TALLINN: Estonian Mart Taniel, the cinematographer of Rainer Sarnet’s November, and Hungarian Mate Herbai, who shot Ildiko Enyedi’s On Body and Soul, are nominated for the American Society of Cinematographers’ (ASC) Spotlight Award for 2017.

Coming to Bratislava in April 17-21, with the editor of 12 Monkeys and other cult films Mick Audsley together with an extraordinary programme

TRIESTE: The 8th edition of When East Meets West kicks off on 21 January 2018 with a double focus on the Nordic countries and South East Europe and also by launching a new Baltic Award.

PRAGUE/WARSAW/TBILISI: Nobody Likes Me by Czech directors Tomas Weinreb and Petr Kazda, as well as Polish minority coproduction The War Has Ended by Hagar Ben Asher were selected for the Berlinale Co-Production Market (17-21 February 2018). The Empty House by Georgia’s Rati Tsiteladze was selected for the Talent Project Market.

TBILISI: A Georgian short documentary The Trader / Sovdagari directed by Tamta Gabrichidze will be broadcast on Netflix starting 9 February 2018.

 

Trieste, January 11th, 2018 – The eighth edition of When East Meets West kicks off in 10 days, on January 21st with an exciting double focus on the Nordic countries and South East Europe. After having revealed the pitching forum project selection, WEMW announces its new Baltic Award! Thanks to the cooperation with the three Baltic Film Institutes selected projects will compete for a cash prize of 3.000 EUR. Along with the co-production forum WEMW is proud to unveil the complete line-up of the three side sections targeting films in post-production stage.

Now in its fourth edition, Last Stop Trieste, the work in progress section run together with the Trieste Film Festival, will present 7 creative documentaries to an exclusive panel of more than 40 international sales agents, festival programmers and TV commissioning editors. All films will be in the running for the HBO Europe Award and the Flow Digital Cinema Award.

First Cut Lab, the workshop for films in editing phase, has finally selected 3 long feature fiction films from Poland, Russia and Lithuania with the main goal of fostering their artistic, sales and festival potential. To this aim, the producer/director teams invited to the lab will receive tailor-made advices from a consulting editor and international experts.

 

After the successful past editions of these two side sections, When East Meets West and Trieste Film Festival will expand their initiatives targeting projects in post-production phase and will launch in partnership with Milano Film Network a new section exclusively dedicated to long feature fiction films produced or co-produced by Italian producers. This is IT will present 6 films ready for festival premiere/international distribution and will deliver the Laser Film Award.

Alongside the pitching forum and the three side sections, WEMW will feature a rich programme including a “Coproduction Day” organized in cooperation with the Creative Europe Desks from South East European countries, Italy and the Nordic countries; “In the Spotlight”, where fund representatives from this year's spotlight territories will give a comprehensive insight into current trends in their film industries. The panel “The Road to Project and Film Marketing: Checkpoints and Pitfalls”, in cooperation with Heretic Asterisk, will shed light on the way marketing can impact a project during its all different stages: from development to delivery and distribution. EAVE will lead the session “Towards 2030: Creating New Business Models for Film”, a plenary for film professionals interested in the current status of digital distribution, its future growth and how to create a strong, sustainable and dynamic European industry. Finally, EDN – European Documentary Network will host the session “Victim of Changes? Or Drivers of Innovation?”, where a number of leading voices from public service broadcasters will discuss how they see the future for public media in the digital age.

