - www.krf.lt
Press, radio and television promotion fund - http://srts.sominis.lt
Lithuanian archive department under the Goverment of The Republic of Lithuania - www.archyvai.lt
Lithuanian Filmmakers Union - www.kinosajunga.lt
Lithuanian Association of Cinematographers - www.lac.lt
Lithuanian cinema - www.lietuvoskinas.lt
Lithuanian Theatre, Music and Cinema Museum - www.ltmkm.lt
MEDIA DESK Lithuania - www.mediadesklithuania.eu/lt/