Official Selection - Competition
Greek BOY EATING THE BIRD'S FOOD to premier in Karlovy Vary competition
Eight world premieres and four international premieres will be competing in the main competition of the 47th KVIFF, which will also be profiling four talented debut directors
One of the films competing for the Crystal Globe for Best Film will be Piazza Fontana: The Italian Conspiracy (Romanzo di una strage) by Italian director Marco Tullio Giordana, a thrilling reconstruction of the notorious and, to date, unsolved terrorist attack in Milan in 1969. Previous films by this respected filmmaker have been presented in competition in Cannes and Venice.
Prominent Polish director Jan Jakub Kolski also has experience from the Venice competition. The hero of his latest film To Kill a Beaver (Zabić bobra) is marked by his war experiences to such an extent that he shuts himself off from the world. Only a girl he has never met before manages to pull him out of his paranoid state.
The Czech representative, Polski film by Marek Najbrt, is highly unusual for its genre, unique not only for the competition section, but also within Central European cinema as a whole. This mischievous reflection on the boundaries of reality and fiction, in which well-known Czech actors play themselves, shows us how to cope with our own fame and with the pitfalls associated with the art of filmmaking.
Directors from countries severely affected by the economic crisis have also opted for unconventional modes of cinematic storytelling. The Bressonesque existential drama by debuting director Ektoras Lygizos Boy Eating the Bird's Food (To agori troi to fagito tou pouliou) is one of the more radical allegorical films to come out of Greece, a country currently producing some of the most interesting works to figure on the international festival circuit. Portuguese filmmaker Rodrigo Areias elected to transfer the timeless philosophy of American moralist Henry D. Thoreau's essay Civil Disobedience to the traditional Western environment in the film Hay Road (Estrada de Palha). While the story is set one hundred years ago, the movie is powerful not only for its bewitching style, but also for its extremely tangible parallels with the present.
The Austrian debut Your Beauty Is Worth Nothing... (Deine Schönheit ist nichts wert...) by Hüseyin Tabak overwhelms not only by its general sensitivity, but also an ability to tell a very serious story through the eyes of a little boy.
Other debut features include the Japanese existential ballad Kamihate Store (Kamihate shoten), and the Mexican film Nos vemos, papá (Nos Vemos Papa), whose director became celebrated as the co-screenwriter for the film Leap Year (2010), which won the Camera d'Or at Cannes for best first feature.
The Karlovy Vary competition this year welcomes back Iranian director and actor Ali Mosaffa, whose new film The Last Step (Peleh akhar) features Leila Hatami (A Separation) in a superb lead performance. The producer of the Spanish-French film La Lapidation de Saint Etienne by director Pere Vilà i Barceló is Luis Miñarro, who also produced the recent Vary winner The Mosquito Net. Having entered the Forum of Independents competition in 2009, Canadian filmmaker Rafaël Ouellet will this year be competing in the main competition with his drama Camion (Camion), while the Norwegian The Almost Man will continue the stream of recent strong Scandinavian titles in the KVIFF Competition.
Official Selection - Competition
Camion
/ Camion /
Kamion
Director:
Rafaël Ouellet
Canada, 2012, 95 min, World premiere
Widower
Germain is an experienced truck driver. One day he becomes involved
in an automobile accident that leaves an unknown woman dead. From
that moment on he spirals into depression. The movie excels for
captivating camerawork and formal and narrative purity. And although
the protagonists rush into difficult situations, the film never
stoops to false, pathetic sentiment, while still addressing life's
most basic issues.
Deine Schönheit ist nichts wert...
/ Your Beauty Is Worth Nothing...
/ Tvoje krása nemá cenu...
Director:
Hüseyin Tabak
Austria, 2012, 81 min, World premiere
Twelve-year-old dreamer Veysel, who left Turkey with his parents
to make a home in Vienna, falls in love for the first time. Talented
debutant Hüseyin Tabak skilfully draws on the contrast between the
idyllic notions that fill the boy's head and the difficult living
conditions within an immigrant community constantly under threat of
deportation. Abdulkadir Tuncer (Kuma) is superb in the leading role.
