PRAGUE: Olmo Omerzu's road movie Winter Flies / Všechno bude is the big winner at the Czech Lions 2018. This Czech foreign-language Oscar entry collected six awards, including best film, best director and best script. Hastrman by Ondřej Havelka received four awards from 10 nominations.

BERLIN: FNE has teamed up with FIPRESCI critics attending the Berlin Film Festival to rate the films in the Main Competition, Panorama and Forum giving the films 1, 2, 3, 4 or 5 stars. 5 is the best and 1 is the worst. The ratings give an overview of critics opinions from a large number of countries and provide insights to what critics in many different countries think about the programme.

TRIESTE: One of the key events of the 9th edition of When East Meets West was the Co-production Forum pitching session showcasing 22 upcoming projects, including 11 long documentaries and 11 feature films, which had been selected from out of 299 submissions from 49 different countries. WEMW took place within the 30th Trieste Film Festival, which wrapped on 25 January 2019.

The Czech project “Brotherhood” is the winner of the ninth edition of When East Meets West. The project directed by Francesco Montagner and produced by Pavla Janouskova Kubeckova (Nutprodukce) is the story of three adolescent sons of a radical Salafi preacher, facing their father's sentence for terrorism, questioning their believes and seeking different paths for their future.

The international WEMW jury consisting of general manager of Cinéfondation Georges Goldernstern, Slovakian filmmaker Peter Kerekes, ZDF’s Simon Ofenloch and director of ACE Jacobine van der Vloed honoured Brotherhood with the Film Centre Serbia Development Award (5.000 EUR cash prize) as the best of the 22 projects in competition.

For the third consecutive year the European Women’s Audiovisual Network comes back to Trieste and gives the EWA Network Best Woman Director Award to Floor van der Meulen, director of the Dutch project Methusalem.

Thanks to the partnership with our international network of training programmes and markets, Slovakian producer Jakub Viktorin (Victim) received a scholarship for the participation in the EAVE European Producers Workshop whilst producers Magalie Dierick (All-In, Belgium) and Derk-Jan Warrink, (Methusalem, Netherland) will have a free accreditation to the Cannes Marche du Film Producer’s Network.

Futhermore, the Flow Postproduction Award, prize of 15.000 EUR in post-production facilities, goes to the Slovak project Victim produced by Jakub Viktorin (Nutprodukcia) and directed by Michal Blasko, whilst the Polish project Her/His will be offered a complete marketing package thanks to the Asterisk Visual Marketing Award.

Lastly, five prizes have been granted for the two sidebar sessions targeting films in the post production phase. The jury of Last Stop Trieste made up of Dorota Lech (Hot Docs), Aleksandar Govedarica (Syndicado) and Jenny Westergård (YLE Finnish Broadcasting) has delivered the HBO Europe Award, Flow Digital Cinema Award and the brand new Film Centre Serbia LST Award to the Ukrainian documentary Heat Singers whereas the Dox Consulting Award goes to the project Never Whistle Alone.

The international jury of This is IT, the work in progress session dedicated to fiction films and hybrid works produced or co-produced by Italian producers, including Graziella Bildesheim (MAIA Workshops/EFA), Ilaria Gomarasca (Pyramide International) and Angela Prudenzi (Venice International Film Festival) gave a special mention to the film Paradise by Davide Del Degan and granted the Italian/Mexican film Tony Driver by Ascanio Petrini with the Laser Film Award.

Last but not least, the brand new Italy-Baltic Development Award for Co-Production, cash prize of EUR 30.000, has been delivered by MiBAC-Ministero per i Beni e le Attività Culturali, Estonian Film Institute, Lithuanian Film Centre, National Film Centre of Latvia to “ULTRAMONDO”, a Lithuanian/Italian Fiction film for young audience coproduced by SOLARIA FILM (Italy) and FRALITA Films (Lithuania) and to “Searching for Antigravity” co-developed by Studio Nominum (Lithuania), Giuma Produzioni (Italy), VFS Films (Latvia), Les Films Figures Libres (France).

The ninth edition of WEMW ends with a series of impressive numbers: 22 projects selected for the co-production forum, 13 films in the work in progress sections, more than 350 submissions, over 45 different countries represented, 200 international decision makers, 500 registered participants and more than 600 scheduled one-to-one meetings.

