APPLICATIONS ARE OPEN! 
Taking place on the private island of San Servolo in Venice, during the Venice Film Festival, the next workshop of the European VoD meetings will gather around 60 professionals from digital distribution and service providers working for and with VoD platforms, such as VoD platforms, distributors or aggregators, but also rights holders (festivals, producers, authors, cinematheques..), film institutions, tech companies. The last edition of the training counted for both workshops 56 different participants, 33 expertsand speakers, representing 69 companies from 24 countries. The European VoD Meetings are the 1st training course for audiovisual professionals working in the VoD sector, with a focus on independent and European films, to exchange their experience with their peers & stay up to date with the sector's developments. Some of the main topics for the Venice workshop are:
  • Market analysis
  • VoD Trends & emerging technologies 
  • VoD Market: networking & b2b meetings
  • Marketing & Audience Development
  • Design Thinking workshop
  • Technical Workshop
  • Audiovisual Business Planning
  • Fundraising & Access to Finance
  • European Public Policies & Regulations
The participation fee is €1050, which covers the tuition fees, pedagogical & business tools, full board, 4-night accommodation in a private room, public transports. Thanks to the support of the MEDIA programme, several scholarships are available. Other scholarships and rebates are available for EuroVoD members and its partners.
EUROVOD GENERAL ASSEMBLY IN CANNES
On May 16th, the EuroVoD members gathered for the General Assembly to discuss achievements from the past year as well as the challenges for the year to come. The association presented a report on its activity in 2018, which has been an important year with a shift in strategy, focusing now on training, networking, lobbying and fostering the competitiveness of the European VoD sector.
Following this new trajectory, EuroVoD expanded and welcomed 11 new members in 2018, as well as 7 new members since the beginning of 2019, bringing the total number of members to 20 core members and 5 associate members, coming from 18 countries and covering all the territories worldwide (34 territories from national and international platforms, and 4 global services), and presenting an average of 76% European films in the common catalogues of the members of the association.
The Board of Directors also reported on the successful first edition of the European VoD Meetings, supported by the Creative Europe MEDIA programme, whose next editions will take place in Venice (2-5 September 2019) and in Sofia (18-21 March 2020). The first edition of the training gathered 89 executive professionals representing 69 companies coming from 24 countries, mainly European, but also from India, Colombia, Greenland,Mexico, and US. The General assembly was also an opportunity to strengthen the cooperation among the members through the development of common projects, sharing of resources, benchmarking and fostering a knowledge economy in the independent VoD sector, facilitating a collaborative management between VoD platforms and pooling resources to increase the competitiveness of the sector.
The discussion of EuroVoD acting as an inclusive point of reference for the European public institutions' VoD services funding schemes was also addressed.
NEW BOARD OF DIRECTORS
The new board of Directors in charge for 1 year was also elected during the General Assembly (from left to right):
EUROVOD COCKTAIL
Thank you to all who could attend our Cocktail in Cannes on the Belgian Boat! It was a great opportunity to network among VoD professionals from the EuroVoD network. We hope to see you soon again in Venice or on another film market.
                                                                                                      
NEW EUROVOD MEMBERS
EuroVoD is proud to have already welcomed 7 new members in 2019: TriArt Film (SE),OutTV Media (NE), Filmoline (FR), ZOO Digital (UK), MinersINC (IN), Content Scope (DE),Kino Pasaka (LT). It now brings the total number of members to 20 core members and 5 associate members, coming from 18 countries and covering all territories worldwide (34 territories from national and international platforms, and 4 global services), and presenting an average of 76% European films in the common catalogues of the members of the association.
EUROPEAN AUDIOVISUAL OBSERVATORY
On April 25th in Brussels, Marta Jiménez Pumares presented the study 'Audiovisual Content Streaming: Setting the scene', with up to date facts and figures on the current streaming market.
EuroVoD is proud to partner with the European Audiovisual Observatory for LUMIERE VOD, the European film directory for VoD services. The second period of year for filling the database is open for EuroVoD's VoD services: you have until June 15th to send your catalogues! For more info, please contact Silvia Cibien at This email address is being protected from spambots. You need JavaScript enabled to view it..
                                                                                                                                          
