FESTIVALS: Tallinn Black Nights Announces Main Competition

    The Coldest Game by Łukasz Kośmicki The Coldest Game by Łukasz Kośmicki

    TALLINN: The Black Nights Film Festival, which runs 15 November – 1 December, will screen 21 films in its Official Selection.

    The section includes one film from Poland, The Coldest Game directed by Lukasz Kośmicki, and a coproduction from Kosovo, Albania and North Macedonia, The Flying Circus directed by Fatos Berisha.

    The complete list of films in the Official Selection follows:

    The Flying Circus (Kosovo, Albania, North Macedonia)
    Directed by Fatos Berisha
    Produced by B2 Agency

    The Coldest Game (Poland, UK)
    Directed by Łukasz Kośmicki
    Produced by Watchout Studio
    Coproduced by TVN, Next Film, Canal+, The Story Lab, Kosafilm, Galeria Olśnienia GO
    Supported by the Polish Film Institute

    Gipsy Queen (Germany, Austria)
    Directed by Huseyin Tabak

    Fiela’s Child (South Africa)
    Directed by Brett Michael Innes

    Drowsy City (Vietnam)
    Directed by Dung Luong Dinh

    Malpaso (Dominican Republic)
    Directed by Hector M. Valdez

    Muscle (UK)
    Directed by Gerard Johnson

    When the Moon Was Full (Iran)
    Directed by Narges Abyar

    Girl with No Mouth (Turkey)
    Directed by Can Evrenol

    Gutterbee (Denmark)
    Directed by Ulrich Thomsen

    Coming Home Again (South Korea, USA)
    Directed by Wayne Wang

    Golden Voices (Israel)
    Directed by Ecgeny Ruman

    In the Strange Pursuit of Laura Durand (Greece)
    Directed by Dimitris Bavellas

    Kontora (Japan)
    Directed by Anshul Chauhan

    Man from Beirut (Germany)
    Directed by Christoph Gampl

    Dead Volume (Brazil)
    Directed by Kaue Telloli

    Lost Lotus (Hong Kong, The Netherlands)
    Directed by Liu Shu

    Through Black Glass (Russia)
    Directed by Konstantin Lopushansky

    Kalel, 15 (The Philippines)
    Directed by Jun Robles Jana

    Monster (Ireland)
    Directed by Tom Sullivan

    Marionette (Mexico)
    Directed by Alvaro Curiel de Icaza