The preparations for EnergaCAMERIMAGE 2022 are underway. Hoping all of you out there stay safe and healthy, and that we can all meet in Torun this November, we are announcing our 2022 call for entries and official selection.

The 30th edition of EnergaCAMERIMAGE is scheduled to take place between 12-19 November in Torun, Poland and all filmmakers, producers and distributors are invited to submit feature films, documentaries, music videos, TV series episodes and student etudes for the festival's consideration. See more details below.

In addition to the numerous out-of-competition festival sections, there will be a number of competitions included in the program. We now accept submissions for the following:

● Main Competition (fiction films)
● Film and Art School Etudes Competition (fiction etudes)
● Polish Films Competition (fiction films)
● Documentary Shorts Competition – up to 40 minutes running time
● Documentary Features Competition – over 41 minutes running time
● Music Videos Competition (official music videos)
● Directors' Debuts Competition (fiction films)
● Cinematographers' Debuts Competition (fiction films)
● TV Series Competition (pilots or 1st episodes of consecutive seasons of TV series)

Before submitting your entry, please read the TERMS AND CONDITIONS of the competitions available on our website and make sure you are able to provide an online screener and a final screening copy.

To check out competitions' full descriptions and fill out a film submission form go HERE.

DEADLINES:

Main Competition
Directors' Debuts Competition
Cinematographers' Debuts Competition
Polish Films Competition
- early deadline: May 31, 2022 (no fee)
- late entry deadline: June 30, 2022 / late entry fee: PLN 300

Documentary Features Competition
Documentary Shorts Competition
- deadline: June 30, 2022 (no fee)

Music Videos Competition
TV Series Competition
Film and Art School Etudes Competition
- deadline: July 31, 2022 (no fee)

Please note that EnergaCAMERIMAGE Festival is an ACADEMY AWARD® qualifying festival in the Documentary Short Subject category. This means that the winners of the Golden Frog in Documentary Shorts Competition will qualify for consideration in the Documentary Short Subject category of the Annual ACADEMY AWARDS® without the standard theatrical run, provided the film otherwise complies with the Academy rules.

EnergaCAMERIMAGE Festival has also been named a STUDENT ACADEMY AWARD® qualifying festival which means that all films nominated in the Film and Art School Etudes Competition at EnergaCAMERIMAGE will qualify for consideration of the Student Academy Awards® provided the filmmakers will otherwise comply with the Academy Rules, including being a full-time student of an eligible film school and making the film as a part of the school work.

Join the selection process and see you at EnergaCAMERIMAGE 2022!

Two years ago, society was shaken by the COVID-19 pandemic, which became the main topic on most media for quite a long time. This pushed many events that continue to stir the world of human rights into the background. The One World Festival decided to draw attention to this fact and chose “Journeys of Freedom” as this year’s theme. “The effort to promote human rights and help where it is needed using all possible (and even impossible) means is always difficult and does not bring results overnight. Quite to the contrary. While twenty years ago it seemed as if the fragmented world was slowly, but nevertheless surely, coming closer to a better unified world, today’s situation is far from any optimistic expectations. Nonetheless, through this year’s festival programme you will find stories of people who are tirelessly fighting for freedom and democracy, proving that active resistance to injustice has a purpose and will never go away no matter what happens,” says the festival’s director Ondřej Kamenický as he explains the festival’s theme.  This year, the festival is offering 80 documentaries and 6 virtual reality projects. Of course this includes internationally award-winning films that have been screened at prestigious festivals abroad. The twenty-fourth edition of the One World International Human Rights Documentary Film Festival will take place in twenty five towns throughout the Czech Republic from 21 March to 3 April. In Prague, filmgoers can look forward to the festival from 23 to 31 March.