The 7 documentaries presented at Last Stop Trieste, the 3 long feature fiction films chosen for First Cut Lab and the 6 Italian films selected for This is IT are:

 

LAST STOP TRIESTE

 

100 TRIPS AROUND THE SUN

director: Víctor Cruz
producer: Fito Pochat
countries: Argentina, Italy

BALTIC NEW WAVE

directors: Audrius Stonys, Kristine Briede
producer: Uldis Cekulis
countries: Latvia, Lithuania, Estonia

BEFORE FATHER GETS BACK

director: Mari Gulbiani
producer: Tekla Machavariani
countries: Georgia, France, Germany

EXEMPLARY BEHAVIOUR

director: Audrius Mickevičius
producer: Rasa Miškinytė,
countries: Lithuania, Bulgaria, Italia

 

 

 

HOME GAMES

director: Alisa Kovalenko
producer: Stephane Siohan
countries: Ukraine, France, Poland

MY UNKNOWN SOLDIER

director: Anna Kryvenko
producer: Michal Kráčmer
countries: Czech Republic, Latvia, Slovakia

PAYING A VISIT TO FORTUNA

director: Mátyás Kálmán
producer: Ágnes Horváth-Szabó
country: Hungary

FIRST CUT LAB

CORE OF THE WORLD

director: Audrius Mickevičius
producers: Natalia Drozd, Sergey Selyanov
countries: Russia, Lithuania

SUMMER SURVIVORS

director: Marija Kavtaradze
producers: Marija Razgute, Klementina Remeikaite
country: Lithuania

THE MUTE

director: Bartosz Konopka
producer: Anna Wydra
countries: Poland, Belgium

This is IT

CITTA’ GIARDINO

director: Marco Piccarreda
producers: Marco Piccarreda, Gaia Formenti
country: Italy

DUE PICCOLI ITALIANI

director: Paolo Sassanelli
producer: Tommaso Arrighi
countries: Italy, Iceland

MENOCCHIO

director: Alberto Fasulo
producer: Nadia Trevisan
countries: Italy, Romania

 

 IL RUMORE DEL SOLE

director: Mirko Locatelli
producers: Mirko Locatelli, Giuditta Tarantelli
countries: Italy, France

STORIES FROM THE CHESTNUT WOODS

director: Gregor Božič
producers: Marina Gumzi, Igor Princic
countries: Slovenia, Italy

THE WORLD IS FLAT

director: Matteo Carrega Bertolini
producers: Matteo Carrega Bertolini,
Paola Dall’Olio
countries: Italy, France, Switzerland

WEMW is organized by the FVG Audiovisual Fund and the Trieste Film Festival in collaboration with EAVE, Maia Workshops, Creative Europe Desk Italy, EURIMAGES and the support of Creative Europe/MEDIA Programme, MiBACT - Direzione Generale per il Cinema, CEI - Central European Initiative and the Autonomous Region of Friuli Venezia Giulia. The 2018  East & West focus is in cooperation and with the support of all South East Europeans funds - Albanian National Center of Cinematography, Association of Filmmakers of BiH & Sarajevo Film Fund, Bulgarian National Film Center, Croatian Audiovisual Centre, Film Centre of Montenegro, Film Center Serbia, Greek Film Centre, Kosovo Cinematography Center, Macedonian Film Agency, Slovenian Film Centre - and all Nordic film institutes - Danish Film Institute, Finnish Film Foundation, Icelandic Film Centre, Norwegian Film Institute, Swedish Film Institute.

 

We know you are a busy decision maker. That is why you read FNE.  We kindly ask you to help us out by taking 2 minutes to answer the following short questions for our FNE reader survey.  It’s only once a year and we need it to continue to receive our funding. If it wasn’t really important we wouldn’t ask.

Click HERE for the questions.

WARSAW: The Polish/British animated film Loving Vincent directed by Dorota Kobiela and Britain’s Hugh Welchman was nominated for the British Academy of Film and Television Arts (BAFTA) awards in the best animated film category.

WARSAW: SPI International subsidiary Kino Polska TV took full control over Cable Television Networks & Partners by acquiring all of its shares for 2.4 m EUR / 10 m PLN. Cable Television Networks & Partners operates the terrestrial channel Zoom TV.

Together with the Creative Europe Desks - MEDIA from the Czech Republic and Slovakia, the Institute of Documentary Film organises a meeting with documentary filmmakers in Prague on 25 January 2018  regarding Media and Society: European Documentary in a Changing Media Landscape,  a project aiming to set out a blueprint to secure a sustainable future for the industry.