WEMW CO-PRODUCTION FORUM AWARDS

FILM CENTRE SERBIA Development Award
BROTHERHOOD by Francesco Montagner - Nutprodukce (Czech Republic)

EWA European Women’s Audiovisual Network Award
METHUSALEM by Floor van der Meulen- Keplerfilm (Netherland)

EAVE PRODUCERS WORKSHOP scholarship
Jakub Viktorin - Victim (Slovakia)

POP UP FILM RESIDENCY Award
LE PARADIS C’EST ICI by Giovanni Troilo – Bright Frame (Italy)

PRODUCERS NETWORK Prize
Magalie Dierick - All-In (Belgium)
Derk-Jan Warrink - Methusalem (Netherland)

Flow Postproduction Award
VICTIM by Michal Blasko - Nutprodukcia (Slovakia) 

ASTERISK VISUAL MARKETING AWARD
HER/HIS by Anna Kazejak – Lava Film (Poland)

LAST STOP TRIESTE

Film Centre Serbia LST Award
Heat Singers by Nadia Parfan – Phalanstery Films (Ukraine)

HBO Europe Award
Heat Singers by Nadia Parfan – Phalanstery Films (Ukraine)

Flow Digital Cinema Award
Heat Singers by Nadia Parfan – Phalanstery Films (Ukraine)

Dox Consulting Award
Never Whistle Alone by Marco Ferrari – Candy Glass (Italy)

THIS IS IT 

Laser Film Award
TONY DRIVER by Ascanio Petrini – Dugong Film  (Italy)

  

WEMW is organized by the FVG Audiovisual Fund and the Trieste Film Festival in collaboration with EAVEMaia WorkshopsCreative Europe Desk ItalyEURIMAGES and the support of CREATIVE EUROPE/MEDIA ProgrammeMiBACT - Direzione Generale per il CinemaCEI - Central European Initiative and the Autonomous Region of Friuli Venezia Giulia. The 2019  East & West focus is in cooperation and with the support of Czech Film Fund, Fédération Wallonie-Bruxelles, Film Industry Association of Ukraine, Flanders Audiovisual Fund-VAF, Luxembourg Film Fund, Netherlands Film Fund-Filmfonds, Polish Film Institute, Screen Bruxelles, Screen Flanders, Slovak Film Commission, Slovak Film Institute, Ukrainian State Film Agency, Wallimages

Breasts by Marija PerovićMARKET ANALYSIS 2020

PODGORICA: The budget of the Film Centre of Montenegro has been increasing each year since its establishment at the end of 2016. In 2020 the budget of the Film Centre of Montenegro increased to 1.4 m EUR, which is less than the planned 40% increase compared to 2019’s budget of 1.2 m EUR and 950,000 EUR in 2018.

The Film Centre of Montenegro became a member of the European Association of National Film Agencies – EFAD in January 2020.

All four planned national premieres of feature films have been postponed for 2021: Elegy of Laurel directed by Dusan Kasalica, Supermarket directed by Nemanja Becanovic, The Stork by award-winning Isa Qosja, and the debut feature After the Winter directed by Ivan Bakrac.

PRODUCTION

One feature film, The Face of Honour directed by Nikola Vukčević and produced by Galileo Production, and one long documentary, The Last Nomad by directors Petar Glomazić and Biljana Tutorov, produced by Cut-Up, were shot in 2020.

Due to the Coronavirus pandemic's harsh conditions and tough government measures, many film projects in development have been suspended or cancelled in Montenegro, and the postproduction of some films stopped.

After the Winter by Ivan BakračAmong the affected films there were two titles produced by Artikulacija and ABHO Film: the debut feature After the Winter by Ivan Bakrač, and The Stork / Roda by Isa Qosja, which is produced by Montenegro’s Artikulacija Film in coproduction with ABHO Film and Aba Film from Montenegro, One Draft LLC from Kosovo and Tunnel Film from Albania. Pigmento Film from North Macedonia is expected to join as a coproducer.

Artikulacija production’s head Ivan Djurovic estimates the losses of his company, which is also engaged in production services and advertising, at between 45,000 and 50,000 EUR.

Elegy of Laurel directed by Dušan Kasalica and produced by Meander Film (Montenegro) in coproduction with Non Aligned Films (Serbia), had been set to wrap by the end of April 2020, but was stopped in its sound-mixing stage. The premiere and distribution were, thus, delayed indefinitely.