The festival will open with Polish director Kacper Lisowski’s Judges Under Pressure, which used the honest and courageous testimonies of the protagonists to show the current state of the Polish judicial system. The film captures the speed with which the journey of freedom of an independent judiciary can be influenced by the ruling party, as well as the consequences faced by those who oppose it. This documentary capturing the rapid fall of the independent judiciary in a country that is our neighbour and a member of the European Union is proof that freedom is something about which we can never be certain.

This exceedingly current documentary will be introduced at the festival opening at the Prague Crossroads Centre by a delegation comprising not only the filmmakers but chiefly those who are facing the pressure portrayed in the film. One of them is the judge Igor Tuleya. Filmgoers can look forward to a discussion with the filmmakers and protagonists following the public screening of the film at the Lucerna Cinema or as a part of the Talking Cinema programme.

The theme of this year’s festival, “Journeys of Freedom”, is also reflected in the main thematic category bearing the same name. The films in this category disclose the critical social upheavals that occur in countries with undemocratic regimes, and give a voice to the people who are forced to cope with them. In addition to the annual Journeys of Freedom category, the festival includes its three traditional competition sections – the International Competition, the Right to Know section, and the Czech Competition – as well as six other thematic categories.

The International Competition presents the best of the world’s current documentary film production, bringing together important themes with exceptional formal handling. This year, there are ten films competing for the best film and best director awards. These include the captivatingly shot film Just Animals about the efforts of Saila, Kristo and Mai, who want to improve conditions on animal farms in Finland. Another fascinating story is Children of the Mist, tracking the struggle and emancipation of a young Vietnamese woman. The young Hmong woman in Vietnamese filmmaker Hà Lệ Diễm’s documentary refuses to submit to the traditional kidnapping of brides, which deprives local young women of the ability to decide about their own lives. Hanna Polak’s Angels of Sinjar, made as a co-production with Czech Television, captures the story of a Yazidi woman who tries to free her five sisters from Islamic State captivity. This theme which sounds like something from an adventure novel is unfortunately reality. The indigenous Uru-eu-wau-wau did live detached from reality in Brazil until someone from the outside world first stepped into their territory in the 1980s. In his documentary The Territory, director Alex Pritz observes how logging, architecture, President Jair Bolsonaro, and eventually even COVID-19 influence and threaten the lives of one of the last indigenous tribes in Brazil.

The films in the Right to Know competitive section traditionally expose cases of human rights violations that are usually not covered by the media. One of them is Be My Voice, Nahid Persson’s documentary about the Iranian activist Masih Alinejad, which catches the viewer off guard with the protagonist’s genuineness and her relentless battle against the requirement for Iranian women to wear a hijab. Just as surprising might be the film Choices/Voices, directed by Sara Dutch and Melanie Lyn, in which we are guided through the ins and outs of German law by women who wish to have an abortion in Germany. The fact is that abortion is illegal in our neighbouring country and women must contend with many degrading regulations. We will also encounter courageous women in director Snow Hnin Ei Hlaing’s documentary Midwives. The two protagonists live in the midst of an escalated ethnic conflict in western Myanmar. They work as midwives at a rural health centre but one is Buddhist, the other Muslim. Director Oeke Hoogendijk’s film The Treasures of Crimea demonstrates a link between a political conflict and museum exhibits. Where should an Amsterdam art museum send archaeological artefacts after an exhibition ends? To Russian-occupied Crimea or to Kyiv?

There are ten entries in the Czech Competition. The film First-time Voters 2021 focuses on the youngest group of Czech voters. Several months before the election, director Markéta Ekrt set out to shoot her film amongst students from various schools and social classes. Who are they voting for and what criteria do they use to choose their candidates? Czech documentary filmmaker Martin Trabalík joined forces with Bolivian director Geraldine Zambrana Velez to make Incendios, a film about the fires that bring together volunteer firemen who are becoming insistent spokespersons against the global crisis. Tomáš Polenský’s War Veterans is also about battles, ones with weapons. It is about how Czech veterans who lose their purpose in life, become alienated from their families and society in general, and have to deal with existential difficulties on a daily basis after their return from a mission in Afghanistan. For many soldiers, a return to civilian life poses a greater challenge than war itself. The film René – The Prisoner of Freedom is a continuation of Helena Třeštíková’s longitudinal documentary about a former repeat offender, which follows René during the next thirteen years of his life after his release from prison.

