unnamed 1 film new europe dynamic banner dok incubator deadline 2020 460x100px RGB

submission deadline
January 29th 2020

Apply for six months of intensive editing 
and development of your documentary film aiming for premiere by early autumn 2020: 

/ work with more than 30 world-class 
editors, producers and distributors 
throughout the postproduction period 

sharpen the storytelling and maximize 
your film’s international potential 
/ get personal feedback on your cut from 
key festival representatives, sales agents and other decision makers 

/ prepare a tailor-made marketing and 
distribution strategy to unfold your film to a wider audience

The whole team, composed of a director, 
a producer and an editor, participates 
in three one-week residential sessions 
(the exact dates will be confirmed): 
/ 1st session (6 days) – rough cut
late April – Slovakia 

/ 2nd session (6 days) – fine cut 
late June – Czech Republic 

/ 3rd session (8 days) – near picture lock 
mid-September – Sweden

Apply HERE with your rough cut 
Early bird submission (until January 9th 2020) is FREE OF CHARGE!

If you want to meet dok.incubator team at IDFA, please contact This email address is being protected from spambots. You need JavaScript enabled to view it..


675CF26E 6B30 4AD0 BCC7 3259E6A6D9DB

For the second time, Europa Distribution will be at the IDFA - International Documentary Film Festival Amsterdam where it will hold a workshop dedicated to the distribution of documentariesFrom November 24th to 26th, around 20 independent distributors, all members of the European network, will participate in an open panel and a closed session of discussion organised in collaboration with IDFA as part of their Industry programme.

On Monday 25th November from 10.00 to 11.30 at the Brakke Grond cultural center, the public panel “SOLO, a one-man-band story and case study” will explore the creation, the production and the distribution of Solo, a documentary on the life and struggle with the mental disease of Martín Perino, an Argentinian pianist. We will be guided through this journey by the producer Petra Oplatkova (Sirena Films, Artcam Films, CZ), who has worked with the director, producer and distributor Artemio Benki to bring this film to life following each single step of the film value chain. The panel will be thus an opportunity to have an in-depth perspective of the life cycle of a film, recognizing the relevance of all the elements that allow a film to exist and circulate. Together with Artemio, Manuela Buono (Slingshot Films, IT), the international sales agent of SOLO, will help us understanding how such a film can be brought to the international audience. The panel discussion will be moderated by Mathias Noschis(Alphapanda, DE).

Europa Distribution members will then hold a closed workshop session on Tuesday 26th November. At this occasion, Julia van Berlo (Cinéart, NL), Jana Trnková(Aerofilms, CZ), Mika Siltala (Cinemamondo, FI), Nille Stormoen (Arthaus, NO), Huub Roelvink (Cherry Pickers, NL), Michael Höfner (Gmfilms, DE), Jennifer Jones (mindjazz pictures, DE), Daan Vermeulen (Cinema Delicatessen, NL) and Kim Foss (Camera Film, DK) will share their experience regarding documentary releases through the analysis of concrete examples and case studies on the following films: Veearts Maaike (NL), Diego Maradona (UK), Becoming Animal (UK, CH), Easy Love (DE), Piazzolla, the Years of the Shark (FR, AG), Amazing Grace (US) and Ask Dr. Ruth (US).

NOTE FOR THE EDITORSEuropa Distribution is the association of independent film distributors, created in 2006.  With about 120 leading independent distributors representing 30 countries in Europe and beyond, it serves as the voice of the sector and acts as a network and a think tank. Since its creation, Europa Distribution has accompanied and reinforced the integration and collaboration process between its members through information, brainstorming and training sessions. The network’s aim is to strengthen the existing ties to improve the curation, promotion and distribution of independent films.

CONTACT: For more information about the presence of Europa Distribution in Amsterdam, contact: This email address is being protected from spambots. You need JavaScript enabled to view it.

PRAGUE: The Czech government approved 500 m CZK / 19.5 m EUR in additional funding for production incentives. The increase brings the total amount of funding in 2019 to 1.3 billion CZK / 51 m EUR.

Strasbourg, 13.11.2019 –The 20th edition of this event which opened on the 3 October 2019 comes to a close today with the awarding of honorary prizes to three Eurimages-supported international co-productions:

The Odyssée-Council of Europe Prize for Human Rights 

goes to God Exists, Her Name is Petrunya by Teona Strugar Mitevska, a
co-production between North Macedonia, Slovenia, Belgium, Croatia and France, 
for the director's ability to stage a story with a universal reach. The central figure of this film is a female character who has the will and courage to stand up to the misogyny prevalent in a society weighed down by religious, institutional and media conformity.

