It is with great sadness that we received the information about the death of Michael Chapman, an outstanding American cinematographer, director and music video maker. Director of photography of Raging Bull and Taxi Driver among others, died at the age of 84 on Sunday, September 20 of congestive heart failure.

Michael Chapman at CAMERIMAGE in 2016,
photo by fotografowie.com

Michael Chapman was a frequent guest of the CAMERIMAGE Festival. From 2005, when he first visited us, he was a member of various juries: from the president of jury of the Student Etudes Competition, to jurying in the Main Competition, and finishing with being two-times jury member in the Documentary Films Competition.

Michael Chapman with his Golden Frog for a Lifetime Achievement,
photo by Paweł Skraba

In 2016, Michael Chapman was awarded the Golden Frog for Lifetime Achievement. As part of his retrospective, we showed our audience The Last Detail by Hal Ashby, The Last Waltz and Raging Bull by Martin Scorsese, The Fugitive by Andrew Davis and Primal Fear by Gregor Hoblit. Together with the planned retrospective, we have created an album honoring his life and work. During the award ceremony, the audience had the opportunity to watch the legendary music video for the song Bad by Michael Jackson, for which Michael Chapman was responsible for the cinematography. The presentation of music video was awarded with a few minutes of standing ovation.

We will remember Michael Chapman as an extremely warm and open person, distinguished by incredible cordiality. Goodbye, our dear friend. We will remember your work during meetings at the next editions of the festival.

Michael Chapman with his wife Amy at CAMERIMAGE in 2016,
photo by Paweł Skraba

           

The second season of series Succession, an HBO production, wins the award for Outstanding Drama Series at the 72nd annual Emmy Awards, held in virtual format due to the coronavirus pandemic. In addition, Succession also won for Lead Actor, Guest Actress, Casting, Directing, Writing and Picture Editing, all in the Drama Series category. The series was partly shot around locations in Croatia.

The European Film Academy and EFA Productions take great pleasure in announcing the six titles of the second part of this year’s EFA Feature Film Selection.

Due to Covid-19 and the related restrictions, the EFA Feature Film Selection 2020 was announced in two steps: 32 Films were already announced in August, with the six titles added today, the list is now complete. Together, the 38 films from part 1 and 2 form the EFA Feature Film Selection, the list of feature-length fiction films recommended for a nomination for the European Film Awards 2020. The films have been selected by a committee consisting of the EFA Board and invited experts Giorgio Gosetti (festival programmer/Italy), Kathrin Kohlstedde (festival programmer/Germany), Paz Lazaro (festival programmer/ Spain), Mary Nazari (exhibitor/Russia), Edvinas Pukšta (festival programmer/Lithuania) and Agathe Valentin (sales agent/France).

Dear EAVE Producers,

For the upcoming online edition of the 23rd BUSAN International Film Festival - Asian Contents & Film Market 2020, which will take place from October 26 – 28, we are offering free accreditations to 10 EAVE alumni from Asia and Europe.

If you are interested, please send us your company profile by September 30, 2020.  

The selected producers will have the opportunity to meet with the APM projects and set their other meetings at the digital market with all registered industry participants. They will also be invited to attend the EAVE TIES THAT BIND Online Pavilion featuring industry circles on recent co-productions with Asia and few other events to facilitate access to Asian content and decision makers.

If you are interested, please contact Tanika by SEP 30: This email address is being protected from spambots. You need JavaScript enabled to view it.

More information:

Asian Contents & Film Market (Oct.26-28, 2020)

BUSAN International Film Festival (Oct.21-30, 2020)
http://www.acfm.kr/eng

EAVE is supported by the Creative Europe - MEDIA Sub-Programme of the EU, Film Fund Luxembourg, CNC-Centre national du cinéma et de l`image animée, Mitteldeutsche Medienförderung, PACT, Fondo Audiovisivo FVG, Cinema Do Brasil, Polish Film Institute, Royal Film Commission of Jordan, Berlinale Co-Production Market, and the partners who have hosted the workshops since 1988.  

With our festival’s Discoveries we’re travelling further in search of amazing stories and larger-than-life characters. Here are the additional nine titles of the section that leave us in awe of their diversity, and the ability to provoke discussion. Thanks to them we have a chance to embark on journeys that in this strange year were not always possible. Join us!

FINAL FREE LIVE WEBINAR: CURSE OR BLESSING. CO-PRODUCTION IN A CHANGED ENVIRONMENT

There are less than two weeks to go before the start of the 4th edition of Kids Kino Industry, the international co-production forum. This year's edition has been moved to the online world, resulting in the programme being extended from three to four days. If you read our newsletter regularly, you know that as part of the lead-up to this year's edition, we have prepared a series of free webinars on Zoom and the last one is due to take place on 21st September, one week before the event starts.

Crème de la crème of world stop motion animation, that is Mike Cooper, Andy Gent, Magda Bieszczak and Melani Coombs – masters known for their work on the films: "Wallace & Gromit: The Curse of the Were-Rabbit", "Miss Peregrine's Home For Peculiar Children", "Isle of Dogs", " Harvie Krumpet” or “Mary And Max”. Five days full of business meetings and one-to-one consultations, unique opportunity to work in American LAIKA studio and pitching competition – the program of ANIMARKT Stop Motion Forum has been announced. The Jubilee edition begins in Łódź on October 6^th.

A suite of Hobby Horses at the Krakow Film Festival

The emotions after the jubilee edition have barely subsided, and the Krakow Film Foundation has just announced a call for entries for the 61st Krakow Film Festival. As every year, at the beginning of October, the proposals of documentary, short and animated films will start pouring in from all over the world, which will compete for places in the program.

This year’s special edition of ZagrebDox is scheduled to take place from 4 to 11 October at SC Cinema and &TD Theatre of the Student Centre in Zagreb. After it was postponed in March due to the unfavourable epidemiological situation right before the opening, the most important documentary film festival in Croatia takes place in a reduced form and adhering to all the epidemiological measures, on new dates and at a new venue, giving a chance to documentary lovers to see around fifty titles selected for this year’s festival edition. The SC Cinema, in terms of seats the largest movie theatre in Zagreb, has been chosen for the new venue because it makes it possible for as many viewers as possible to see the films, with maximum respect to the epidemiological measures. 

The central part of the programme, as always, will be the competition, international and regional, with cherry-picked titles to provide the audience with an overview of the recent production and current creative preoccupations, presenting a series of works that interestingly explore different contemporary issues and phenomena and acquaint with intriguing personal tales and colourful individuals. The side programme under the title The Best of the Rest will screen around twenty selected titles from this year’s official sections.

ZagrebDox is supported by the City of Zagreb and the Croatian Audiovisual Centre, and ZagrebDox Pro by Creative Europe – MEDIA Sub-programme. The festival’s general sponsor is Croatian Telecom.

*Immortal

CICAE appeals to all levels of government to support cinemas

CICAE, the international confederation of arthouse cinemas, is very concerned about the future of cinema as a cultural venue. "If effective immediate measures for our sector do not take effect soon, bankruptcies can be expected" says Christian Bräuer, President of CICAE. Traditional cinemas and arthouse cinemas in particular, with their high level of social and cultural commitment, do not just follow the principle of profit maximisation. They do not have necessary reserves. At the same time, they are now burdened by high fixed costs.

Tackling the pandemic is a challenge for society. It entails responsibilities for all of us. The same applies to the economic consequences. “Here, of course, we are also dependent on state aid," says Christian Bräuer. "We need aid programmes specially tailored to the situation of cultural venues and arthouse cinemas, otherwise there is a danger that in the end many will disappear forever and culture will fall through the net.”