Estrada de Palha / Hay
Road / Na slaměné
cestě
Director: Rodrigo Areias
Portugal,
Finland, 2012, 95 min, International premiere
Not every avenger
must set out on a journey with visions of bloody revenge, and not
every journey takes place on a galloping horse. But each one offers a
solution in the end. An enthralling, philosophizing Western that
highlights the timelessness of its ideas as well as the lasting
attractions of this versatile genre.
Henrik / The
Almost Man / Henrik
Director:
Martin Lund
Norway, 2012, 80 min, World premiere
Despite the
approaching birth of his first child, plain-looking, thirty-something
Henrik does everything he can to maintain the illusion of youth by
following its unbridled conventions. His inept banter, however, masks
an insecure individual who escapes the surrounding world through
irony. Laced with bitterness, this psychological study banks on
authenticity and strong acting performances.
Kamihate shoten / Kamihate
Store / Obchod na
konci světa
Director: Tatsuya
Yamamoto
Japan, 2012, 104 min, World premiere
People often buy
a one-way ticket to the hamlet of Kamihate. The owner of a local shop
too is seeking a way out of the sorrow she's mired in, seeking to
'avoid' that long walk to the cliffs from which there is no
return. This powerful picture works with moods and with the unique
location where it unfolds.
La lapidation de Saint Etienne
/ La lapidation de Saint Etienne
/ Ukamenování svatého Štěpána
Director:
Pere Vilá Barceló
Spain, 2012, 84 min, World premiere
Etienne
is a sick old man living alone in a cramped apartment full of stuff,
and he refuses to leave it although it no longer belongs to him.
Here, the topics of old age and loneliness are not conceived as
a traditional psychological story. Instead, in the spirit of
contemporary Catalan cinema, the filmmaker aims for the greatest
concision, even to the point of abstraction.
Nos vemos, papá / Nos
Vemos Papa / Na
shledanou, tati
Director: Lucia
Carreras
Mexico, 2011, 89 min, International premiere
Pilar
loses the one thing in life that mattered to her and, from that
moment on time stops. The present begins blending with the past, and
the heroine withdraws into a world of her own. An intimate drama
about the extreme emotions connected to the loss of someone on whom
our lives depend.
Peleh akhar / The
Last Step / Poslední
krok
Director: Ali Mosaffa
Iran, 2012,
88 min, World premiere
In director Ali Mosaffa's psychological
story, his wife in real life, Leila Hatami, pretty much plays herself
- a beautiful and gifted Iranian film star. But the male focus of
the story is the heroine's recently deceased husband Koshrow, who
becomes the somewhat unreliable narrator of a playful and delicately
ironic story about a complicated but loving marital relationship.
Polski film / Polski
film / Polski
film
Director: Marek Najbrt
Czech
Republic, Poland, 2012, 113 min, World premiere
"The fact that
I'm playing myself doesn't mean that this is actually me." Four
old school friends, today well-known Czech actors, decided to fulfil
a distant dream and make a movie together. In his film about
friendship and the absurdities of acting, director Marek Najbrt
(Champions, Protector)
gives us a witty reflection on the border between reality and
fiction, and a unique take on the reality film genre.
Romanzo di una strage /
Piazza Fontana: The Italian Conspiracy
/ Román o jednom masakru
Director:
Marco Tullio Giordana
Italy, 2012, 122 min, International premiere
The film tells the story of a huge bomb explosion which occurred
on 12 December 1969 at a bank on Piazza Fontana in Milan. The
background to the case, whose investigation was entrusted to police
captain Luigi Calabresi, was so complex that the filmmakers didn't
have to romanticise any details in order to create both a compelling
crime drama and a faithful image of Italy at that time.
To agori troi to fagito tou pouliou
/ Boy Eating the Bird's Food
/ Chlapec pojídající ptačí zob
Director:
Ektoras Lygizos
Greece, 2012, 85 min, World premiere
The
original, keenly anticipated debut from one of the greatest talents
of Greek film powerfully investigates three days in the life of an
Athens boy who is without a job, a girlfriend, or anything to eat.
This radically intimist, Bressonesque movie is a fascinating visual
puzzle about a dogged endeavor to maintain human dignity during a
time of crisis.