The director skillfully integrates a large number of key topics related to the struggle for human rights into a relatively simple plot: in addition to the central theme of gender equality, which is directly linked to freedom of thought, conscience and religion, the film shows the background of doubts and unease when questions of the rights to privacy, to work, to a fair trial and of press freedom are raised. Teona Strugar Mitevska shows how all these struggles are intrinsically linked and how progress on human rights cannot be compartmentalized into different issues but must advance on all fronts simultaneously. 

The Odyssée-Council of Europe Prize for Artistic Creation goes to

Cold War by Pawel Pawlikowski, a co-production between Poland, France and the United Kingdom

for its great artistic and aesthetic quality, the remarkable direction of the actors, and its ability to create an attractive universe representing a loving relationship attuned to the torments of history, a relationship whose relevance remains pertinent today.

Lastly, a Special Mention is awarded to the film Tel Aviv on Fire by Sameh Zoabi, a co-production between Luxembourg, France, Israel and Belgium,

for its cinematographic qualities and its ability to speak tactfully and non-judgmentally about a complex, painful and troubling situation. This film focuses on what is likely to bring the protagonists closer to a dramatic situation rather than away from one.

EURIMAGES is a support fund for cinema co-production, theatrical distribution and exhibition established by the Council of Europe in 1988 (This email address is being protected from spambots. You need JavaScript enabled to view it.http://www.coe.int/Eurimages).

Since it was set up in 1988, EURIMAGES has supported 2 047 co-productions for a total amount of approximately 597 million euros.

WARSAW: The 4th edition of the international script development programme Kids Kino.Lab, formerly known as Kids Film.Pro, has announced its tutors and participants in advance of its first session of 2019/2020, which will begin on 26 November in Poznań, preceding the 37th edition of the International Young Audience Film Festival Ale Kino, which runs 1 – 12 December 2019.

ZAGREB: TV and film content creation is the subject of the first NEM Zagreb convention, which takes place 11 -13 December 2019. Top international TV industry professionals will participate in an intensive line-up of panels, workshops, screenings and a pitching contest.


7E8B5040 0783 489F BA79 D8AE86DB0089

And we're off! The 23rd Black Nights Film Festival has officially begun.
Over 250 films in 4 different cities and 4 competition programs - Official SelectionFirst Feature CompetitionBaltic Film CompetitionRebels with a Cause Competition.

Yesterday's Opening Ceremony kicked off with opening film Adam and the Bruno O’Ya award to a remarkable Estonian actor was awarded to Rea Lest.

Check out all the photos from yesterday's black carpet here



C4DAC576 AB73 4F0F 9DDB 5ED3B3A27B71

At the 23rd edition of the Tallinn Black Nights Film Festival, Russian director Andrei Konchalovsky will be presented with one of the festival’s two Lifetime Achievement Awards.
The festival will also screen two of his films: the Northern European premiere of his latest film Sin (Il Peccato) and House of Fools (2002).

Andrei Konchalovsky’s career spans over five decades, during which he has directed numerous films and series that have become an undisputed, integral part of film history.



2EE21F23 9706 4998 962B 3869824CBB21

Tallinn Black Nights Film Festival’s 23rd edition will see a focus on Arab cinema, as the festival screens 14 films in the specially curated programme In Focus: Sizzling Arabia, showcasing highlights from the last decade.

According to the curator, Intishal Al Timimi, a Black Nights curator who is also the head of the programme of the El Gouna Film Festival in Egypt, the special programme is most likely the largest of its kind ever screened at an international festival in Europe.

The festival opened yesterday with Maryam Touzani’s Adam, that was screened at the Cannes film festival this year.



D737CAB1 7815 4FEC 8C52 61EA1B58E854

Rebels With A Cause is the festival section that showcases independent productions that offer original points of view, polemic opinions or interesting aesthetic pursuits for the demanding audience.

The programme is divided into two competitive programmes – for shorts and features – and a non-competitive selection.

Rebels With A Cause is gradually developing into a section that draws international attention and attracts fresh films from emerging and established creative voices from around the world.



946EC4B1 1E99 44D1 9522 D93A8F6FEE64

The TV Beats programme will screen eight new series from around the world, three of them world premieres, including an Amazon production and the first Estonian series produced by the Finnish telecommunication company Elisa.