CREATIVE EUROPE MEDIA FUNDING
On April 30th has been published the Open Call 'Bridging Culture and Audiovisual Content through Digital'. The project should be at the cross roads between different cultural and creative sectors, for instance through the use of innovative technologies. It will also foster innovative cross-sectoral approaches and tools to facilitate access, distribution, promotion and monetisation of culture and creativity, including cultural heritage. It should be implemented in at least 1 of the following areas: museums, live performance or cultural heritage. Projects require at least 3 partners established in 3 countries participating in the Creative Europe programme.Application DeadlineJune 20th, 2019

EFP Presents a New Generation of European Filmmakers including two Student Academy Award Winners at KVIFF 2019

EFP FUTURE FRAMES - Generation NEXT of European Cinema highlights outstanding, emerging directing talents by presenting ten film students and graduates and their often award-winning work at the 54th Karlovy Vary International Film Festival (KVIFF) in the Czech Republic (June 28 - July 6, 2019). With its special attention to a young cinema, the festival is the perfect place for EFP to promote the directors and their work. Thanks to the national film promotion institutes, who nominated their most interesting young talents, and the final selection undertaken by KVIFF's artistic director Karel Och and program coordinator Anna Purkrabkova, the initiative has established itself as an important platform for discovering exciting new European directors. EFP FUTURE FRAMES is supported by the Creative Europe Media Programme of the European Union and the respective EFP member organisations.

The fifth edition of EFP's fruitful cooperation with the festival introduces the filmmakers and their films to the public, film industry and press during the four-day event which runs from June 30 – July 3. The participants will take part in a master class and meetings with industry experts from various fields in order to build up their international network, receiving further support for their careers thanks to EFP's new cooperation with Festival Scope and the long-term partnership with the main media partner Variety and partners Cineuropa, Film New Europe and Fred Film Radio.

The two filmmakers, who had already been awarded with a Student Academy Award in 2018, are the Swedish director Jonatan Etzler who received the Student Oscar in Gold for his refreshingly unpredictable thriller about teen angst, social media and fame, Get Ready with Me. His Hungarian colleague István Kovács received the Bronze award for his drama about war- torn Sarajevo, A Siege. Also garnering many awards is Precious by Irfan Avdić from Bosnia & Herzegovina, telling the story of teenager Alem, who is torn between a life of crime and taking care of his grandmother. Celebrating its world premiere at KVIFF is Playing by Czech filmmaker Lun Sevnik (born in Slovenia) whose protagonists – 16-year-old friends Boris and Hugo – set up a livestream video and announce that they will commit suicide in an hour's time. Siblings Leah (14) and Theo (10) – The Last Children of Paradise – live alone with their grandmother in a remote farmhouse. A sad incident turns the kids' life upside down in German director Anna Roller’s drama.

Signe Birkova from Latvia uses a futuristic set-up and experimental elements for her film He Was Called Chaos Bērziņš about an alien abduction and UFO experts. Eileen Byrne – born in Luxembourg – has studied Film in the UK and Luxembourg. With Touch Me, she explores the pressures a cancerous disease puts on a relationship. Slovak filmmaker Gregor Valentovič presents his graduation film Kid about keeping friendships even when life goes separate ways. Colombian-born Jorge Cadena studied film in Buenos Aires and Geneva and has presented all his films at festivals, including The Jarariju Sisters at the Berlin International Film Festival. Using recollections from his childhood, he uses a fictional story about two sisters to show the environmental devastation caused by a coal mine. Also taking on environmental issues is UK filmmaker Natalie Cubides-Brady in Beyond the North Win: A Post Nuclear Reverie, a hybrid documentary about the decommissioning of a nuclear plant in Scotland.

The following national film promotion institutes (EFP member organisations) support EFP FUTURE FRAMES - Generation NEXT of European Cinema: Association of Filmmakers of Bosnia & Herzegovina, British Council , Czech Film Center, German Films, Film Fund Luxembourg, Hungarian National Film Fund, National Film Centre of Latvia, Slovak Film Institute, Swedish Film Institute, and Swiss Films.

Films and their directors presented in FUTURE FRAMES 2019 you can find here.