Zabić bobra / To
Kill a Beaver / Zabít
bobra
Director: Jan Jakub Kolski
Poland,
2012, 99 min, International premiere
Eryk, a man in his forties,
arrives at an abandoned farm where he confronts old memories, starts
up an unexpected relationship, and makes ready for an unexplained
bout of revenge. The new picture from Jan Jakub Kolski, the master of
Polish magical realism, offers a dramatic tale that ponders just how
civilized humans really are.
The Slovak-Czech debut THE TOWN OF ASH (Až do mesta Aš) by Iveta Grófová will open the East of the West competition
There's a new look to this section, which seeks out talented filmmakers from Central and Eastern Europe and now focuses exclusively on brand new first and second films
The Czech Republic will also be represented by Czech Lion holder for Best Film Flower Buds (Poupata) and, like the section's opening film, Yuma by Polish director Piotr Mularuk was made in a Czech coproduction as well. After entering his short film Poor-Land for the documentary competition, another Polish director, Filip Marczewski, now returns with his feature debut, the drama Shameless (Bez wstydu).
This year Hungary is being represented by the thriller The Exam (A viszga), about the machinations of the secret police after the suppression of the uprising in 1956, and by the psychological drama Dear Betrayed Friends (Drága besúgott barátaim) by director Sára Cserhalmi. The novice filmmaker not only cast her father György in the film, familiar to international audiences from works by István Szabó or Miklós Jancsó, but also János Derzsi, who was superb in Béla Tarr's The Turin Horse.
Other entries for this competition section include those from Romania, Ukraine, Serbia, Latvia and Estonia.
Až
do mesta Aš / The
Town of Ash / Až do
města Aš
Director: Iveta Grófová
Slovak
Republic, Czech Republic, 2012, 84 min, World premiere
This
noteworthy social drama from young Slovak director Iveta Grófová
concerns a Romany girl named Dorota, who leaves her native Slovakia
after graduating from high school for a job in the Western Bohemian
town of Aš. Thanks to authentic shots and the use of nonactors, the
director achieves marked rawness and maximum punch.
Bez wstydu / Shameless
/ Beze studu
Director:
Filip Marczewski
Poland, 2012, 80 min, International premiere
Eighteen-year-old Tadzik arrives at the home of his elder
half-sister Anka for vacation. It soon comes to light that the
feelings the young man entertains for his sister overreach socially
accepted norms. In his feature debut, director Marczewski develops
the topic of his successful short film Melodrama,
which was nominated for a 2006 student Oscar.
Dom s bashenkoy / House
with a Turret / Dům s
věžičkou
Director: Eva Neymann
Ukraine,
2011, 81 min, European premiere
The plot of this small-scale
wartime drama unfolds in Soviet Russia over the course of a winter's
day. Through a young boy's eyes, we witness the state of a society
exhausted by the interminable war and persistent food shortages,
benumbed by ever-present death, and indifferent to the suffering of
others. The movie is dominated by expressive black-and-white
camerawork and a natural performance by the lead actor.
Drága besúgott barátaim /
Dear Betrayed Friends
/ Drazí zrazení přátelé
Director:
Sára Cserhalmi
Hungary, Germany, 2012, 93 min, International
premiere
At the archive, Andor decides to read through the file
the secret police kept on him. To his surprise he discovers that even
his close friend János informed on him. Can the lifelong friendship
survive in the face of such a betrayal? Hungarian director Sára
Cserhalmi's disturbing debut treats a sensitive topic from the
recent past but avoids absolute judgments.
Ljudi tam / People
Out There / Lidé na
okraji
Director: Aik Karapetian
Latvia,
2012, 90 min, International premiere
The protagonist of this raw
Latvian drama is twenty-something Jan, who lives in a dreary housing
complex on the outskirts of town. He and his best friend Cracker just
hang out smoking weed, occasionally making a little cash on the side
through petty theft. Then Jan's mundane life gets thrown for a loop
when he meets the beautiful Sabina. The desire for love and a better
life pulls him from his resignation and goads him to fight against
the hopelessness of his situation.
Poupata / Flower
Buds / Poupata
Director:
Zdeněk Jiráský
Czech Republic, 2011, 93 min, International
premiere
"Is that our dream? There's no way around it!"
cleaning lady Kamila says to her husband, who works as a railway
dispatcher. Of course, people like them have a hard time fulfilling
their dreams - first they have to take care of the necessities of
daily life. This sensitive social drama took the Czech Lion for Best
Film.