NEW CATEGORIES FOCUSING ON MENTAL HEALTH AND THE FUTURE 

One of the new categories this year is To Care and Protect. It introduces films associated with mental health and institutional care. Aude Pépin’s documentary Sheroes captures Chantal Birman during her last days as an assistant helping women who have just given birth. This unique observational documentary reflects an excerpt from a very fragile time in a woman’s life which is only rarely seen on a film screen. The film Jason will enjoy its European première at this year’s festival – it tells the story of a young man just entering adulthood, who until recently was a young woman named Latoya, as he recovers from the deep trauma and sexual abuse he suffered as a child. In this exceptionally intimate documentary made by Maasja Ooms, he tries to overcome his past and heal his soul. The festival will screen Hélène Magny’s Unspoken Tears in its exclusive world première. The protagonist Garine, Armenian by birth, survived the Lebanese Civil War. She has dedicated her adult life to helping children from crisis regions cope with their traumas so that they can integrate into Canadian society.

The second new category is Future Calling , which focuses on what our lives might look like in the near future. Canadian director Shannon Walsh’s The Gig Is Up takes a close look at today’s gig economy. An Uber driver in the US, a food delivery bike rider in China, and a handyman in the UK – despite their differences they share one thing: their work life is ruled by mobile apps. While platforms such as Uber, Amazon and Deliveroo are getting richer, their workers often just scrape by. What would it be like if women ruled the world? Would conflicts be resolved more easily? Would peace prevail rather than war? Could women deal with the threat of nuclear war better than men? Yael Bartana tries to answer these questions in the documentary Two Minutes to Midnight. In contrast, the documentary Searchers, directed by Pacho Velez, is a more laidback narrative about what is at times a futile effort to find a kindred spirit on online dating sites.

PLASTIC, THE CLIMATE, AND THE BEST OF INTERNATIONAL FESTIVALS 

As in the past, this year’s UnEarthed section offers a selection of many themes that are associated with ecology, the environment, and sustainable life. In his documentary The North Drift, director Steffen Krones decides to track the path followed by plastic waste from continental Europe to the cliffs of the Norwegian Lofoten archipelago. Liang Zhao’s film I’m So Sorry presents scenic images from areas such as Fukushima in Japan, or the Chernobyl exclusion zone. Together they compose a lyrical mosaic about the other side of nuclear energy, and reveal the thin line between progress and self-destruction on which the human race balances. It is this self-destruction that young students battle against in Danish director Phie Ambo’s film 70/30. In 2019, student activists in Denmark succeeded in making climate change the main theme of that country’s parliamentary elections. The country subsequently presented one of the most ambitious climate plans in the world: legislation that should ensure a 70% reduction in emissions by 2030.

Once again the popular Panorama category, comprising the biggest hits of the past season, offers a diverse range of themes. Daniel Sager’s documentary Behind The Headlines follows German investigative journalists from the daily Süddeutsche Zeitung, who rank amongst the world’s best. How do their articles that keep the powerful awake at night originate? The protagonists will answer this question themselves in the post-screening discussions and as a part of the Talking Cinema programme. The film No Hero At All, directed by Michał Kawecki, follows one of the most promising stars amongst Poland’s Alpine skiers with disabilities, but also a thief who steals scooters and has problematic family relations – this all describes Michał, the unusual hero of a candid story about the difficulties of life and overcoming obstacles. The students at a Catholic school in Belfast, N. Ireland, must also overcome obstacles. The school’s headmaster helps them to do this in Young Plato, a film directed by Neasa Ní Chianáin and Declan McGrath. He hopes to achieve this through a progressive approach to teaching and uses philosophy to show his students how they can come to terms with the country’s complicated past as well as with their own coming of age.