EFP FUTURE FRAMES - Generation NEXT of European Cinema highlights outstanding, emerging directing talents by presenting ten film students and graduates and their often award-winning work at the 54th Karlovy Vary International Film Festival(KVIFF) in the Czech Republic (June 28 - July 6, 2019). With its special attention to a young cinema, the festival is the perfect place for EFP to promote the directors and their work. Thanks to the national film promotion institutes, who nominated their most interesting young talents, and the final selection undertaken by KVIFF's artistic director Karel Och and program coordinator Anna Purkrabkova, the initiative has established itself as an important platform for discovering exciting new European directors. EFP FUTURE FRAMES is supported by the Creative Europe - Media Programme of the European Union and the respective EFP member organisations.

The fifth edition of EFP's fruitful cooperation with the festival introduces the filmmakers and their films to the public, film industry and press during the four-day event which runs from June 30 - July 3. The participants will take part in a master class and meetings with industry experts from various fields in order to build up their international network, receiving further support for their careers thanks to EFP's new cooperation with Festival Scope and the long-term partnership with the main media partner Variety and partners Cineuropa, Film New Europe and Fred Film Radio. The two filmmakers, who had already been awarded with a Student Academy Award in 2018, are the Swedish director Jonatan Etzler who received the Student Oscar in Gold for his refreshingly unpredictable thriller about teen angst, social media and fame, Get Ready with Me. His Hungarian colleague István Kovácsreceived the Bronze award for his drama about war-torn Sarajevo, A Siege. Also garnering many awards is Precious by Irfan Avdic from Bosnia & Herzegovina, telling the story of teenager Alem, who is torn between a life of crime and taking care of his grandmother. Celebrating its world premiere at KVIFF is Playing by Czech filmmaker Lun Sevnik (born in Slovenia) whose protagonists - 16-year-old friends Boris and Hugo - set up a livestream video and announce that they will commit suicide in an hour's time. Siblings Leah (14) and Theo (10) - The Last Children of Paradise - live alone with their grandmother in a remote farmhouse. A sad incident turns the kids' life upside down in German director Anna Roller's drama. 
Signe Birkova from Latvia uses a futuristic set-up and experimental elements for her film He Was Called Chaos Berzins about an alien abduction and UFO experts. Eileen Byrne - born in Luxembourg - has studied Film in the UK and Luxembourg. With Touch Me, she explores the pressures a cancerous disease puts on a relationship. Slovak filmmaker Gregor Valentovic presents his graduation film Kid about keeping friendships even when life goes separate ways. Colombian-born Jorge Cadena studied film in Buenos Aires and Geneva and has presented all his films at festivals, including The Jarariju Sisters at the Berlin International Film Festival. Using recollections from his childhood, he uses a fictional story about two sisters to show the environmental devastation caused by a coal mine. Also taking on environmental issues is UK filmmaker Natalie Cubides-Brady in Beyond the North Winds: A Post Nuclear Reverie, a hybrid documentary about the decommissioning of a nuclear plant in Scotland. The following national film promotion institutes (EFP member organisations) support EFP FUTURE FRAMES - Generation NEXT of European Cinema: Association of Filmmakers of Bosnia & Herzegovina, British Council , Czech Film Center, German Films, Film Fund Luxembourg, Hungarian National Film Fund, National Film Centre of Latvia, Slovak Film Institute, Swedish Film Institute, and Swiss Films.

For detailed information on FUTURE FRAMES 2019, the directors and their films please click here.Further partners of FUTURE FRAMES 2019 are AMC Networks and Nespresso.

The Czech version of the press release can be found at www.kviff.com

EFP (European Film Promotion) is an international network of film promotion institutes from 37 countries from throughout Europe, each representing their national films and talent abroad. Under the EFP banner, these organisations come together to jointly promote the diversity and spirit of European cinema and talent at key film festivals and markets, in particular outside of Europe. EFP is financially supported by the Creative Europe - MEDIA Programme of the European Union and by its member organisations. 
The Hamburg-based office is backed by the German Federal Government Commissioner for Culture and the Media, the Film Fund Hamburg Schleswig-Holstein, and the Ministry of Culture of the City of Hamburg.The EFP Future Frames programme partners: 
Creative Europe - MEDIA Programm, AMC Networks, Nespresso, Festival Scope, main media partner Variety, media partners Cineuropa,, Film New Europe and Fred Film Radio.