Praktični vodič kroz Beograd sa pevanjem i
plakanjem / Practical
Guide to Belgrade With Singing and Crying /
Praktický průvodce Bělehradem za zpěvu a
slz
Director: Bojan Vuletić
Serbia,
Germany, France, Hungary, Croatia, 2011, 87 min, International
premiere
Set against the backdrop of a pro-European, modern
Serbia, this collection of mini-romantic comedies uses intelligent
humour, insight and lightly subversive irony to describe love in
contemporary Belgrade in four different ways.
Seenelkäik / Mushrooming
/ Houbaření
Director:
Toomas Hussar
Estonia, 2012, 95 min, World premiere
Politician
Aadu and his wife Villu decide to go pick mushrooms; in the forest
they meet guitarist Zak and all sorts of other mushroom hunters. A
tragicomedy with a wisp of thriller anchored to a model story:
Through the behavior of the individual protagonists, the plot
gradually reveals their inability to "survive" in an unknown
environment that lays their characters bare.
Undeva la Palilula /
Somewhere in Palilula
/ Kdesi v Palilule
Director:
Silviu Purcarete
Romania, 2012, 141 min, International premiere
A
young pediatrician named Serafim arrives in Palilula, a small town
somewhere off the map, where he is to start his first job after
graduating from medical school. But he soon realizes that his dream
of practising medicine in this town, a place where time has stopped,
will not be fulfilled - and not merely because it's been ages since
a child was born there.
A viszga / The
Exam / Zkouška
Director:
Petér Bergendy
Hungary, 2011, 89 min, International premiere
A
year after the 1956 uprising, Hungary is still in the grip of fear.
Young Agent Jung undergoes a test of loyalty but he also has trials
in his personal life. Will he stand the test? The movie, which hovers
somewhere between a psychological story and a spy piece, successfully
demonstrates that even a modestly dramatic plot can bring out strong
emotions.
Yuma / Yuma
/ Yuma
Director:
Piotr Mularuk
Poland, Czech Republic, 2012, 105 min, World
premiere
It's the beginning of the 1990s but the situation
along the Polish-German border hasn't much changed since the fall
of the Iron Curtain. So 20-year-old Zyga and his friends decide to
brighten up life in their sleepy, gray town by bettering themselves
and their fellow citizens. Debut director Piotr Mularuk's
compelling drama is deftly interwoven with Western motifs.
Documentary Films in Competition
Two Czech films will compete in the feature-length documentary competition
Čas cinema will host the world premiere of the new film by Czech RAPublic creators Pavel Abrahám and Tomáš Stejskal, TWO NIL (Dva nula), while the competition also welcomes back icon of Czech documentary filmmaking Helena Třeštíková with her latest real-time documentary PRIVATE UNIVERSE (Soukromý vesmír).
Winner of the Best Documentary from KVIFF 2006 Timo Novotny (Life in Loops) will try to defend his Crystal Globe with his new film Trains of Thoughts. The filmmakers behind The Mother, Pavel Kostomarov and Antoine Cattin, are bringing over their recently completed portrait of Aleksei German, Hard To Be God (Dur d'etre dieu). The 1980s East German skateboard scene is the subject of the dynamic film This Ain't California, and we take a look inside a house of ill repute for transvestites located in a conservative Uruguayan village in the documentary The Bella Vista (El Bella Vista).
Documentary Films in Competition
Barbeiros
/ Barbers /
Lazebníci
Director:
Luiz Ferraz, Guilherme Aguilar
Brazil, 2012, 16 min, International
premiere
This skillfully compiled cinematic portrait from a
Brazilian filmmaking duo features experienced barbers from São Paulo
who initiate us into the mysteries of their traditional craft.
Unfortunately, its social dimension and even its very existence are
gradually disappearing.
El Bella Vista / The
Bella Vista / Bella
Vista
Director: Alicia Cano
Uruguay,
Germany, 2012, 73 min, World premiere
This playful movie records
the transformation of a soccer clubhouse, formerly used by Uruguay's
provincial Bella Vista team, into a transvestite brothel and,
finally, into a Catholic chapel. The characters are reminiscent, on
the one hand, of the magical realistic microworld of a Marquez novel
and, on the other, of the antiheroes of a TV sports drama.
