Running from 6 to 11 October 2020 in Ljubljana, the 23rd Festival of Slovenian Film (FSF) will open on Tuesday, 6 October, with the screenings of the feature documentary Antigone – How Dare We! and the short film Inseparable. The context of this year’s edition and its new features in terms of both programme and organisation, were presented at the press conference before kick-off by the Director of the Slovenian Film Centre, Nataša Bučar, the Director of the 23rd FSF, Jelka Stergel, and the 23rd FSF Project Manager, Tjaša Smrekar.

The media accreditation to the 24th Tallinn Black Nights Film Festival aka PÖFF and the audiovisual industry platform Industry@Tallinn &; Baltic Event is now open! The physical festival takes place from the 13th to the 29th of November in Tallinn and Tartu, Estonia, while the industry events will happen only online this year.

The accredited foreign press will be granted access to the festival’s programme and industry programme digitally via the Shift72 platform, no matter their geographic location, during the festival time.

On Friday evening at the Kids Kino Industry the awards were presented to the best projects selected to be pitched at the forum. The winners has been announced during online Closing Ceremony.

Kids Kino Industry awards:

  • Audiovisual Technology Center (Ceta) – Post Production Award worth PLN 60.000
  • Pop Up Film Residency – 3-weeks residency in Bratislava
  • M:brane – invitation to pitch at M:brane forum
  • EAVE – free participation in Marketing Workshop
  • Kids Kino.Lab – free participation in the next edition of the Kids Kino.Lab, script development programme

BRNO/the CR – In response to the newly announced measures against the spread of Covid, the organisers of the 46th year of the EKOFILM international film festival are postponing the film screenings at cinemas to a later date which has yet to be determined. However, part of the promised accompanying program will be available to fans online. The opening debate will still be held and streamed to participants on the internet, including the option of asking questions. The festival opening by Captain Demo will also be prepared, as will the official awards ceremony for this year’s winners.

The projects from all participating countries shared the awards on Friday evening. 

The eighth edition of the Baltic Pitching Forum (BPF), which took place between 8th and 10th October, came to an end this weekend with successes for projects from all the participating countries. After 12 projects – from Estonia, Latvia, Lithuania and Poland – were pitched to an online audience from across Europe, the Baltic Pitching Forum panel of industry experts and the Baltic Producers’ Jury gave out three main awards.

The 23rd Festival of Slovenian Film closed last night with the awards ceremony to celebrate  the highest creative achievements in Slovenian cinema. Directed by Matej Filipčič and hosted  by Jure Longyka, the event took place in the Grand Hall of the Hotel Union and started with  an address by the Director of the 23rd FSF, Jelka Stergel. The ceremony also saw the  presentation of the Metod Badjura Award for lifetime achievement in cinema to the 2020  laureate, animation filmmaker Koni Steinbacher, and a screening of his latest work, The  Legend of the Happy Hill.

The final deadline to submit an application for the Kids Kino.Lab, script development programme for film projects and TV series for young audiences, is approaching. We wait for the applications until October 23rd.

Submit your project here.

Who are the workshops for?

We are looking for teams: producer + scriptwriter who would like to develop their projects (full-length film or TV series in all the categories: animations/ documentaries/ live-actions).

Kids Kino.Lab is open to the projects from all the European countries.

The main festival award went to Ilya Povolotskiy in international competition and Radu Ciorniciuc in regional competition, and in the same category a special mention went to the Croatian director Đuro Gavran and his film 'One of Us'.

On Saturday, 10 October at 8pm, an online award ceremony ended this year’s special edition of the International Documentary Film Festival ZagrebDox. During the seven festival days the audience at the SC Cinema and &TD Theatre of the Student Centre in Zagreb had a chance to see  around fifty documentaries and meet the filmmakers, at a safe distance and adhering as much as possible to the epidemiological guidelines. In a special live show hosted on the R+ platform by Robert Zuber, the festival award winners were announced.

The 24th Ji.hlava IDFF kicks-off in two weeks! Despite the recent forced shift of the event to digital space, the full-fledged festival programme with over 59 world and 26 international premieres remains. What can the viewers look forward to? 

The programme features over 220 films: from the latest of Czech and international documentary crop, South Korean film retrospective, comprehensive showcase of Afro-American docs as well as new documentaries focusing on topics that are more than relevant these days: coronavirus pandemic, China and Hong Kong, climate change, and films asking the fundamental question – where is our home? The 24th Ji.hlava IDFF will take place between October 27 and November 8, 2020.