The three series having its world premiere at PÖFF are:

  • the Elisa-produced Estonian series Traitor is a spy thriller that is inspired by the real-life espionage incidents between Russian and Estonian intelligence that have been occurring ever more frequently since Estonia joined NATO in 2004.
  • the Russian series Call Center by Russian directing duo Natasha Merkulova and Aleksey Chupov (The Man who surprised everyone), returning to Tallinn with the new series they created at Premier Studios. The story follows the workers of a call centre who are taken hostage by two terrorists who observe the whole building and start to demand the hostages to perform strange tasks.
  • Burning Land, an Estonian series produced for the national broadcaster ERR, telling a story based on true events about a criminal group known as the Kolkhoz (Russian word for collective farm). 


We are happy to announce that the PROGRAM of the AUGMENTING PERFORMANCE international conference that will be organized at CINETic UNATC Bucharest (15-17 November 2019) is now available online. (Please keep following our website for updates)

We are delighted to have brought together such a diverse group of professionals – well over 100 guests from 13 different countries and 4 continents (Australia, Austria, Bulgaria, Canada, Denmark, France, Netherlands, Poland, South Africa, Switzerland, Turkey, United Kingdom, and Romania) – a true global community of artists and scientists.



GERHARD WIDMER, PhD, Institute for Computational Perception, Johannes Kepler University Linz (JKU) and Austrian Research Institute for Artificial Intelligence (OFAI), Vienna (AUSTRIA), Con espressione!

ELIZABETH JOCHUM, PhD, Associate Professor in the Research Laboratory for Art and Technology (RELATE) at Aalborg University (DENMARK), Rehearsal for the robot revolution

JOE KING, Tutor in the Animation program at the Royal College of Art London (UK), Rock paper scissors. Expanded forms of animation, its use within live stage production and the role of research knowledge exchange within live projects

JORIS WEIJDOM, Researcher and senior lecturer – Media and Performance Laboratory at HKU University of the Arts Utrecht (NETHERLANDS), Designing performative mixed reality experiences and what we can learn from post-dramatic theatre

ALIN MOLDOVEANU, PhD, Professor and Vice-Dean at University Politehnica of Bucharest (ROMANIA) Sound of vision – augmenting in the dark – the new, artificial sense for the visually-impaired

RYSZARD W. KLUSZCZYŃSKI, PhD, Professor of Media and Cultural Studies; Chair of the Department of Electronic Media, University of Lodz (POLAND), From cinematic to participatory aesthetics. Immersivity, Interaction and Narrative in Contemporary Performing Arts


MIGUEL ORTIZ, PhD, Lecturer of Education, Erasmus Coordinator, Sonic Arts Research Centre, School of Arts English and Languages, Queen’s University Belfast (UK)

KIVANÇ TATAR, PhD, School of Interactive Arts and Technology, Simon Fraser University, Vancouver (CANADA) & Institute for Computer Music and Sound Technologies, Zürich University for the Arts (SWITZERLAND)


IOANA MISCHIE (CINETic) Government of Children. A pioneering glocal transmedia franchise with artistic, educational, societal impact


ȘTEFAN DAMIAN (CINETic), Choreographic performance using wearable sensors for sonic interaction

GORKEM ACAROGLU (AUSTRALIA), Robots, Avatars and Ghosts. A case study: directing human and technological actors

MARIUS HODEA (CINETic), Between Realities, Art Gesture by Technology

HOREA AVRAM (UBB CLUJ-NAPOCA), The user is present. Performing temporality in mobile augmented reality art

GRIGORE BURLOIU (CINETic), Augmenting a string quartet with live electronics

MIRCEA KIRALY (UBB CLUJ-NAPOCA), Mymix – an AR application on live immersive sound

KIVANC TATAR (CANADA), Subjects of Art in the Post-Metacreation Era

MARIÉ-HELEEN COETZEE (SOUTH AFRICA), Betwixt and between: the intermedial dramaturgy of Gopala Davies


ALEXANDRA MUREȘAN (UBB CLUJ-NAPOCA), Creative matrices: Mirrors without glass, algorithms and geometric patterns

ANDREEA IOSIF (UAUIM BUCHAREST) & CRISTINA CLAUDIA POPESCU (UNARTE BUCHAREST), An interdisciplinary art-tech approach through a VR application for the Simu Museum

RICHARD PETTIFER (GERMANY), The Artist is absent: Non-Human Agency in the Situation of the Theatre