Dur d'etre dieu / Hard
To Be God / Je těžké
být bohem
Director: Pavel Kostomarov,
Antoine Cattin
Switzerland, Russia, 2012, 67 min, International
premiere
Kostomarov and Cattin (The Mother
at KVIFF 2008) record the ten-year, as yet unfinished, shooting of
the new film by Russian director Aleksei German, Sr. based on a novel
by the Strugatsky brothers. This is a powerful look at a particular
place with its own particular rules, a portrait not only of a
renowned and uncompromising creator, but of his country as well.
Dva nula / Two
Nil / Dva
nula
Director: Pavel Abrahám
Czech
Republic, 2012, 108 min, World premiere
For director Pavel
Abrahám and writer Tomáš Bojar, soccer (specifically a game
between Prague's Sparta and Slavia teams) became "an excuse"
for shooting a portrait of contemporary Czech society. The main
characters of this humorous movie, rather than the players
themselves, are a wide variety of fans who are totally ensconced in
the football match.
L' equip petit / The
Little Team / Malé
mužstvo
Director: Roger Gómez, Dani
Resines
Spain, 2011, 10 min
This wittily assembled movie, with
music by the likes of Devendra Banhart and Edward Sharpe and the
Magnetic Zeros, presents a coed soccer team of seven-year-old
enthusiasts whose members, despite constant losses and an inability
to shoot a goal, never lose the joy of the game.
För dig naken / For
You Naked / Před
tebou obnažen
Director: Sara
Broos
Sweden, 2012, 74 min, International premiere
An
untraditional love story about the relationship between one of
Scandinavia's most highly regarded modern painters and a young
Brazilian dancer.
I'm Leaving on Wednesday /
I'm Leaving on Wednesday
/ Odjíždím ve středu
Director:
Clara Bodén
Sweden, Norway, 2012, 10 min, International premiere
This poetic Norwegian movie, combining super 8 and HD images, is
a nostalgic look at the romantic relationship of two young girls, and
an attempt to discover how such a story remains etched in human
memory and how profoundly it affects us.
Kichot / Kichot
/ Kichot
Director:
Jagoda Szelc
Poland, 2011, 14 min, International premiere
A
portrait of nonconformist Polish artist Marcin Harlender, who lives
with his wife Grażyna and their four young children in a messy
apartment full of creative stimuli that he uses, à la Don Quixote,
to fight against the world outside.
Nos jours, absolument, doivent etre illuminés
/ Our Days, Absolutely, Have to Be Enlightened
/ Ať jsou naše dny prozářené
Director:
Jean-Gabriel Périot
France, 2012, 22 min
The latest picture
from Jean-Gabriel Périot, one of the most distinctive figures of
short documentary filmmaking, takes us to a prison in Orléans,
France, to witness a nontraditional concert performed by the local
inmates, whose touching songs may be enjoyed (thanks to loudspeakers)
by chance passersby.
Polish Illusions / Polish
Illusions / Polské
iluze
Director: Jacob Dammas, Helge
Renner
Poland, 2012, 82 min, European premiere
In their
lighthearted movie, Jacob Dammas and Helge Renner give us a peek into
the lives of a few characters living in the slowly modernizing Polish
seaside town of Darłowo. They make use of numerous magical moments
of unintentional humor, while their seemingly serious commentary is,
in truth, gently ironic.
Poslednata lineika na Sofia /
Sofia's Last Ambulance
/ Poslední záchranka v Sofii
Director:
Ilian Metev
Bulgaria, Croatia, Germany, 2012, 75 min
In his
observational documentary, award-winning director Ilian Metev offers
us a highly authentic look at the exhausting and often frustrating
work of Sofia's three-member ambulance crews as they rush to save
the lives of people in need in the Bulgarian capital.
The Queen of Versailles / The
Queen of Versailles / Versailleská
královna
Director: Lauren Greenfield
USA,
2012, 100 min
An audience hit at this year's Sundance festival,
the movie captures David Siegel's attempt to build the most lavish
family residence in the United States. The influential American
billionaire, who lives with his eight kids and wife Jackie (30 years
his junior), was hard hit by the financial crisis, and his dream of
an American Versailles began to crumble.