The Face of Honour / Djeca directed by Nikola Vukčević and produced by Montenegro's Galileo production in coproduction with Serbia's Cinnamon films was stopped in its development phase after filming its teaser in the first quarter of 2020.

Ivan Marinovic’s second feature Forever Hold Your Peace, coproduced by Adriatic Western (Montenegro), Sense Production (Serbia), Analog Vision, (Czech Republic), Kinorama (Croatia) and Krug Film (Northern Macedonia), had to delay its casting planned for the spring of 2020, as well as the location scouting planned for June 2020.

The short film Everything Went Smoothly / Sve je teklo svojim tokom, directed by Anja Jovanovic and produced by Videa production, completed its filming in 2020 and is now in postproduction.

The shooting of another short film, Boiling / Kljucanje directed by Luka Djurovic as an MA diploma work at FAMU Prague, began in 2020. The project is a coproduction between FAMU and the Montenegrin CUT-UP production production and will be entirely filmed in Montenegro.

There are several production companies in Montenegro experienced in working with international productions. Among them are production companies which can help on different stages of production, from preliminary location scouting, through putting international producers in touch with tax and legal advice services, shooting permits, The Elegy of Laurel by Dušan Kasalicaaccommodation, travel and catering arrangements, to casting, facilities and equipment rental, marketing, etc. More information is available HERE.

COVID GOVERNMENT SUPPORT

In order to compensate for the negative consequences of the Coronavirus pandemic in the cultural sector, the Ministry of Culture launched in cooperation with the Film Centre of Montenegro a public call for emergency support in the amount of 500,000 EUR in the field of creativity, for the cultural workers most affected by the crisis. This public call addressed co-financing activities in the field of cultural and artistic creativity that served the public interest, and the protection of the socio-economic interest of unemployed artists and culture professionals, culture entrepreneurs, freelance artists, and cinemas/businesses whose activity had been suspended due to the Coronavirus pandemic. It applied to film production companies, cinemas and individuals, along with others in the creative sector.

Additionally, on 24 March 2020 the Film Centre of Montenegro announced a public call for co-financing of film works, for script development and project development, ahead of the planned calendar of the competition and with larger commitments. The deadline for submitting the applications for both calls was 24 April 2020.

“The Ministry of Culture and the Film Centre of Montenegro immediately launched the first measures in order to help, above all, those film workers and companies most affected by the current situation: freelancers and cinemas. We also announced public calls for film script and project development, applications which can be completed online from homes. Many obligations of the Film Centre within the national and international frameworks are delayed or transformed, so we are in a highly challenging situation, in which we must continue our regular work and be ready for the return of regular conditions”, said the Director of Film Centre of Montenegro Sehad Čekić in April 2020.

In March 2020 the Agency for Electronic Media of Montenegro decided to exempt commercial and public broadcasters (both radio and television) from the obligation to pay broadcasting fees in the next three months. These obligations were reduced by approximately 80,000 EUR.

The Face of Honour by Nikola VukcevicDISTRIBUTION

The main local film distributors in Montenegro are MCF MNE and Taramount film d.o.o. Since 2013 Montenegro has been submitting a candidate for the Academy Awards in the Best International Feature Film category, which contributes to the increasing visibility of Montenegrin films on the international scene.

In 2020 the popular TV series turned into a feature film Breasts directed by Marija Perovic was selected by the selection committee of the Montenegrin Ministry of Culture as Montenegro’s official entry for the Academy Awards in the Best International Feature Film category. The film was produced by Montenegro's Open Box Studio in association with Montenegro's Meander film and in coproduction with Croatia’s Mitropa and Serbia’s Visionary Thinking.

The Otter directed by Srdjan Vuletic and produced by Artikulacija received the Eurimages Co-Production Development Award at the 2020 CineLink Co-Production Market, the industry platform of the Sarajevo FF. The project Valley of Monuments (working title) directed by Srdjan Vuletic and produced by Artikulacija Film was awarded Best Pitch at the 10th edition of the Coproduction Forum of the When East Meets West, the industry segment of the Trieste Film Festival.