DORIN CUCICOV (CINETic), The Sentient Machine. Extending emotional framework through interactive experiences

MARINA HANGANU (CESI BUCHAREST), Before Sunset/After Sunrise: Augmenting Space, Time, and Perception in Telematic Performance

NATALIA ȚURCAN (CESI BUCHAREST), Radio Drama – a sound show

CIPRIAN FACAERU (CINETic), Scenography of Augmented Space

MARIA NĂSTASE (CINETic), Sonic images. Pixel sonification in the photographic image

ADELA MUNTEAN (UBB CLUJ-NAPOCA), Performing Art Practices under the Dome

FRANCISC APOSTU (CINETic)Creating Meaningful Play

IULIANA GHERGHESCU (CINETic), A case for a Bachelor’s program in Art and Technology

ANABELA COSTA (FRANCE), Poetic Cosmicity, VR immersive interactive videoart animation [live practical demonstration]

ANDREI UNGUREANU (CINETic), Gesture recognition system using leap motion sensor: a machine learning approach [live practical demonstration]


PANEL: Transdisciplinary skills in creative industries

MODERATOR: Professor Dan Vasiliu, PhD |
Director of the Doctoral School | 
UNATC „I.L. Caragiale” Bucharest

Alex M. Dascălu | Managing Director
Bucharest Chapter of Founder Institute | Bucharest, Romania

Professor Ioan Cristescu, PhD | Director
National Museum of Romanian Literature | Bucharest, Romania

Professor Nicolae Gheorghiță, PhD | Vice-Rector
National University of Music | Bucharest, Romania

Architect Emil Ivănescu | President
Bucharest Order of Architects (OAR) | Romania

Professor Dinu Dumbrăvician, PhD
National University of Arts Bucharest | Faculty of Decorative Arts and Design | Romania 


Friday, November 15th 2019 

Saturday, November 16th 2019 

Sunday, November 17th 2019 
A performative concert with: PAUL DUNCA / PAULA DUNKER – performer, choreographer, playwright, ALEX BĂLĂ (musician) and other twisted creatures.


Information streams and natural streams have a similar dynamic. The stream and the user are influencing each other in an organic continuous way.

This installation expands on the impact of technological advancement on human emotions and social interactions. The project is the result of a research conducted at the International Center for Research and Education in Innovative Creative Technologies(CINETic) in Bucharest by MA student Dorin Cucicov under the coordination of Alexandru Berceanu.

Digital art installation, exploiting more than 30,000 video streams in real time, with the aid of a bot that is constantly looking for human presence, using artificial intelligence. Trying to tell us a story through the eyes of the computer, this installation makes us think about our own privacy in our ultra-connected society. A matrix of 12 screens is displayed on a wall, showing live streams from unprotected cameras. All these streams are analysed in real time using machine learning – trying to detect whether there is human activity. As soon as humans are detected into a stream, they are displayed onto one of the screens, letting the visitor step into a curious voyeur position.

A hybrid technological-organic object that transforms touch and light into sound sequences. Photosynthesizer explores the theme of co-creation between human, nature and technology. Interaction with human input and environmental factors produces different sets of sounds, which mirror the plant’s physiological state. Play the artificial leaves with your hand or any metallic object. Meanwhile, the humidity and temperature in the soil will select the sounds that are available to you.

Looking forward to welcoming you all at CINETic this weekend!

Follow us on Facebook for live updates.
Free access for the public (based on seating availability)

Find Out More

The 23rd edition of the Black Nights Film Festival was opened yesterday at the Alexela Concert Hall with actress Rea Lest honoured with the Bruno O’ya award. 

At last night’s Opening Ceremony’s spectacular multimedia show, directed once again by Ingmar Jõela, crossed stage acting, dance acts and live filmmaking, paying homage to films like A Clockwork OrangeThe Matrix and Climax.

The festival awarded actress Rea Lest with the Bruno O’ya Award, that is presented for the 6th year at the festival’s Opening Ceremony to an up and coming Estonian actor or actress on the verge of an international breakthrough. Lest has played in several films that have screened at the festival, such as November (2016), The Manslayer / The Virgin / The Shadow (2017) and Scandinavian Silence that screens in the festival's Baltic Competition programme this year. Lest was selected among the Berlinale Shooting Stars earlier this year.