Soukromý vesmír / Private
Universe / Soukromý
vesmír
Director: Helena Třeštíková
Czech
Republic, 2012, 83 min, European premiere
Helena Třeštíková's
latest documentary captures 37 years in the life of the Kettner
family. A family diary served as a springboard for the film: husband
Petr faithfully jotted down all the joys and tribulations which his
"utterly ordinary" Czech family underwent over the course of
nearly four decades.
A Story for the Modlins / A
Story for the Modlins / Příběh
pro Modlinovy
Director: Sergio
Oksman
Spain, 2012, 26 min, International premiere
Sergio
Oksman's brilliantly constructed picture, strengthened by a
bewitching atmosphere and assured direction, unfolds the mysterious
story of Elmer Modlin and his wife: hidden from the eyes of the world
for decades, they artistically played out their bizarre apocalyptic
vision in a darkened Madrid apartment.
This Ain't California / This
Ain't California / Tohle
není Kalifornie
Director: Marten
Persiel
Germany, 2011, 90 min
A wittily edited movie that
makes use of black-and-white animation, a lighthearted
retro-soundtrack, and countless archive amateur shots as it takes a
closer look at the inception of the skateboarding subculture of 1980s
East Berlin.
Trains of Thoughts / Trains
of Thoughts / Trasy
myšlenek
Director: Timo Novotny
Austria,
2012, 85 min, World premiere
The Sofa Surfers' original
soundtrack accompanies the special rhythm of Timo Novotny's
audiovisual essay as it takes us on a journey through the subways of
several world cities, discovering what makes them unique. This
whimsical movie stands out for its effective interplay of music and
image.
Forum of Independents
Adventures from a Serbian living room, a Canadian fairground and the mountain ranges of Pakistan are all played out in the Forum of Independents competition.
A mockumentary from a classical music festival in Dubrovnik, a drama about the abduction of a theatre company in the Moroccan desert, and a film tracing the movements of an unhinged hero trying to find his place in contemporary Berlin - these are films competing at this year's festival for the Independent Camera Award.
The Forum of Independents is a traditional platform reserved for films with a highly specific point of view, an original conception, and unexpected themes. So we'll find alongside one another in this year's competition the violin virtuoso Julian Rachlin, who, together with his friend Aleksey Igudesman, violinist and filmmaker adopts an unconventional approach to draw viewers to his music festival in the mockumentary Noseland, and American producer Adele Romanski who, after working on the indie hit The Myth of an American Sleepover, debuts as a director with the film Leave Me Like You Found Me, a drama about a couple who set out for the Sequoia National Park.
Formal invention and murky humour dominate the Serbian film Death of a Man in the Balkans (Smrt čoveka na Balkanu), while Inside (Vast), a Dutch tale set in a correctional facility for young offenders, austerely traces the transformation of the main character.
The Forum of Independents will also be screening films from Italy, Hong Kong, Israel and Poland.
Forum of Independents
Lean
She'at Nosaat / Where
Ever You Go / Kamkoli
jdeš
Director: Rony Sasson
Israel,
2011, 50 min, International premiere
Zohara is headed to a
wedding when young Neriman stops her car. Seeing the terror in the
girl's eyes, Zohara knows she has to get her off the street. Where
does she want to go? And why does she have a gun? The film succeeds
in developing a seemingly simple situation into a work of unexpected
connections and strong dramatic impact.
Leave Me Like You Found Me /
Leave Me Like You Found Me
/ Nech mě, jak's mě našel
Director:
Adele Romanski
USA, 2011, 80 min, International premiere
Erin
and Cal used to go out together, and now they're together again.
During their trip to a national park, however, it becomes obvious
that the old vices haven't gone away, and eventually both
begin to wonder why they're even together. Or will this ordinary
trip become a deeper experience than either expected?
Love Me Not / Love
Me Not / Neměj mě
rád
Director: Gilitte Pik Chi Leung
Hong
Kong, 2011, 92 min, European premiere
Aggie and Dennis are old
friends, connected by more than the flat they share. While Dennis is
clear about being gay, Aggie is starting to be less so. With a
natural flow, this relationship chronicle avoids crisis situations,
enabling it to succeed as a sensitive look at the coexistence of two
interesting characters.