Planet 7693 directed by Gojko Berkuljan and produced by A Production received a development grant from the SEE Cinema Network. The project also received an award at Kids Kino Industry in Warsaw, consisting in an invitation to the next edition of Kids Kino Lab, and it also won Best Pitch at the 2020 Pitch Balkan within the Balkan Film Market in Tirana.

The Montenegrin feature film project Scarab directed by Mladen Vujačić and produced by Far Production, received a six-month mentorship of a script doctor at the workshop My First Screenplay within the Industry section of the 18th Zagreb FF. Earlier, the project had been awarded a special jury prize at the Best Pitch – PriForum, within the PriFilmFest.

The Film Centre of Montenegro participated for the 4th time in the Marché du Film, held within the Cannes Film Festival. In 2020 the market was held online.

Forever Hold Your Peace by Ivan MarinovićThe Film Centre of Montenegro also promoted film locations in Montenegro at the 2020 FOCUS Digital in London, held online from 15 to 17 December 2020.

The first cycle of contemporary Montenegrin films was organised online in Argentina in August 2020, supported by the Film Centre of Montenegro and Gestion Cultural in Buenos Aires, Cine Club Nucleo, and Cine Arte. Six films were screened free of charge on the streaming platform of Arte Lumiere Cinema.

The Cinematheque of Uruguay screened, with the support of Film Centre of Montenegro and at the initiative of the Montenegrin community in Uruguay, five contemporary Montenegrin films within the 4th edition of the Balkan Film Festival in Montevideo, from 6 to 12 December 2020.

In 2020 Underhillfest was held slightly later than its regular dates (16-23 June); the Herceg Novi FF, usually held in the first week of August, was cancelled altogether; the 2020 edition of the young Seanema FF, usually held during four days in September in Ulcinj on the Adriatic Coast, took on a hybrid form, combining online and in-person activities from 1 to 4 October 2020; the Podgorica FF usually held in December, had its 6th edition online from 15 to 20 December; the Green Montenegro IFF, usually held in the first week of August, moved its dates to 18-21 December 2020 and was held online. The Fast Forward Human Rights FF also went online on its fixed traditional dates of 10-14 December 2020.

Camera Lucida, the first and only film magazine in Montenegro, founded in 2010, is published on a quarterly basis in its multilingual editions, providing film reviews, homages to the greatest world film authors, festival reports and interviews with both established film figures and newcomers. In 2020 Camera Lucida published six new issues (48 altogether), including the special 45th issue marking its 10th anniversary in June 2020.

EXHIBITION AND BOX OFFICE

There are two multiplexes, with 10 screens, and eight other one-screen cinemas in Montenegro.

In 2020 the Film Centre of Montenegro signed contracts with several cities and with the Ministry of Culture for the digitalisation of cinemas in the towns of Ulcinj, Bar, Kotor and Cetinje.

The Montenegrin Cinematheque and the Music Centre of Montenegro officially moved to a new building on 3 November 2020, after two decades of waiting. In the new building, the Cinematheque has a small cinema, a big concert hall, which will be equipped with DCP for film screenings, a summer stage for open-air screenings and a mediatheque including a space for various events.

The Otter by Srđan VuletićThe Montenegrin Cinematheque is engaged in a documentary film project financed by the Ministry of Culture within the programme of protection and preservation of cultural heritage. The film Paths of Doclea Heritage / Putevima dukljanske bastine, directed by veteran film author Branko Baletić, focuses on the presentation of the preserved and newly-discovered artifacts of the most important antique location in Montenegro.

The total admissions were 92,510 and box office was 333,017 EUR in 2020.

In 2019 total admissions were 307,324 and box office was 1,175,315 EUR.

Cineplexx Podgorica, which was closed from 13 March to 3 September 2020, reported total admissions of 71,118 in 2020, compared to 285,359 in 2019. Its total box office was 257,848,70 EUR, compared to 1,082,157 EUR in 2019.

GRANTS AND NEW LEGISLATION

The Film Centre of Montenegro was established in the last days of 2016 and it is headed by producer Sehad Čekić, who was approved for a four-year mandate in 2017.

The film industry of Montenegro is governed by the Law on Cinematography from 2015, which received enormous support from decision makers, the film community and the international community.

The Law on Culture approved in 2018 governs the area of culture and the establishment of public institutions in Montenegro.

