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Our inner world has no cultural differences

FIPRESCI Warsaw Critics Project 2019 2019-10-17
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After several impressive shorts, the director Matej Bobrik has the premiere of his feature-length documentary debut at Warsaw International Film Festival. Our Little Poland contains all basic features of his previous work, including the observation of a small community, often far from the centre of vivid social life and society, a humorous tone and forceful camera with contrasting tendencies. This time, he observes Japanese students of the Polish language and culture in Tokyo, who are preparing for a drama performance.

This mumblecore-inspired documentary concerns many social themes and combines them in a balanced and creative formal way. Young people's troubles make us smile sometimes, but their visions of the world are, in fact, a more serious theme. It's not just about cultural differences between Japanese and Polish culture, there are also more global issues, like the young female perspective of the future or living the life of your dreams instead of being one of the metro-travelling zombies from the corporations.

Making a play with the character of Nicolas Copernicus or the audiotapes listened to during lectures don't just play a background role in the documentary. They also have a symbolic significance, reflecting the themes the students are talking about their during lunch breaks. We can find contrasts between Tokyo and Poland in the way of living, there is also an impressive symbolic camera, that also finds contrasts - such as that between a passing metro and blossom trees swaying. But Our Little Poland shows, that our inner world does not depend on our nationality – as human beings, we cope with similar problems, especially when we are young.

Read 303 times Last modified on 2019-10-18

FIPRESCI Young Critics Warsaw Project

Lemana Filandra2Lemana Filandra is a writer and editor at "Klifhenger" (www.klifhenger.com), a site dedicated to movie analyses in Bosnian and English. She has been working as a freelance writer, a researcher, and a translator for the last three years. Currently, She is working on a PhD thesis in philosophy, focused on intersectional feminism and political implications of the concept of body. In the past she had different professional engagements at Sarajevo Film Festival, one of the most prominent European festivals. She also worked as a producer of a music video, a script supervisor and an assistant to a movie director.

Levan Tskhovrebadze2Levan Tskhovrebadze is a student of film studies in Ilia State University, Georgia. He has written and made other kind of journalistic content for Georgian outlets like Indigo, Cinemania.ge or Demo.ge. Recently he started working for Ilia State University online publication Cinexpress.iliauni.edu.ge where he writes reviews, articles and also translates some of the important articles or interviews about cinema into Georgian. He has covered few festivals as a film critic. He was doing video blogs for Berlin International Film Festival 2019th edition and has made some content at CinéDOC-Tbilisi and Batumi International Art-House Film Festival. Cinexpress is also the Ilia State University’s Film Club where he made public reports before screenings.

Oleksandra Povoroznyk2Oleksandra Povoroznyk is a film critic and journalist based in Kyiv, Ukraine. She is currently working for Vertigo.com.ua, one of the largest Ukrainian websites devoted to the film industry and entertainment in general. She is also the host of two podcasts about movies and TV.

Denisa Jašová2Denisa Jašová is a PhD student of Audiovisual Studies at Academy of Performing Arts in Bratislava. As a Film Studies and Archival Science graduate, she specializes on archival research in film and TV history, especially on Czechoslovak amateur film and TV non-fiction programmes from 70s and 80s. She also works as a researcher for TV documentaries, as a librarian in the Central European House of Photography and as a talk show host in student radio talk show called Cinefil. She frequently writes for magazine Film.sk, IFF Cinematik Piešťany and her first paper about the history of Slovak amateur film will be released in October 2019 in Kino-Ikon magazine. She simply loves film archives.

Bogdan Balla2Bogdan Balla is a Romanian experimental film director and freelance film critic based in Bucharest. He studies film directing at the National University of Theatre and Film and writes for FILM MENU. Besides directing and producing his own films, he also works as an independent freelance film critic. He reads bell hooks and is passionate about queer cinema. He has a preference for working with archival footage for his films.

Svetlana Semenchuk2Svetlana Semenchuk is an author of such publications on cinema as “Seanse”, “The Art of Cinema”, “Cinema TV” and other. The author-composer of the books “S. M. Eisenstein: pro et contra: Sergey Eisenstein in national reflection: anthology” and “E. F. Bauer: pro et contra. Eugene Frantsevich Bauer in assessments of contemporaries, colleagues, researchers, film critics. Anthology”. Teacher of the St. Petersburg New Cinema School, and at the St. Petersburg State University of Cinema and Television.

TUTORS of FIPRESCI Young Critics Warsaw Project

amber wilkinson2Amber Wilkinson  is a journalist with more than 20 years experience. She is the co-founder and editorial director of UK-based website Eye For Film. Her byline has appeared in The Times, Daily Telegraph, Sydney Morning Herald and Filmmaker Magazine among others. She also contributes as a freelance film critic on BBC Radio Scotland. She has run several FIPRESCI young critics' workshops and mentored student critics at the Edinburgh International Film Festival in 2018 and 2019.

TommasoTommaso Tocci is based in Italy, where he works as a film critic and translator covering film festivals across Europe for international publications. He has also worked for Berlinale Talents and for the Edinburgh International Film Festival, and he currently serves as Co-Programmer for the Saas-Fee Film Festival in Switzerland.