Les manèges humains / Les
manèges humains / Lidská
manéž
Director: Martin Laroche
Canada,
2012, 89 min, World premiere
After studying to become a movie
director, Sophie decides to work at an amusement park. Thinking his
employee might be able to put her experience to practical use, her
boss asks her to shoot a park video. Sophie never imagined she would
be embarking on a journey which would ultimately allow her to come to
terms with a trauma she experienced in her native Africa. This
subjective movie benefits from superb acting performances reinforced
by atmospheric music and captivating camerawork.
Les Mécréants / The
Miscreants / Něvěrci
Director:
Mohcine Besri
Morocco, Switzerland, 2012, 88 min, International
premiere
On the orders of their spiritual leader, three young
Islamists kidnap a troupe of young actors. When the extremists arrive
at the specified place of detention, they find themselves cut off
from their base. The two very different groups are forced to live
together for a period of seven days during which any sense of
certainty is destroyed on both sides. They may have differing views
but could they have something in common as well?
Noor / Noor
/ Noor
Director:
Cagla Zencirci, Guillaume Giovanetti
France, Pakistan, 2012, 79
min, International premiere
After leaving Pakistan's Khusras
transgender community, Noor appears as a man and takes a man's job
at a company that decorates transport trucks. He even finds a girl
who loves him as he is.... But an unfortunate scuffle with a drunken
rapist sends the feminine-looking youth on a journey in a stolen
truck that forces him to redefine his own identity. This fascinating
road movie offers viewers a bluntly poetic invitation to dance.
Noseland / Noseland
/ Nosálov
Director:
Aleksey Igudesman
Austria, 2012, 82 min
Set at a classical
music festival in summertime Dubrovnik, this mischievous mockumentary
attacks stereotyped notions of violinists, cellists, and other
virtuosos, conductors not excepted. Julian Rachlin, Aleksey
Igudesman, Mischa Maisky, John Malkovich, Sir Roger Moore, and many
others perform, play, and recite with withering (self)-irony.
Oh Boy! / Oh
Boy! / Sakra,
kluku!
Director: Jan Ole Gerster
Germany,
2012, 83 min, International premiere
Young Niko is riding a
conveyor belt of experience, but he doesn't seem to know what to do
with it. He wants to be alone or at least be silent, but people keep
asking him things. And so while contemporary Berlin pulsates around
him, the young man wrestles with recklessness because, like this, his
journey might end prematurely.
Smrt čoveka na Balkanu /
Death of a Man in the Balkans
/ Smrt člověka na Balkáně
Director:
Miroslav Momčilović
Serbia, 2012, 80 min, World premiere
A
lonely composer commits suicide in his apartment. By means of a
webcam that the victim mounted on a tripod and pointed at the middle
of the room, we are able to follow the commotion that subsequently
takes place in his flat. This original, low-budget movie, packed with
snappy dialogue and functioning as a window onto the "Balkan
mentality," is shot entirely in one take.
Vacuum / Vacuum
/ Vakuum
Director:
Giorgio Cugno
Italy, 2012, 94 min, International premiere
A
young married couple, Arianna and Milo, are delighted by the birth of
their first child. But, of course, six months later everything is
different: for the young woman, daily life in their apartment in the
suburbs of Torino has become a grueling routine focused exclusively
on the child. The economic crisis and postpartum depression deeply
affect the young woman's life as she desperately tries to find
herself again. Debut director Giorgio Cugno built his visually
impressive project upon authentic details and a claustrophobic
atmosphere.
Vast / Inside
/ Uvnitř
Director:
Rolf van Eijk
Netherlands, 2011, 50 min, International premiere
An intense and intimate drama of an inwardly fragile, outwardly
tough teenage girl who has been sent to a correctional facility.
There her psychological state is laid bare as she tries to overcome
shadows from the past. Sigrid ten Napel's intense portrayal
dominates a film boasting responsive, detail-driven camerawork.
W sypialni / In
a Bedroom / V
ložnici
Director: Tomasz
Wasilewski
Poland, 2012, 76 min, International premiere
Forty-year-old Edyta is in crisis. She sleeps at hotels, and when
her money runs out she uses the internet to find men who are looking
for sex. With a minimalist plot line, the movie reveals the
characters more through faces and gestures than words, and through
the brittle, elusive atmosphere, perhaps the film's main
protagonist.