The Film Centre of Montenegro is administered by a Council composed of five members. The Government appoints four members of the Council from the rank of experts in film and culture, and the fifth one is appointed from among the employees of the Centre. The Centre is financed from both the budget of Montenegro and the Film Fund, generating revenues on the basis of fees paid by entities that, directly or indirectly, exploit cinematographic works.

Valley of Monuments by Srdan Vuletic, photo: Artikulacija FilmThe following entities are obliged to pay the levy to the Film Fund:

  • public service - 5% of the total annual revenues generated from marketing;
  • commercial broadcasters with national coverage – 0.8% of annual revenues;
  • operators providing cable, satellite and internet distribution services, radio and television programmes (KDS/MMDS/IPTV/DTH platforms), representing their core activity - 2% of realised annual revenues;
  • cinemas - 3% of every sold cinema ticket, of which 1.5% shall be borne by the exhibitor, and 1.5% shall be borne by the distributor of the cinematographic work;
  • public communications network operators, including internet access operators - 0.9% of annual revenue generated from Internet services, distribution of TV programmes and rental of cinematographic works;
  • providers of video-on-demand rental services, representing their core activity - 3% of realised annual revenues.

In 2020 the Film Centre of Montenegro granted 825,000 EUR for production (domestic and minority coproductions), films for children and youth, short films, animated films, as well as for script development, project development and complementary activities.

The Film Centre of Montenegro offers incentives to foreign and national producers shooting in Montenegro. Producers have the possibility to obtain a cash rebate on the invested funds for a film/TV project. The refund can cover up to 25% of eligible expenditures incurred in Montenegro for the making of an audiovisual work. The right to a cash rebate may be granted to the producer, a coproducer, or a production company that performs services. The right to a cash rebate for part of the funds spent on film production can be acquired by a producer for the production of live-action, animated and documentary films, TV films and series which are fully or partially produced in Montenegro and which are intended for public presentation.

Two TV series completed the shoot of their second seasons in Montenegro in 2020 -  Debt To The Sea / Dug moru produced by Monte Royal International, and Besa produced by Telekom Serbia, Adrenaline, Red Planet Pictures (UK) and Montenegrin Natenane. Both productions applied for and were granted a cash rebate.

The Film Centre of Montenegro became a member of the European Association of National Film Agencies – EFAD in January 2020.

Besa series, credit: AdrenalinTV

When the Coronavirus pandemic broke out, actions were undertaken to keep film and culture in the public eye. Beginning on 23 March 2020, in cooperation with the Ministry of Culture, the public broadcaster TVCG dedicated its second channel's TVCG 2 evening programme to exclusively culture related content, including feature and documentary films. The special focus of this programme was Contemporary Montenegrin Cinema, broadcasting one recently produced Montenegrin film each evening.

In May 2020, the Film Centre of Montenegro gave urgent aid grants for complementary film activities, in the total amount of 71,000 EUR, to three TV channels for their film education programmes: TV Vijesti (25,000 EUR), TV Nova M (24,000 EUR) and TV Prva (22,000 EUR).

There are 18 TV channels operating in Montenegro, including three public channels TVCG 1TVCG 2 and TVCG Sat (for the Montenegrin diaspora) and local public channels TV NikšićTV Budva and TV Pljevlja. The most popular commercial TV channels are TV Nova MTV Vijesti and TV Prva. Other commercial channels are TV Rožaje, Srpska TV, TV 777TV Corona, TV Boin, TV Novi, TV Sun and TV HN.

According to the Article 15 of the Law on public broadcasting services in Montenegro, the Radio Television in Montenegro (RTCG) is funded from: the general revenue of the budget of Montenegro in the amount of approximately 1.2% of the current budget, advertisement production and broadcast, the production and sales of audiovisual services; programme endorsements and also the organisation of concerts and other events.

CONTACTS:

FILM CENTRE OF MONTENEGRO
Bulevar Džordža Vašingtona 98, Podgorica
Phone: +382 (0)20 675 238
www.fccg.me
This email address is being protected from spambots. You need JavaScript enabled to view it.