FIRST 8

We've announced the first 8 films of the Official Selection

Six of the announced films are world premieres, as Black Nights welcomes the return of Latvian auteur Laila Pakalnina with In the Mirror; the celebrated Kazakhstan director Adilkhan Yerzhanov with Ulbolsyn; the multiple-award-winning Croatian director Dalibor Matanić with The Dawn; veteran Russian scriptwriter and director Aleksandr Mindadze with Parquet; the up and coming Turkish director Nisan Dağ presenting her second feature When I’m Done Dying and the Portuguese film and TV director Leonardo António with Submission.

Academy-Award-winning Hungarian veteran István Szabó's new film Final Report will have its international premiere at Black Nights.

The first batch is rounded off by The Three by the Sundance Best-Director-award-winning Russian director Anna Melikyan.

READ MORE

ACCREDITATIONS OPEN

Tallinn Black Nights Film Festival is moving on with preparations of a hybrid event, holding physical screenings, while the accredited foreign press and industry delegates access to the festival’s programme digitally via the Shift72 and Elisa Stage platforms, no matter their geographic location. The industry strand, Industry@Tallinn &; Baltic Event has moved fully online this year, using the Elisa Stage platform.

Travel of foreign filmmakers and the press will be decided upon according to the situation in early November. The festival has teamed up with medical companies SYNLAB and Medicum for building safety protocols for testing kits and masks.

APPLY FOR THE INDUSTRY ACCREDITATION!
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ISSAC AT EUROPEAN FILM AWARDS

After receiving some raving reviews in the First Feature Competition of Black Nights last year our alumn, Lithuanian film Isaac by Jurģis Matulevičius is again making waves as the film has been nominated in the European Discovery category of the European Film Awards. The winners will be awarded at a ceremony on 12 December 2020. The team of PÖFF will keep their fingers crossed!
Stephen Dalton (The Hollywood Reporter) called the film 'A strikingly accomplished debut feature from the young Lithuanian writer-director Jurgis Matulevicius, Isaac draws on Cold War thriller and film noir tropes to create an ambitiously novelistic Euro-drama in which personal treachery resonates across a broader historical canvas'.
STARS OF TOMORROW
Screen International has unveiled Stars of Tomorrow 2020, its annual, eagerly anticipated talent showcase of the most exciting new actors, writers, directors, producers, and heads of department emerging across the UK and Ireland.
Among them we find Dónall Ó Héalai, who played the protagonist of Irish-language drama Arracht which had its world premiere at the Tallinn Black Nights Film Festival last year. Performing the role of a husband, father and farmer in 1840s Ireland — during the period of the great potato famine — required him to shed four stones in weight over four hungry months prior to the shoot. The film’s rapturous reception at festivals including Tallinn Black Nights and Dublin (where he won a discovery award) is earning the actor a new kind of attention.
NEWS FROM INDIA
We are delighted our last year's First Feature Competition entry, Lorni – The Flaneur directed by Wanphrang K Diengdoh will reach more audiences. Singapore’s 108 Media has picked up international sales duties on the Indian drama film ahead of its Toronto market debut.
Another piece of fantastic news from India, as MUBI buys world rights for Knock Knock Knock, a medium-length feature by Sudhanshu Saria that we screened at #PÖFF23. Sudhanshu is a true PÖFF alumnus as his first feature Loev had its world premiere at Black Nights 2015 and he returned the next year in the jury of the First Feature Competition.
SPACE DOGS CONTINUE TO MOVE
"This is an anti-animal movie", directors Elsa Kremser and Levin Peter told Leonardo Goi as they spoke about Space Dogs at the Tallinn Black Nights Film Festival, where the documentary screened a few months after its Locarno world premiere.
This is not a documentary that seeks to humanize its four-legged protagonists, but one whose overarching goal is to usher us into a world seen entirely through their own point of view. Kremser and Peter spent six months walking around the outskirts of Moscow with their two leads, and the feeling of intimacy percolates through the film.
UGANDA+ESTONIA=FUNK
Estonian funk band Lexsoul Dancemachine released a video directed by Ugandan director Godfrey Geoffrey aka Nabwana I.G.G, who they discovered thanks to PÖFF side festival the Haapsalu Horror and Fantasy Film Festival.
The video was shot in the backyard of I.G.G.'s home in the slum of Ugandan capital Kampala. The director is the founder of Wakaliwood and has been called Uganda's Tarantino. During the past 15 years he’s made over 50 films together with his friends and other slum residents, playing a central part in the local industry that has gained the popularity of being „so bad that it’s good“.
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