AWARD-WINNING FILMS AT ONE WORLD 

Many of the films being screened at this year’s festival boast a number of European and international awards. Director Jonas P. Rasmussen’s emotion-filled film Flee received three Oscar nominations. This unusual animated documentary tells of the hardship-filled journey of an Afghan gay man to Europe. An intimate view of one family’s tale, it’s also something of a universal refugee story. Another example it the captivatingly filmed A House Made of Splinters. The war in Eastern Ukraine has divided families. Children whose families are either unable to, or do not want to, care for them in this situation are now waiting for a decision about their future fate in an institution close to the battle line. Simon L. Wilmont received the award for best director for this film at this year’s Sundance. Francesco Montagner’s film Brotherhood received the Golden Leopard award at the international Locarno Film Festival. The film tells the story of three brothers, whose father, a Muslim preacher, is sentenced to two years imprisonment. This provides his three sons with their first opportunity to live life according to their own ideas. In his film Four Journeys, director Louis Hothothot tells the story of his own family. He was an illegal child, meaning a child born at the time that China still enforced a one-child policy. This debut film of the Chinese director opened the IDFA: International Documentary Film Festival in Amsterdam. He received five nominations for awards at this prestigious festival, including the awards for best Dutch film, best director, and outstanding artistic contribution. 

ENTER INTO A FILM WITH VIRTUAL REALITY

For the most daring who would like to have a taste of new virtual landscapes, One World has prepared a selection of virtual reality projects that will literally draw the viewer into the film. They include the possibility of becoming immersed in the human body itself during a 3D flight through the nooks and crannies of the human mind, or trying out an interactive gem filled with games from the 1990s narrated by Tilda Swinton. Find out for yourself about both the healing and the destructive effects that virtual life has on mental health in Goliath: Playing With Reality. Set out into the depths of the human body, which is linked to nature by firm threads, in a dizzying ride with breath-taking computer animation in the project Strands of Mind. This year’s virtual reality section is located in the Prague City Library on Mariánské náměstí in Prague. It will be open every day from 24 to 31 March.

 PRACTICAL INFORMATION

• Advance ticket sales start online on Wednesday, 2 March. Starting on 23 March, tickets will be available at the cinema box offices. All tickets are CZK 130.
• People with a ZTP or a ZTP/P disability card, and all viewers over the age of 65 will receive a 50% discount.
• In the case of ZTP/P disability card holders, entrance for their companion is free.
• This year we are offering direct ticket sales at the information booth in the Lucerna Arcade. Tickets for all cinemas and all screenings will be available. The tickets will subsequently be issued in printed form.
• You will find the Press Centre, where we will be issuing press accreditations during the festival, on the 1st floor of the Langhans – People in Need Centre located at Vodičkova 37, Prague 1. It will be open from 23 to 31 March from 10 am to 8 pm.
• Two information booths will be open during the entire festival: the first in the Lucerna Arcade and the second in the foyer of the Prague Municipal Library. Here you will be able to obtain complete information about the festival. Festival merchandise will also be on sale at the information booth, and will also be available in One Worlds e-shop.

Organiser: People in Need 
Co-Organiser: Ministry of Culture of the Czech Republic
General Partner: Abakus Foundation
Major Supporters:
City of Prague
State Cinematography Fund
Creative Europe – Media Programme
Wildling Shoes
European Parliament
Ministry of Foreign Affairs of the Czech Republic
A Better School for All / Lepší škola pro všechny
Technical and VR Partner: Alza
Online partner: Prozeta
Honorary Partner: LMC
General Media Partner: Czech Television
Main Media Partner: Czech Radio

The Docudays UA International Human Rights Documentary Film Festival is the largest documentary film festival in Ukraine. This year’s edition was to begin on 25 March in Kyiv. It’s no longer possible due to Russia’s brutal attack and the ongoing war. The organizers of the Krakow Film Festival decided to support their friends, stand up to cruel fate, and hold a part of the Ukrainian festival in Kraków’s… Kijów (Kyiv) cinema. 