MEDIA DESK MONTENEGROBreasts by Marija Perović
13. Jula, bb, 81000 Podgorica
Phone: +382 (0)20 675 238
www.kreativnaevropa.me
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MINISTRY OF CULTURE OF MONTENEGRO - Directorate for Cultural and Artistic Production
Ulica Njegoševa bb, 81250 Cetinje, Crna Gora
Phone: +382 (0)41 232 571
www.mku.gov.me
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MONTENEGRIN CINEMATHEQUE
Miljana Vukova 59, 81000 Podgorica
Phone: +382 (0)20 232 016
www.kinoteka.me
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ASSOCIATION OF FILM PRODUCERS AND DIRECTORS OF MONTENEGRO
Novaka Miloševa 42, 81000 Podgorica
Phone: +382 67 568 110
www.afpd.me

CAMERA LUCIDA
Crnogorskih serdara 31, 81000 Podgorica
www.cameralucida.net
This email address is being protected from spambots. You need JavaScript enabled to view it.

Report by Maja Bogojevic (2021)
Sources: Film Centre of Montenegro, Montenegrin Cinématheque, Cineplexx Podgorica

Three Slovak and co-production films will vie for the Warsaw Grand Prix at 34th Warsaw Film Festival (October 12 – 21, 2018). Check out the line-up!

The Band (d. Ladislav Kaboš), documentary about the birth of the Romani band Lomnické Čháve will compete in Documentary Comepetition along withCircus Rwanda (d. Michal Varga) that shows the clash of cultures by fusing two circus groups from different parts of the world.

Short Film Competition will introduce in world premiere bachelor film Poetika Anima by Kriss Sagan. Non-narrative animated film is based on a lyrical poem created by the synthesis of the director’s diary notes.

Slovakia will have its representative also in the Industry section of the festival.Tomáš Hudák will take part in the FIPRESCI Warsaw Critics Project, workshop for young aspiring journalists and film critics.

Johan Oettinger, Chris Randall, and Polish creative duo Kijek/Adamski are the key speakers of ANIMARKT Talks conference (October, 12th) – a part of ANIMARKT Stop Motion Forum. 

ANIMARKT Talks is a one-day conference and a great opportunity to learn more about the animation market. Last year the main subject of ANIMARKT Talks was ‘co-production’. This year, guests invited for ANIMARKT Talks will share their experience about the presence of stop motion animation in commercials, video games, and new ways of storytelling. 

Stop motion animation – good for games, great for creative storytelling

Johan Oettinger, a self-taught prize-winning film director, will lead in Lodz two presentations about creative ways of using stop motion animation. In the first one, he will speak about the project Vokabulantis – a new game in stop motion. Vokabulantis is a puppet animation platformer about two kids, who have fallen in love. Karla and Kurt literally can’t get a word out, when they are around each other. Thus they are forced to save the deteriorating and adventurous world of language, Vokabulantis, before it’s too late. Otherwise, they will never be able to express their love for one another.

The main topic of the Johan’s second presentation will be the process from idea through development through production and release of LEGO® Classic Creative Storytelling campaign. In this project children stories were transformed into stop motion animation made of LEGO bricks. Johan, as a director of LEGO commercials, will show and explain why stop motion animation was perfect for this kind of campaign.

Stop motion in commercials – how to work with clients and agencies?

During ANIMARKT Talks Chris Randall, Creative Director for Second Home Studio, will speak about his experiences in work with agencies and clients in commercial projects. Second Home Studio has garnered multiple BAFTA and Royal Television Society awards in all styles of animation, with a reputation for innovative and striking stop motion work. From serious to silly, the studio’s repertoire engages all audiences and platforms for broadcast, commercial, online, corporate and educational purposes. The studio is currently developing a pre-school series which has been commissioned by CBeebies (BBC). 

Then Creative Duo Kijek/Adamski, directors with vast experience in many techniques of filmmaking, will talk about stop motion animation in marketing communications. Kasia Kijek and Przemek Adamski are constantly evolving in search for the most adequate means of expression because, in their opinion, each project is different and requires disparate approach. The choice of right material and technique is integral part of the story hey tell each time. Simplicity and creativeness of the process are their main goals whether in live action or animation.

Stop motion animation – time to evolve?

ANIMARKT Talks will be also a chance to see a presentation of an innovative technology called SMODO which connects the classic puppet animation with the motion capture. Using SMODO, instead of with a puppet, the animator works with its armature equipped in colourful markers. A special marker tracking system brings the armature pose into a 3D software, in which the armature is merged with a digital puppet model. In effect, on the computer screen the animation artist can see the whole puppet, just like in classic animation. SMODO technology guarantees cost-reduction, post-production stage shortening, and simplifying the work on the filmset. SMODO is also an innovative education tool. The technology idea originated with Grzegorz Wacławek, film producer and creator of very successful Animoon studio.

