You'll definitely want to give your grandparents a call after seeing Liviu Sandulescu's Carturan (2019). It is a tender portrait of a middle-aged man setting his house in order before the moment of his imminent death. Carturan (Teodor Corban) learns about his stomach cancer and tries his best to arrange a new home for his young grandson Cristi (Vlad Popescu) after he's gone. Over the course of a month, Carturan is carefully wrapping up his life routines rather than feeling inspired to seek new experiences. Securing a new home for Cristi would seal Carturan's legacy as a caring grandfather.
Carturan and Cristi bond with each other in their picturesque village while playing chess and going fishing. They spend time living in a bubble that is not touched by the news of Carturan's cancer. By contrast, the older man talks freely about the disease to a priest Priest (Adrian Titieni) whose help he attempts to enlist and to bureaucrats as he visits several institutions in the nearby city. In a bus scene, Carturan overhears a passenger prescribing his friend a two-month plan of dieting and exercising. This is painfully intersected with Carturan's awareness of his cancer.
Sandulescu also gives a portrait of time as a strikingly subjective experience. Carturan is running out of time, while Cristi is just about to go through his newest encounter with grief.Carturan comes across a number of rejections while trying to set up a home for Cristi. This is a presentation of the contemporary Romanian bureaucratic system concerning foster children. The wide city shots accentuate Carturan's burdened state by surrounding him with strangers, who supposedly have worries of their own. The off-screen dialogue taking place during Carturan's close-ups intensifies his feeling of hopelessness. Yet, Carturan's face is mostly shown during scenes that show his home environment as a place of comfort.
The ticking bomb of Carturan's death is set to bring chaos to Cristi's life. The teenager's unforeseen future is emphasized by him being mostly shot from a distance in scenes before hearing about Carturan's cancer.
Sandulescu's Carturan presents a pragmatic perspective. The director favors naturalistic photography as a statement that promotes a sensible approach to death. There is no way to escape, you have to bite the bullet and face it. This naturalistic piece of cinema questions but does not ridicule religious rites related to death. Instead, it minimizes their impact on Cristi and the legacy that he is going to carry.
FIPRESCI Young Critics Warsaw Project
Lemana Filandra is a writer and editor at "Klifhenger" (www.klifhenger.com), a site dedicated to movie analyses in Bosnian and English. She has been working as a freelance writer, a researcher, and a translator for the last three years. Currently, She is working on a PhD thesis in philosophy, focused on intersectional feminism and political implications of the concept of body. In the past she had different professional engagements at Sarajevo Film Festival, one of the most prominent European festivals. She also worked as a producer of a music video, a script supervisor and an assistant to a movie director.
Levan Tskhovrebadze is a student of film studies in Ilia State University, Georgia. He has written and made other kind of journalistic content for Georgian outlets like Indigo, Cinemania.ge or Demo.ge. Recently he started working for Ilia State University online publication Cinexpress.iliauni.edu.ge where he writes reviews, articles and also translates some of the important articles or interviews about cinema into Georgian. He has covered few festivals as a film critic. He was doing video blogs for Berlin International Film Festival 2019th edition and has made some content at CinéDOC-Tbilisi and Batumi International Art-House Film Festival. Cinexpress is also the Ilia State University’s Film Club where he made public reports before screenings.
Oleksandra Povoroznyk is a film critic and journalist based in Kyiv, Ukraine. She is currently working for Vertigo.com.ua, one of the largest Ukrainian websites devoted to the film industry and entertainment in general. She is also the host of two podcasts about movies and TV.
Denisa Jašová is a PhD student of Audiovisual Studies at Academy of Performing Arts in Bratislava. As a Film Studies and Archival Science graduate, she specializes on archival research in film and TV history, especially on Czechoslovak amateur film and TV non-fiction programmes from 70s and 80s. She also works as a researcher for TV documentaries, as a librarian in the Central European House of Photography and as a talk show host in student radio talk show called Cinefil. She frequently writes for magazine Film.sk, IFF Cinematik Piešťany and her first paper about the history of Slovak amateur film will be released in October 2019 in Kino-Ikon magazine. She simply loves film archives.
Bogdan Balla is a Romanian experimental film director and freelance film critic based in Bucharest. He studies film directing at the National University of Theatre and Film and writes for FILM MENU. Besides directing and producing his own films, he also works as an independent freelance film critic. He reads bell hooks and is passionate about queer cinema. He has a preference for working with archival footage for his films.
Svetlana Semenchuk is an author of such publications on cinema as “Seanse”, “The Art of Cinema”, “Cinema TV” and other. The author-composer of the books “S. M. Eisenstein: pro et contra: Sergey Eisenstein in national reflection: anthology” and “E. F. Bauer: pro et contra. Eugene Frantsevich Bauer in assessments of contemporaries, colleagues, researchers, film critics. Anthology”. Teacher of the St. Petersburg New Cinema School, and at the St. Petersburg State University of Cinema and Television.
TUTORS of FIPRESCI Young Critics Warsaw Project
Amber Wilkinson is a journalist with more than 20 years experience. She is the co-founder and editorial director of UK-based website Eye For Film. Her byline has appeared in The Times, Daily Telegraph, Sydney Morning Herald and Filmmaker Magazine among others. She also contributes as a freelance film critic on BBC Radio Scotland. She has run several FIPRESCI young critics' workshops and mentored student critics at the Edinburgh International Film Festival in 2018 and 2019.
Tommaso Tocci is based in Italy, where he works as a film critic and translator covering film festivals across Europe for international publications. He has also worked for Berlinale Talents and for the Edinburgh International Film Festival, and he currently serves as Co-Programmer for the Saas-Fee Film Festival in Switzerland.