PODGORICA: The Film Centre of Montenegro has announced a Public Call for co-financing of the production of cinematographic works in the categories of feature film, short film, documentary film, project development and script development.

"Advocate", "Portrait of Suzanne", "My Country So Beautiful" and "Once Aurora" are the golden winners of the 59th Krakow Film Festival. On Saturday, June 1, in the Kijów.Center, in a room that was filled to the brim, the international jury awarded prizes to the best documentary, short and animated films that competed for the praise of experts and audience in Krakow cinemas throughout the whole festival week.

- The evening that we have before us will be full of joy, emotions and surprises - said Patrycja Wanat, who is the host of the closing gala of the 59th Krakow Film Festival while launching the evening. The award ceremony was attended by representatives of the film industry and cinema lovers from around the world. The evening was graced with a recital by Mikołaj Trzaska, who was also a member of the jury of the DocFilmMusic competition.

The documentary film "Advocate" (directed by Rachel Leah Jones, Philippe Bellaiche) secured the victory in the International documentary film competition, and thus the opportunity to apply for an Oscar nomination. Leah Tsemel, the protagonist of the film, has been defending cases deemed for failure for fifty years. Being an Israeli activist for human rights, she became famous mainly as a judicial defender of the Palestinians, including those accused of terrorism. The jury, chaired by Jacek Petrycki, which also included Talal Derki (Germany), Marja Pallassalo (Finland), Shane Smith (Canada) and Ágnes Sós (Hungary), recognized that this film was created with precision, insight and humor, that not only shows a heroic woman struggling against adversities, but also a person who inspires us with her unwavering conviction that justice can and ultimately will win. The film also received the KFF recommendation for the European Film Award.

The Silver Horn for the medium-length documentary was given to David Ofek and Tal Michael for the film " Around the Bed of a Dying Collaborator" (Israel), while the second Silver Horn, for the best full-length documentary, went to Adán Aliagi and Àlex Lora for "The Fourth Kingdom" (Spain, USA) , Mexico). The documentary has also received the award of the International Federation of Film Critics (FIPRESCI).

The winner of the oldest festival competition - International Short Film Competition - was Izabela Plucińska for the film "Portrait of Suzanne" (Poland, Germany, France). The jury, led by Polish director Xawery Żuławski, awarded the director with the Golden Dragon award for mastery in shaping matter and a brilliant balancing between surrealistic vision and reality. According to the jury, this work is complete and delightful.

Silver Dragons are prizes awarded to the best short films representing all film genres of the competition. The Silver Dragon for the best documentary was awarded to Aleksandra Maciejczyk for the production of "Connected" (Poland). The best animated film has been recognized as the French-Belgian “Under The Rib Cage" (directed by Bruno Tondeur), and the Silver Dragon for best short feature film went to Dekel Berenson for the film "Ashmina" (Great Britain, Nepal). The Macedonian animation "Edna" directed by Vuk Mitevski has been chosen the KFF candidate for the European Film Award in the short film category.

The Norwegian documentary "Once Aurora" (directed by Stian Servoss, Benjamin Langeland) was chosen by the Jury chaired by Brett Morgen as the best documentary musical film and at the same time the laureate Golden Heynal.

The main character of the film Aurora Aksens is called the wonderful child of Björk and is one of the most charismatic singers of the young generation. In the film, the artist opens the door to her magical world . The jury awarded the film for raising the genre, which is a musical document, to a higher level. The film also received the student jury award.

The Golden Hobby-Horse in the Polish Competition was awarded to Grzegorz Paprzycki's "My Country So Beautiful". The jury, under the leadership of Maciej Karpiński, awarded the prize for taking up the current topic, following the tradition of the Polish documentary film participating in public life.

The best Polish animated film was "Acid Rain" by Tomasz Popakul. This is the second Silver Hobby-Horse in the artist's career - the first one he received for the film "Ziegenort" in 2013. This time, the jury appreciated the director for proving that the visually attractive animation language can be a tool for understanding important phenomena of the present day.

The Silver Hobby-Horse for the director of the best documentary film went to Andrea Kutsila for the film "Summa", which according to the jury  has a humanistic message, expressed in a mature, harmonious form.