Interesting part of ANIMARKT Talks programme will be a presentation of Łódź Film Commission which ensures comprehensive assistance to producers of feature, documentary and animated films, television programs, commercials, video clips and all other forms of audiovisual production – from searching for locations, to obtainment of permits and separation of urban space for the needs of film crews, to support in contacts with urban services and local media. It is also an operator of the Łódź Film Fund – the oldest regional film fund in Poland. Since 2007 nearly 70 movies have received co-financing within it. The films co-financed by the Fund include the Academy Award winning Ida directed by Paweł Pawlikowski as well as his latest film Cold War, the Oscar-nominated: In Darkness directed by Agnieszka Holland and In the Shadow directed by David Ondrícek or Roberta Grossman’s documentary Who Will Write Our History.

Where and when?

ANIMARKT Talks will take place on Friday, October 12th, in Lodz (Poland) a Conference Room of EC1 Lodz complex, located in the revitalised buildings of the power plant which commenced generating and transferring power in 1907. It served as the main heat and power plant for the residents of Łódź until 2000. Currently EC1 Lodz – City of Culture is a space open for various cultural and artistic activities. It became the home of the National Centre for Film Culture, the Łódź Film Commission and the Centre for Comics and Interactive Narration.

The entrance is free, but the registration is necessary (via event’s www.en.animarkt.pl).

ANIMARKT Talks programme – FRIDAY, OCTOBER 12TH

10:30 - 11:00              SMODO – future of animation

11:15 - 11:35              Łódź Film Commission – presentation

11:50 - 12:30              Vokabulantis – new game in stop motion

12:35 - 13:05              Second Home Studio – how to work with clients and agencies?

13:20 - 14:00              LEGO® Classic – creative storytelling – case study

14:15 - 15:00              Stop motion animation in marketing communications

 

 

The Czech Film and Television Academy (CFTA) recommended the film Winter Flies to be nominated for the Oscar in the Best Foreign Language Film category. The film was directed by Olmo Omerzu and produced by Jiří Konečný (endorfilm). The academics were choosing from 21 Czech features and documentaries that had been nominated by the producers of the films themselves.

The voting, in which the academics have chosen the film representing Czech cinema in the competition for the Oscars, took place from 1st to 12th September 2018. Together with Winter Flies, there were several other films among the highly valued ones including DomestiqueJan PalachToman or The Smiles of Sad Men.

Winter Flies, a Czech-Slovenian-Polish-Slovak co-production directed by Olmo Omerzu, which recently premiered at Toronto IFF, is a road movie about friendship, adventure and great freedom. The story is about two boys who are not fifteen yet and they travel across the whole republic in a stolen car. The aim of their running away is the feeling of being free and a desire to experience something special. The film received the award for Best Director in the Official Selection - Competition at the Karlovy Vary International Film Festival earlier this summer.Olmo Omerzu was born in the capital of Slovenia, Ljubljana. He was only thirteen years old when he shot his first short film called Almir (1998). In 2004, he decided to move to the Czech Republic and study there. He graduated from Film Academy of Performing Arts in Prague and in 2012 he made his debut film called A Night Too Young, selected for Berlinale's Forum, for which he was recognized as the Discovery of the Year at the Czech Film Critics’ Awards. Following the success of A Night Too Young, he wrote and directed his second feature Family Film (2015), which world-premiered at San Sebastian IFF and received the Award for Best Artistic Contribution at Tokyo IFF, two Czech Film Critics’ Awards, and a number of other awards. 

All three Olmo Omerzu's films including Winter Flies were produced by Czech producer Jiří Konečný and his production company endorfilm. Jiří Konečný is one of the most active Czech film producers, who worked on more than 20 features and documentaries including Czech minority co-productions "I Do Not Care If We Go Down In History As Barbarians"Little HarbourOut or Aferim!.

Winter Flies will get a chance to represent the Czech cinema at the already 91st awards of the American Academy of Motion Picture Arts and Sciences, which will take place on24th February 2019 in Los Angeles. The nominations for the Oscars will be announced on22nd January 2019.