FNE is introducing the first AV Innovation Team made up of Europe’s top specialists in Innovation to define what is cutting edge in the AV sector with a special emphasis on how innovation in the AV sector can provide the engine the EU’s smaller countries need to meet the challenges facing the industry today.
The FNE Innovation team is headed by Innovation specialists Peeter Nieler and Sten Kristan-Saluveer, who will be curating a series of articles on these topics and heading a unique team of the leading young specialists in AV innovation throughout Europe for FNE.
The series is interactive and we encourage you to pose questions to our team as well as share with us your own projects in the AV innovation field. We will also be organising a series of events in different locations across CEE to bring innovators, AV professionals and investors together.
The Film New Europe Association is main networking platform of professionals in the Central and Eastern Europe and Baltic region. The FNE Association board is made up of the heads of the most important film institutions in the region.
The webportal Film New Europe (FNE) with its FNE Daily newswire was chosen as the main tool to achieve the network’s objectives: FNE is the sharing of know how, visibility of regional cultural diversity and finally the voice of the region. FNE is also a pan-European connection for the region and has partnerships and activities with the main pan-European film institutions based in Western Europe.
Festival Scope Pro is a B2B platform for film professionals, which strengthens the ties among film productions, sales agents, distributors and national institutes all around the world, with a focus on European productions. Its main goals are to promote independent cinema and to trigger the revenues for the rights holders of the films. What differentiates Festival Scope Pro from any other competitor is the unique selection of films available in a highly secured platform with the best service throughout all the process (from the encoding of the file to the promotion of the film). Its very international team, run by Alessandro Raja and Mathilde Henrot, is made of active professionals who have a deep and active knowledge of both the films and the market.
Rémi Burah is SEVP of ARTE France Cinema, CEO of ARTE/COFINOVA and President of ARTE KINO Endowment Found.
Metadata is a word you’ve probably heard mentioned, however it’s rarely understood, with even seasoned filmmakers often asking what is metadata? In its most basic form, metadata literally means a set of data that gives information about other data. When we usually refer to metadata with regard to film, we are referring to all the textual information that accompanies that film, helps search engines to better understand the film and users to find it through searches on the Internet.
VILNIUS: Innovative online contest #europeanfilmchallenge is using social media to boost the European film industry by harnessing its most vital natural resource – films fans.
WARSAW: Creative Europe VALOR platform is one of the tools cultural and AV professionals should have on their list of favourite website links if they are looking for some interesting ideas or some potential opportunities for further partnership.
BUCHAREST: FNE invited Alexandru Berceanu, director of CINETic to tell us about the latest developments in the activity of this very ambitious center built up alongside the I.L. Caragiale Theatre & Film University in Bucharest (UNATC), Romania.
FNE spoke with Italian directors and producers Giordano Bianchi and Martina Marafatto from Border Studio about their experience at the Digital Production Challenge II. Giordano Bianchi and Martina Marafatto are alumni from DPC 2017, where they participated with their project The Champion.
VIENNA: Real-time installation by Martin Reinhart and Virgil Widrich, 2018
ABOUT THE PROJECTThe moon landing is one of the greatest milestones in human history. What if it wasn’t real? Meet Jack Torrance, the man who made it all happen.
Cannes – Sunday, May 6, 2018 – For 6 days, from Tuesday, May 8 to Sunday, May 13, NEXT (Palais -1, Aisles 14 & 18) brings innovation pioneers to the Marché du Film – Festival de Cannes.
CANNES: Cannes Film Festival kicks off next week and one of the highlights will be the NEXT programme, which focuses on innovation in the cinema industry. FNE invited Julie Bergeron the head of Cannes NEXT project to join us and tell us about how innovation in the AV sector is shaping the future of cinema.
WARSAW: Polish leading private broadcasters nc+ and TVN will introduce content available in 4K both on TV and online in 2018, including original content and a dedicated TV channel from nc+. Together with the VOD this might lead to a major change on Poland’s TV market.
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Sten-Kristian Saluveer was the organiser of the 2016 edition of the European Film Forum conference in partnership with the European Commission in Tallinn within the frames of the Black Nights Industry Days. The event focused on innovation, new technology and the digital single market initiative and other key topics for Europe’s audiovisual industries. Saluveer is an Estonian film and audiovisual media producer, festival manager & programmer, consultant, and film researcher focusing on East-Asian film industries, specifically Japan and South-Korea. He graduated from Concordia International University in Electronic Media and has followed up in Culture Management(Estonian Music Academy) and Japanese Studies (Department of Asian Studies, Tallinn University). Most recently he holds a Master’s Degree from University of Tokyo (Japan) with an awarded thesis on film industry development and international co-productions in Hong Kong, Japan,and South Korea.
Jorik Jakubisko is one of the leading European experts in transmedia problematics. He is co-owner of the Prague based Transmedialist which will publish the comic book Bouquet at November (CZ+SK). It is first pillar for transmedia project Czech Grimm.PhD He is student at FSV UK (Faculty of Social Sciences at Charles University - Institute of Communication Studies and Journalism) and he writting his doctorate dissertation on Transmedia in context of single European digital market . He also works as a creative partner in Jakubisko Film in Prague together with his mother and father Deana and Juraj Jakubisko.
Agnes Salson graduated from the French cinema school La Fémis and Mikael Arnal, filmmaker, created the project "Tour d’Europe des cinémas", a journey across Europe visiting a hundred cinemas, seeking for innovative ideas and trends for independent cinema exhibition.
Adam Široký is a ventuz designer, data integrator, software developer, VJ XLAB. The Prague based XLAB specializes in 360 degrees video and VR.
Muriel Joly is in charge of business development for Under The Milky Way. She began her career at StudioCanal (Canal + Group) first in the Domestic Home entertainment department, as a product manager (2004-2006) and then as a marketing VP for international Home Entertainment (2006-2009). After 2 years (2010-2011) in consulting, where she became interested in issues of the Video on Demand emerging market, she became in charge of marketing development for Canalplay, the VOD brand of Canal + group.