Ania Chateau pari unnamed 25

FIPRESCI Warsaw Critics Project 2019

Barbora Berezňáková's anachronistic documentary about elitist crimes in the late 1990s ofBarbora Berezňáková's anachronistic documentary about elitist crimes in the late 1990s ofSlovakia, Never Happened, considers a man’s confession against…
Svetla Tsotsorkova's Sister is a moving chronicle of an industrious family working together to accept their controversial history. It presents a visual and thematic interconnection of its vivid characters and…
Valan’s pulpy policier world slowly turns exploitative towards its characters while following the formulaic story of Péter, a strong-willed cop caught in a difficult sex trafficking investigation in Brasov. A…
Kult – the iconic Polish rock band – was founded in 1982 by Kazik Staszewski and Piotr Wieteska. Olga Bieniek condenses 217 hours of footage, including the band’s private meetings…
Petr Levchenko’s feature debut Curator is based on a real-life murder of a Russian government official and the ensuing manhunt for the killer, a Georgian businessman. Yet, according to the …
You'll probably think twice before making assumptions about a stray cat's identity the next time you see one. Vesela Kazakova and Mina Mileva's vibrant depiction of a no-nonsense Bulgarian immigrant…
Petr Levchenko is a 27-year-old Russian director and a graduate of the main state university of cinematography. His film The Curator is on the actual political agenda regarding the corruption…
You'll definitely want to give your grandparents a call after seeing Liviu Sandulescu's Carturan (2019). It is a tender portrait of a middle-aged man setting his house in order before…
After a warm reception for The Gambler, Ignas Jonynas´ second distinctive feature film Invisible brings to the screen another morality-like drama flirting with the thriller genre. A puzzle-style narration generating…
After several impressive shorts, the director Matej Bobrik has the premiere of his feature-length documentary debut at Warsaw International Film Festival. Our Little Poland contains all basic features of his …

FIPRESCI Young Critics Warsaw Project

Lemana Filandra2Lemana Filandra is a writer and editor at "Klifhenger" (www.klifhenger.com), a site dedicated to movie analyses in Bosnian and English. She has been working as a freelance writer, a researcher, and a translator for the last three years. Currently, She is working on a PhD thesis in philosophy, focused on intersectional feminism and political implications of the concept of body. In the past she had different professional engagements at Sarajevo Film Festival, one of the most prominent European festivals. She also worked as a producer of a music video, a script supervisor and an assistant to a movie director.

Levan Tskhovrebadze2Levan Tskhovrebadze is a student of film studies in Ilia State University, Georgia. He has written and made other kind of journalistic content for Georgian outlets like Indigo, Cinemania.ge or Demo.ge. Recently he started working for Ilia State University online publication Cinexpress.iliauni.edu.ge where he writes reviews, articles and also translates some of the important articles or interviews about cinema into Georgian. He has covered few festivals as a film critic. He was doing video blogs for Berlin International Film Festival 2019th edition and has made some content at CinéDOC-Tbilisi and Batumi International Art-House Film Festival. Cinexpress is also the Ilia State University’s Film Club where he made public reports before screenings.

Oleksandra Povoroznyk2Oleksandra Povoroznyk is a film critic and journalist based in Kyiv, Ukraine. She is currently working for Vertigo.com.ua, one of the largest Ukrainian websites devoted to the film industry and entertainment in general. She is also the host of two podcasts about movies and TV.

Denisa Jašová2Denisa Jašová is a PhD student of Audiovisual Studies at Academy of Performing Arts in Bratislava. As a Film Studies and Archival Science graduate, she specializes on archival research in film and TV history, especially on Czechoslovak amateur film and TV non-fiction programmes from 70s and 80s. She also works as a researcher for TV documentaries, as a librarian in the Central European House of Photography and as a talk show host in student radio talk show called Cinefil. She frequently writes for magazine Film.sk, IFF Cinematik Piešťany and her first paper about the history of Slovak amateur film will be released in October 2019 in Kino-Ikon magazine. She simply loves film archives.

Bogdan Balla2Bogdan Balla is a Romanian experimental film director and freelance film critic based in Bucharest. He studies film directing at the National University of Theatre and Film and writes for FILM MENU. Besides directing and producing his own films, he also works as an independent freelance film critic. He reads bell hooks and is passionate about queer cinema. He has a preference for working with archival footage for his films.

Svetlana Semenchuk2Svetlana Semenchuk is an author of such publications on cinema as “Seanse”, “The Art of Cinema”, “Cinema TV” and other. The author-composer of the books “S. M. Eisenstein: pro et contra: Sergey Eisenstein in national reflection: anthology” and “E. F. Bauer: pro et contra. Eugene Frantsevich Bauer in assessments of contemporaries, colleagues, researchers, film critics. Anthology”. Teacher of the St. Petersburg New Cinema School, and at the St. Petersburg State University of Cinema and Television.

TUTORS of FIPRESCI Young Critics Warsaw Project

amber wilkinson2Amber Wilkinson  is a journalist with more than 20 years experience. She is the co-founder and editorial director of UK-based website Eye For Film. Her byline has appeared in The Times, Daily Telegraph, Sydney Morning Herald and Filmmaker Magazine among others. She also contributes as a freelance film critic on BBC Radio Scotland. She has run several FIPRESCI young critics' workshops and mentored student critics at the Edinburgh International Film Festival in 2018 and 2019.

TommasoTommaso Tocci is based in Italy, where he works as a film critic and translator covering film festivals across Europe for international publications. He has also worked for Berlinale Talents and for the Edinburgh International Film Festival, and he currently serves as Co-Programmer for the Saas-Fee Film Festival in Switzerland.