The latest Ukrainian documentary films – qualified for Docudays UA’s prestigious national competition – will be presented during the Krakow Film Festival at the turn of May and June. In addition, to the extent possible, KFF will invite the organisers of Docudays UA and the filmmakers behind competing films, which will be judged by an international jury, while the awards will be presented during the final gala. The films screened in Kraków will be treated as domestic (Ukrainian) premieres, allowing them to maintain the status of international premieres and provide creators with an open path to apply to other prestigious film events.

I spent several hours watching these films with a heavy heart – concludes Krzysztof Gierat, director of the Krakow Film Festival. – They show Ukraine from before this criminal aggression, but the echoes of the war in Crimea are present there, and the threat to the entire country becomes increasingly real. It’s very painful when I try to imagine these places and these people now. I believe that we will show these films together with our friends from Kyiv and talk to their creators after the screenings. The presence of films, projects, and guests from Ukraine will be an expression of the Polish and international film community’s solidarity with our neighbours.

Whole ticket sales income will be donated to the Docudays UA festival.

The Krakow Film Festival will be held in Kraków cinemas from 29 May to 5 June, and online throughout Poland on 3–12 June 2022.

The Slovak Film Institute strongly condemns the Russian Federation's aggression against Ukraine's sovereignty and expresses solidarity and full support for its people. It is unthinkable for us that the lives of our Ukrainian colleagues, as well as all the people of Ukraine, are in direct danger and their rights and freedoms, both as individuals and as a nation, are being ignored.

The Slovak Film Institute, as a member of the International Federation of Film Archives (FIAF) and European Film Promotion (EFP), in solidarity with our Ukrainian colleagues, hereby:

- suspends all presentation activities of Slovak cinema in the territory of the Russian Federation and the Republic of Belarus,
- suspends all presentation activities of Russian and Belarusian cinema on the territory of the Slovak Republic,
- suspends granting of licenses for the public distribution of audiovisual works or parts of audiovisual works in respect of which it exercises producer's rights,
- suspends the participation of representatives of the Slovak Film Institute in film events in the Russian Federation and the Republic of Belarus and in the juries of film festivals in the Russian Federation and the Republic of Belarus,
- suspends the screenings of Russian and Belarusian films in the programme of Kino Lumière – the cinema of the Slovak Film Institute and the Filmotheque - the Study Screening Room of the Slovak Film Institute in Kino Lumière, including events organised by external subjects in Kino Lumière.

The Slovak Film Institute further proposes to the relevant entities:
- to suspend the screenings of Russian and Belarusian films in the programmes of Slovak film festivals,
- to suspend the submissions of Slovak films to the programmes of Russian and Belarusian film festivals,
- to suspend the participation of representatives of the Russian Federation and the Republic of Belarus at the events and in the juries of film festivals in the Slovak Republic,
- to suspend the participation of Slovak film professionals at the events and in the juries of Russian and Belarusian film festivals.

Peter Dubecký
General Manager
Slovak Film Institute

The Ji.hlava IDFF kicks of a special online event to support Ukraine. From Monday to Sunday, it will offer a selection of films that help to explain contexts of the post-Soviet space. The selection includes My Unknown Soldier by Ukrainian director Anna Kryvenko, Foundation Pit by Russian director Andrey Gryazev, and My Granny from Mars by Belarussian director Alexandr Mihalkovich. Each day until the end of the week one film will be available for free.  “Documentary film is a key instrument that helps us get oriented in the world around,” says Marek Hovorka, director of the Ji.hlava IDFF. The films are available at DAFilms.com; each day, one of the included film titles will be offered for free.