Another symbolic moment was the passing of the festival’s candle which is done by the representatives of the country/ region the festival has set focus on that particular year. This year, businessman Naguib Sawiris and actress Bushra Rozza, founders of the El Gouna Film Festival  in Egypt passed the candle to festival director Tiina Lokk as Black Nights sets its focus on Arab cinema, presenting a 14 film showcase In Focus: Sizzling Arabia, that screens a retrospective of Arab films from the last ten years mixed with highlights from this year. The candle will be passed on at the festival's award ceremony to the representative of next year’s focus on the 30th of November.

Tallinn Black Nights Film Festival runs from the 15th of November until the 1st of December.


Opening Ceremony Gallery #1
Opening Ceremony Gallery #2
Black Carpet Gallery

23rd Tallinn Black Nights Film Festival TEASER.


Press accreditation for the 23rd Tallinn Black Nights Film Festival and Inudstry@Tallinn &; Baltic Event is in progress. Please apply by clicking on the link below.



The festival's press office gladly helps with any question regarding the accreditation, press screenings and conferences and helps to organise interviews with the festival's guests. 

Press accreditations and events: This email address is being protected from spambots. You need JavaScript enabled to view it..
Press hospitality matters: Anna-Liiza Izbaš This email address is being protected from spambots. You need JavaScript enabled to view it.
International communication: Hannes Aava - This email address is being protected from spambots. You need JavaScript enabled to view it. / +372 555 29 211.
Russian communication: Jaana Kalinistova This email address is being protected from spambots. You need JavaScript enabled to view it..
Estonian communication: Tiit Tuumalu - This email address is being protected from spambots. You need JavaScript enabled to view it..

Lithuania joins Tallinn Black Nights Film Festival (aka PÖFF) with a rich line-up and a growing delegation of Lithuanian film professionals. 12 Lithuanian films and co-productions will be screened at this year’s programme, with the world premiere of Jurgis Matulevičius’ debut film Isaac (lit. Izaokas) being one of the most awaited events. 

Isaac will be competing with 17 other films from around the world for the best First Feature title. It is a psychological drama about two friends whose relationship is the result of the Holocaust, the atrocities of war, the traumas of the past, and love for the same woman in Soviet Lithuania. The film is based on the novel by Antanas Škėma.

Seven Lithuanian films and co-productions were selected for the Baltic Film Competition and will be competing for the best film title with films from Latvia and Estonia. Lithuania will be represented by Karolis Kaupinis’ feature film debut Nova Lituania, Ignas Jonynas’ Invisible(lit. Nematoma), Aistė Žegulytė’s documentary Animus Animalis (a story about People, Animals and Things) (lit. Animus Animalis (istorija apie žmones, žvėris ir daiktus), Tomas Vengris’ debut Motherland (lit. Gimtinė) and Other side of silence (lit. Kita tylos pusė),the newest film by Algimantas Puipa.

Also, several co-productions with Lithuania are included in the Baltic Film Competition program: Latvian-Lithuanian-Belgian-French feature Oleg (co-producer Lukas Trimonis, InScript) featuring Lithuanian actor Valentinas Novopolskij, Latvian-Lithuanian-Norwegian film Spoon (Karote) by Laila Pakalnina (co-producer Dagnė Vildžiūnaitė, Just a moment), and the newest documentary by the famous Ukrainian director  Sergei Loznitsa State Funeral (a number of Lithuanian cinematographers participated in production of the film).

The Baltic Event, the largest international co-production market in North-Eastern Europe, will also welcome a number of Lithuanian film professionals, who will present their new projects at different categories of the event.

Two Lithuanian films will be presented at Baltic Event Works in Progress: People We Know Are Confused (lit. Žmonės, kuriuos pažįstame) by Tomas Smulkis (prod. Dagnė Vildžiūnaitė, Just a Moment) and Paralysis (lit. Paralyžius) by Andrius Blaževičius (prod. Marija Razgutė, M-Films)will be presented for the first time and competing for EUR 10,000 prize for post-production works. Inesa Kurklietytė’s project Butterfly's Heart(lit. Drugelio širdis, produced by Živilė Gallego, Fralita Films) was selected for the co-production market. 

TV Beats Forumwill pay special attention to HBO series Chernobyl, which was shot in Lithuania. Lithuanian producer Lineta Mišeikytė (UAB Baltic Film Services) will take part in the discussion to present the perspective of a local production house in the region working with a major studio on a large-scale project.

Emerging actor Povilas Jatkevičius will be searching for casting agencies in the Black Nights Stars program for talented young actors.

Lithuanian presence at the Baltic Event is supported by theLithuanian Film Centre.