GDYNIA: Kasia Adamik’s psychological thriller Amok, inspired by a Polish writer and convicted murderer, will vie in the main competition of the 42nd Gdynia Film Festival. The festival will take place from 18 to 23 September 2017.
NINA and MAGIC MOMENTS at Toronto IFF September 7– 17, 2017
WHEN EAST MEETS WEST opens call for entries, check out the new East & West focus and awards!
Press releases 06-09-2017After a successful summer at major festivals for several films previously presented at WEMW (to mention a few, In Praise of Nothing by Boris Mitic at Locarno, Nico 1988 by Susanna Nicchiarelli and Hannah by Andrea Pallaoro at Venice), When East Meets West is happy to launch the call for entries for the upcoming edition, taking place in Trieste next January 21-23, 2018.
WEMW will have a new East & West focus, bringing together over 400 film professionals from all over Europe and, in particular, from the 2018 spotlight territories: South East Europe and the Nordic Countries. Starting from today producers from all over Europe, Canada, US and Latin America can submit their project in development for the ‘WEMW Co-production Forum’ and their fiction films in editing phase for the workshop ‘First Cut Lab’.
Please read carefully the new guidelines.
WEMW Co-production Forum
DEADLINE: October 31, 2017
Producers from all European territories, Canada, USA and Latin America are eligible to apply and WEMW will select 20 projects in development with co-production or co-financing potential either with the Nordic Countries, South East Europe or Italy. Projects can be long feature fiction films or documentaries, with preferably 15% of the total budget already in place (more info on the eligible criteria on www.wemw.it)
Along with the EAVE scholarship, the FLOW Postproduction Award, the EWA – European Women’s Audiovisual Network Award, and the PRODUCERS NETWORK Prize, all selected projects will compete for the brand new FILM CENTER SERBIA Development Award, a 3.000 EUR grant for the best project.
FIRST CUT LAB
DEADLINE: December 7, 2017
FCL is a programme designed for 3 long feature fiction films in editing phase from Eastern Europe and Italy. Selected producer/director teams will receive tailor-made advice from a consulting editor (Benjamin Mirguet) and expert feedback from top international film professionals (creative producers, festival programmers, sales agents, etc). The main goal is to foster the artistic potential of selected rough cuts and, at the same time, increase the sales, festival and circulation potential of completed films. All applications must include video material not less than 60 minutes long.
Along with the ‘WEMW Co-production Forum’ and ‘First Cut Lab’, the 2018 edition of WEMW will include the work in progress section for documentaries Last Stop Trieste, the EAVE live stream session and the new work in progress section for Italian films. Furthermore, thanks to the precious cooperation and support of all Nordic and South East European National Film Institutes and Film Centres, WEMW will bring together a large delegation of film professionals from the Nordic countries and South East Europe, and will present a series of panels and case studies dedicated to the co-production opportunities with the 2018 spotlight territories.
More information on the submission process and the event are available at www.wemw.it
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WEMW is organized by the FVG Audiovisual Fund and the Trieste Film Festival in collaboration with EAVE, Maia Workshops, Creative Europe Desk Italy, EURIMAGES, and the support of Creative Europe/MEDIA Programme, MiBACT - Direzione Generale per il Cinema, CEI - Central European Initiative and the Autonomous Region of Friuli Venezia Giulia.
Bhutan is a country without a long-standing film tradition, but it is bravely looking for its own voice and a way to combine tradition with new means of expression. Find out the first details of the section taking our audience on a tour of this virtually unknown cinema.
In September, premieres of Lithuanian productions will take place at the leading film festivals
Festivals 05-09-2017After a long break, Lithuanian filmmakers will present their works at two leading film festivals of Venice and Toronto. Lithuania is the only Eastern European country to present its productions to the audiences of the key autumn events in Europe and North America.
Bratislava, SLOVAKIA. The renowned director, artist, animator, two-time winner of the Slovak National Film Award Slnko v sieti for her Four (2007) and Snow (2013) projects and a key member of the team of animators and illustrators behind one of the most popular Slovak children´s cartoon and book series Mimi & Lisa (winner of the Visegrad Animation Forum 2017, category TV special), Ivana Šebestová is introducing her latest short animated movie Yellow (Žltá) at the grand opening of the travelling film festival called Projekt 100 on 6th September 2017 alongside the feature film Out by György Kristóf, which had its premiere at the 70th Cannes Film Festival this year.
Lithuanian feature film Karalių pamaina (Kings’ Shift, 2016) directed by Ignas Miškinis, is selected for the world cinema competition of the 5th edition of the Duhok IFF in Iran.
ZAGREB: Hana Jušić’s debut feature Quit Staring at My Plate was chosen to represent Croatia in the Best Foreign Language Film category at the 90th Academy Awards. The film is the first Croatian/Danish coproduction.
FNE at 2017 Gdynia Film Festival: The Art of Loving. The Story of Michalina Wislocka
Poland 06-09-2017GDYNIA: The box office hit biopic The Art of Loving. The Story of Michalina Wislocka directed by Maria Sadowska will vie in the main competition of the 42nd Gdynia Film Festival (18-23 September 2017). The film was released in Polish cinemas by Next Film on 27 January 2017 and is the top Polish box office title of the year with 1,794,209 admissions to date.
BRUSSELS:The European Film Agency Directors (EFADs) has just published a press statement and position paper on the European Commission’s proposal for a Directive on Copyright in the Digital Single Market. The Commission’s proposal will be discussed in the IP Working Party on 11/12 September and voted on in the European Parliament on 10 October.