International Echoes of the 25^th Ji.hlava International Documentary Film Festival will kick off on 8^th March in New York. The programme loaded with films will then hit screens in Brussels, Ghent, Bucharest, and Paris. The Echoes are held in partnership with Czech Centers network and will have a hybrid form – held both live and online. Visitors of the live Ji.hlava Echoes can look forward to award-winning films of the Ji.hlava IDFF’s 25th edition, discussions with filmmakers and masterclasses

“We are happy that the Echoes will allow us to bring Czech and foreign films that won awards in Ji.hlava to international audiences and interconnect filmmakers with local professionals and audiences,” says director of Ji.hlava IDFF, Marek Hovorka.

Highlights of Echoes in New York 

The Bohemian National Hall at 73rd Street hosts the onsite screenings in New York. They include an awarded documentary Brotherhood (Wed, March 9) by young Italian director Francesco Montagner, which tells the tale of three brothers on the threshold of adulthood, grappling with their unsettling father-master. The audiences can look forward also to Gorbachev.Heaven (Tue, March 8) by Russian director Vitaly Mansky, which won a special mention for the best film about politics, and an animated documentary Love, Dad (Wed, March 9) by Diana Cam Van Nguyen about ties and gaps between a child and a parent. New York’s Echoes will be topped off with a „documentary anatomy of a mass murder“ Eyewitness (Thu, March 10) directed by Czech director Jiří Havelka who will be present to introduce his film and join Q&As. The screenings will be held free of charge, the full programme is here. The Czech Center New York is a co-organiser of the event. The showcase is accompanied by online screenings of Czech documentary films awarded at Ji.hlava IDFF’s previous years, free to watch at the territory of the United States via dafilms.com.

“The Ji.hlava Echoes in the USA are special for us also in relation to the Ji.hlava New Visions programme through which we help new U.S. creative documentaries find their co-producers in Europe. From the 1^st April the U.S. authors will be invited to start submitting their documentary projects and present them to key documentary stakeholders in Europe during the 26^th Ji.hlava IDFF in October this year,” adds Hovorka. 

Echoes of 25th Ji.hlava IDFF in New York: March 8 – 10, 2022 

Dates of upcoming Echoes of Ji.hlava in March:

/// France: March 19 – 26 /// Belgium: March 21 – 27 /// Romania: March 22 – 26

For more information please contact us at This email address is being protected from spambots. You need JavaScript enabled to view it.

As an international film festival with a focus on the Southeast Europe region, the Sarajevo Film Festival joins Ukraine to its official programmes: Competition programmes for feature, documentary, short and student films, the In Focus programme, the CineLink Film Industry Days programme for film professionals as well as the Talents Sarajevo programme, which is intended for the new generation of film hopefuls of the region.

The festival also launches a residency programme for filmmakers from Ukraine, who will work on their projects in the development and postproduction stages in Sarajevo in collaboration with leading BiH and international experts from the world of film, after which they will be presented at the CineLink Film Industry Days of the Sarajevo Film Festival.

The Ukrainian delegation will be invited to the CineLink Film Industry Days with the aim of enhancing the collaboration with film professionals from Southeast Europe.

In an effort to symbolically mark the beginning of this collaboration, the Sarajevo Film Festival posted on its YouTube channel the film “Reflections“ by Ukrainian director Sergei Loznitsa, part of the 2014 omnibus “Bridges of Sarajevo”, which brought together 13 important European directors on the centenary of World War I, who explored the topic of Sarajevo through their films.

In this way, the Sarajevo Film Festival shows its solidarity with the Ukrainian people and filmmakers and condemns the Russian invasion of Ukraine. Launched in 1995 as an expression of cultural resistance to the war in Bosnia and Herzegovina, the Sarajevo Film Festival knows from its own experience how valuable solidarity and support of this kind are.