The third Silver Hobby-Horse, for the best feature film, went to Helena Oborska for the film "Bitten" for a different approach to interpersonal relationships and for the search for the original language in film.

The Norwegian documentary "The Men’s Room" directed by Petter Sommer and Jo Vemud Svendsen was recognized by the festival audience as the best film of  59.KFF.

At the end of the Krakow Film Festival, the awards of KFF Industry and DOC LAB POLAND were also presented.

The screenings of the awarded films will take place on Sunday, June 2 in the Małopolska Garden of Arts starting from 12:00.

A detailed program can be found at: www.krakowfilmfestival.pl

The 60th Krakow Film Festival will take place from May 31 to June 7, 2020.

WARSAW: FNE has teamed up with the Brussels based team of the International Union of Cinemas (UNIC) to bring you regular updates on EU cinema policies that impact all industry professionals across Europe. Click here for FNE UNIC EU Cinema Policy Update.

EU Copyright Directive

20/05: How to Implement Article 17 DSMD? Have Your Say! - Kluwer Copyright Blog

A pilot debate organised on June 13 to discuss Article 17 (ex-13) of the Copyright in the Digital Single Market Directive (DSMD) and its implementation.

20/05: Open Letter: Copyright Working Group Must Include NGO Voices - Civil Liberties Union for Europe

The open letter signed by Liberties and more than 40 other human and digital rights organizations calls for their inclusion in the implementation process of the EU Copyright Directive.

EU Online Broadcasting Directive

17/05: Creativity Works! reiterates the importance of territorial exclusivity for the creation, financing, production and distribution of creative content - Creativity Works!

Following the final adoption of the Online Broadcasting Directive, Creativity Works! issued a statement to reiterate and stress the importance of the territoriality of copyright and exclusive licensing to the creative sectors in Europe and to protect these principles going forward.

Audiovisual Policy - Council conclusions

22/05: Draft Council conclusions on improving the cross-border circulation of European audiovisual works, with an emphasis on co-productions - Council of the European Union

The Audiovisual Working Party has prepared the draft conclusions with a view to their adoption at the Education, Youth, Culture and Sport Council.

EU Single-use Plastics Directive

21/05: Council adopts ban on single-use plastics - Council of the European Union

The EU is cracking down on plastic pollution. The Council adopted a directive which introduces new restrictions on certain single-use plastic products. The formal adoption of the new rules by the Council is the final step in the procedure.

EU Elections

27/05: Voter turnout in EU elections up 10 per cent on previous vote - The Parliament Magazine

EU competition commissioner Margrethe Vestager has sounded a note of caution over the larger-than-expected turnout in the European elections.

27/05: 2019 European election results - European Parliament

The election results including seats per political group and country are presented.

Culture

20/05: Joint Statement by High Representative/Vice-President Federica Mogherini and Commissioner for Education, Youth, Culture and Sport Tibor Navracsics on the World Day for Cultural Diversity for Dialogue and Development - European Commission

Events

7 June: European Film Forum @ Transilvania International Film Festival (Cluj-Napoca)
12-13 June: International Forum on IP Enforcement, Paris 
13 June: IPKat/BLACA – 'The EU DSM Directive: End of the Story?', London
13 June: European Copyright Roundtable: 'How to implement Article 17 DSMD?'
17-20 June: CineEurope 2019, Barcelona
19-20 June: Conference on New Challenges regarding Copyright in the Digital Single Market, Bucharest
20-21 June: European Council Summit
24 June: Composition of European Parliament political groups
1 July: Finnish Presidency of the Council of the EU
2-4 July : First European Parliament Plenary, Strasbourg
15-18 July : Second European Parliament Plenary, Strasbourg
- Possible election of European Commission President
21-24 October: Election of new European Commission

East Silver Presents Eleven Films at the Krakow FF.

PRAGUE: Twelve documentaries have been selected for the 17th edition of the Ex Oriente Film training programme, which begins it first session 20-25 June 2019 in Banska Stiavnica, Slovakia.

WARSAW: Warsaw Kids Film Forum, the international coproduction pitching forum for children’s films from CEE territories, is accepting applications for it third edition through 31 May 2019.