Ukraine

01/03:  UNIC stands in solidarity with Ukrainian exhibitors and the Ukrainian people following Russian invasion - UNIC

UNIC, the trade body representing the interests of cinema operators across 39 European territories, has today issued a statement expressing its solidarity not just with Ukrainian exhibitors but also the Ukrainian people as they look to repel the attack on their country by Russian forces.

28/03: Press release: Audiovisual authors’ organisations stand in solidarity with Ukraine - SAA

The Society of Audiovisual Authors and its collective management organisation members stand in solidarity with the Ukrainian people and their creative community following the invasion of the country, and with all forms of opposition to the war.

01/03: Unequivocal Solidarity with Ukraine - European Film Academy

The Academy strongly condemns the war started by Russia – Ukraine’s sovereignty and territory must be respected. Putin’s actions are atrocious and totally unacceptable, and we strongly condemn them.

04/03: Commission suspends cooperation with Russia on research and innovation – European Commission

Following the Russian invasion against Ukraine and in solidarity with the people of Ukraine, the Commission has decided to suspend the cooperation with Russian entities in research, science and innovation.

06/03: KVIFF 2022: Karlovy Vary Film Festival Refuses Call to Ban All Russian Films – Film New Europe

The organisers of the Karlovy Vary International Film Festival have announced that they will not boycott all Russian films at this year’s edition (1-9 July 2022) but will not screen Russian films or accept anyone who is associated with the Russian government or supports military aggression.

07/03: Netflix suspends service in Russia - BroadBand TV 

Netflix has decided to suspend its service in Russia in response to the country’s invasion of Ukraine.

NextGenerationEU

01/03: NextGenerationEU: First annual report on the Recovery and Resilience Facility finds implementation is well underway – European Commission

The European Commission has today adopted its first annual report on the implementation of the Recovery and Resilience Facility (RRF), the centrepiece of NextGenerationEU. The RRF is providing up to €723.8 billion (in current prices) of grants and loans to Member States to support transformative investments and reforms that will enable the EU to emerge stronger from the COVID-19 pandemic.

Digital Services Act

03/03: Digital Services Act: MEPs are ready to defend tougher regulations – The Parliament Magazine

The European Parliament and Council must find agreement over points of contention in the DSA. Here is a breakdown of what's at stake and what's next.

Remuneration

01/03: US companies dominating the EU market - less rights for authors? - SAA

During the pandemic lockdowns and quarantines, few paid attention to the consequences of the domination of the streaming and on-demand services by US interests: while the audience gets more content, European authors are being stripped of their right to royalties.

French Presidency of the EU

04/03: Informal meeting of ministers responsible for culture, media and the audiovisual sector – Council of the EU

This informal meeting of ministers responsible for culture, media and the audiovisual sector will address two separate topics. The first is the press and media sector and the second is cultural heritage. What are the challenges faced by these sectors? Can solutions be offered at European level?

Events:

11 March - Presentation of a pan European report on the future of the industry by the European Co-Production Forum, Brussels

15 March - Trilogue on the Digital Services Act

15 March - DG Competition deadline about Amazon MGM Merger

22-24 March - Dialogues of Lille, Series Mania Festival, with Vice President Vestager

28-29 March - UNIC Cinema Days 2022

March/April 2022 - Adoption of Council conclusions on building a European Strategy for the Cultural and Creative Industries

5-6 April - UKCA Conference

25-28 April - CinemaCon 2022

20-23 June - CineEurope 2022

ICFR Launches Emergency Fund

The International Coalition for Filmmakers at Risk has set up a special "Emergency Fund for Filmmakers" for film practitioners directly in danger due to the ongoing war in Ukraine. The Coalition and the Fund have been canvassing for funding and donations as soon as war broke out. In the past days, significant financial contributions have been pledged by Germany's key national and regional film funding bodies (100K EUR), by La Scam*, the Netherlands Film Fund, and by many individual donors.